Bianca-Autobiographical Novel Of Torru Dutt As The English Novelist

In the opening, she shares her childhood encounters with women in prose with the children’s rhyme “a little girl who had a curl”. This personal anecdote introduces the topic of the portrayal of women in literature, as well as establishes a connection with her audience.

In Rebecca du Maurier appears to conform to the conventions of the romantic genre however, du Maurier has also subverted the genre of romance through her representation of the relationship between the narrator and Maxim and the structure of the novel. She has also incorporated of elements of the gothic genre and the psychological thriller.

“There was not one but ready to follow when he lead the way.” Even though Robert is not around most of the time, he influences Edna more than he realizes. “Mrs. Pontellier was beginning to realize her place her position in the world as a human being.” He essentially makes Edna second guess her marriage and the possibility of leaving her children behind. Robert brings Edna out of her shell and makes her more comfortable around others particularly standing up to her husband. “I don’t wish to go in, and I don’t intend to. Don’t speak to me like that again; I shall not answer you.” Robert shows Edna that he is connected to her and she falls for him almost instantly because that is what she has been missing while being married to Leonce. “We shall love each other… Nothing else in the world is of any consequence.” Despite the fact they have never been involved in any physical way, Robert knows that he feels more for Edna than any other women he has encountered. So he decides to run away from the truth and goes to Mexico to keep from having to show Edna his true love for her. Ultimately, Robert influenced Edna severely because she was second guessing her marriage, falling in love with him and even became friends with Mademoiselle Reisz through him. And she sadly even committed suicide in the end because she couldn’t deal with the hurt of being without

There are certain ideals that need to be met while being in a relationship; they play concrete roles in the stability of the partnership. The idea of Edna being confined in a marriage with Mr. Pontellier who doesn’t

In the middle of the trip to Aunt Ida's, Rayona wonders what will happen to her. Standing on a hill overlooking Ida's house, Christine runs and leaves Rayona. In a short lapse of time, Rayona has lost her mother and gained an unwilling caretaker. The treatment from both women causes Rayona to question her own value as a person; she finds herself of little worth. As life on the reservation slowly progresses, Father Tom befriends Rayona. While the priest's intentions are innocent, he ends up causing Rayona to feel more poorly about herself. So Rayona runs, she tries to escape from her difficulties at the reservation. At the lake, she decides to begin a new life. Several things happen to Rayona at the camp. The ways her co-workers behave toward her depress her further, and then the letter she finds causes her to want what is perceived as a normal life. Though also at the lake, begins a turning point for Ray

Leonce Pontellier, the husband of Edna, is the story 's antagonist. He is materialistic, due to him being a wealthy businessman, and also forty years old. His high status came at a cost; he is very concerned with appearance and how others view him."The way to become rich is to make money, my dear Edna, not to save it," he said. He regretted that she did not feel inclined to go with him and select new fixtures. He kissed her goodbye, and told her she was not looking well and must take care of herself. She was unusually pale and very quiet” (18). He also treats Edna as mere property "You are burnt beyond recognition," he added, looking at his wife as one

     Finally, in a heated, tearful, and heart-warming debate, Mr. Emerson (George’s father) gives Lucy the last ounce of strength that she needs to complete her transformation from a petty young woman to a subtle heroine. Mr. Emerson sees right through her false excuses for breaking off with Cecil and forces her to realize her genuine feelings of love for George. Lucy succumbs to her passion and overcomes the confining condition of her social class. She tells her family and friends of her love for George Emerson, refusing to hold on to her “distinguished and proper'; behavior, giving into her true desire, and transforming from a petty young woman to a subtle heroine.

On the other hand, it could be articulated that the female characters in both the novels have proved their mental instabilities, individualisms and rebelliousness have disturbed the lives of others. Moreover, it could be analyzed in the novels that both the author in their social context has explained the dark secrets of the life of individuals.

She married Leonce not because she loved him but because she could not refuse his admiration and persistence. This marriage thrusts Edna into a foreign culture. She questions her role as a mother because she is different from the typical Creole "mother-woman." Edna defies the central perception that women are mothers first

She was pressured to marry Leonce by her father and older sister. Along with marriage came the pressure to have children. She is forced into these roles but never actually succumbs to them. Edna not only has Madame Ratignolle's friendship and her marriage to wake her up to her dreams and emotions, her affairs wake up to her desires. The way the different male characters treat her reminds her that she will never happily fit into the role of a wife and mother, therefore awakening her.

Step through as the curtain is pulled back, the wizard considered, and the tools used to create worlds are examined. Nora Roberts has had a long and successful career as a writer and novelist since her first novel, Irish Thoroughbred, was published in 1981. Since then her readers have been rewarded for their loyalty with hundreds of other gems including The Return of Rafe MacKade, and Blood Brothers. Using excerpts from the aforementioned novels, the linguistic elements employed by the author will be carefully looked at to provide explication on how Ms. Roberts created such a unique voice in the wealth of talented writers. In this paper, a detailed analysis of Nora Roberts’ usage of syntax, sentence structure, semantics, the meaning in language,

Mrs. McIntyre allows the priest to have unwarranted control of her because of her desire to preserve her farm. This allows him to persuade Mrs. McIntyre to do the unthinkable. She hires Mr. Guizac, a displaced person. Nothing could have caused a bigger change on her farm. He and his family come from Poland and bring with him many different cultural ideas. Normally, Mrs. McIntyre would never have undertaken such a drastic change. But because the priest is able to convince her that it will be best for the farm, she concedes. Soon, he comes to visit her regularly, attempting to both convert her and persuade her to bring yet another Polish family onto her farm. Mrs. McIntyre, who has heretofore been dependent only on herself for survival, has now come to trust the priest and turns to him for advice. She seeks his council about what to do about the possibility of the Guizacs leaving her because she cannot pay them enough. He responds, " 'Arrrr, give them some morrre then. They have to get along.' " (219). Mrs. McIntyre follows his advice, betraying her only friend, Mrs. Shortley, as well as planning to fire the best family she has ever employed. She soon discovers what an awful mistake this was.

Initially, Marina is isolated and detached from the world she once knew. She begins in a tone harsh and cold. “It would stay a cold and empty book, with no secrets.” Her tone is blunt as she describes herself as the “nut case, the psycho with the deformed face” and the “silent freak” suffering from “anorexia of speech”. The main aspect isolating Marina from growing and

Lucentio's treatment of Tranio is reflected in his treatment of Bianca and their role as man and woman. Lucentio never hits Bianca or mistreats her in anyway, but spends the play wooing her and showing her his love. However, Bianca does not completely mimic Tranio's obedience in her role as wife to Lucentio. Though Bianca is not as stubborn willed and shrewish as her sister, Katherine, she does not obey her husband when he calls her to him. Biondello comes back to Lucentio to report: "Sir, my mistress sends you word that she is busy and she cannot come." [7] This action is in direct contradiction with An Homily on the State of Matrimony which states: "Let not therefore the woman be too busy to call for the duty of her husband where she should be ready to perform her own, for that is not worthy any great commendation." [8] Though Lucentio is consistent with his role as master and husband. His relationship with Tranio differs slightly from Bianca, Tranio's servant hood more apparent and selfless.

These constant beatings in Maggie Johnson’s home, furniture thrown from parent to parent, and every aspect of her family life as being negative, her family situation is not an extremly healthy one. But, despite her hardships, Maggie grows up to become a beautiful young lady whose romantic hopes for a more desirable life remain untarnished.