Bias In The Handmaid's Tale By Margaret Atwood

As the United States went through two World Wars between 1914 and 1941, isolationist sentiment had a large influence on US foreign policy. There were many causes for such isolationist beliefs as the era included many significant changes. The main change that Americans experienced during this time period was the immense difference in the decades, with a roaring economy in the 1920s following the first World War and a Great Depression in the 1930s which would end with the start of the second World War. With such large changes occurring within the lives of Americans during this entire period of time, isolationist sentiment rose. As such beliefs became widespread, US foreign policy became influenced by such isolationism. Isolationism meant that

Serena Joy is the most powerful female presence in the hierarchy of Gileadean women; she is the central character in the dystopian novel, signifying the foundation for the Gileadean regime. Atwood uses Serena Joy as a symbol for the present dystopian society, justifying why the society of Gilead arose and how its oppression had infiltrated the lives of unsuspecting people.

It is necessary for the government to impose a certain amount of power and control of its citizens in order for a society to function properly. However, too much power and control in a society eliminates the freedom of the residents, forbidding them to live an ordinary life. In the dystopian futuristic novel, The Handmaids Tale, Margaret Atwood demonstrates the theme of power and control through an oppressive society called the Republic of Gilead. The government established power and control through the use of the wall, military control, the salvaging, the particicution, and gender.

Books that are banned or challenged often have controversial topics but many don't consider the positive effects of these books. The Handmaid's Tale is an example of this because despite including uncomfortable topics, it also offers meaningful themes and ideas.

“There is more than one kind of freedom, said Aunt Lydia. Freedom to and freedom from. In the days of anarchy, it was freedom to. Now you are being given freedom from,” (Atwood 24). The Handmaid’s Tale, written by Margaret Atwood, is a novel set in the near future where societal roles have severely changed. The most notable change is that concerning women. Whereas, in the past, women have been gaining rights and earning more “freedom to’s”, the women in the society of The Handmaid’s Tale have “freedom froms”. They have the freedom from being abused and having sexist phrases yelled at them by strangers. While this may seem like a safer society, all of the “safeness” comes at a drastic cost. Atwood depicts a dystopia in The Handmaid’s Tale

Paula Hawkins, a well-known British author, once said, “I have lost control over everything, even the places in my head.” In Margaret Atwood’s futuristic dystopia The Handmaid’s Tale, a woman named Offred feels she is losing control over everything in her life. Offred lives in the Republic of Gilead. A group of fundamentalists create the Republic of Gilead after they murder the President of the United States and members of Congress. The fundamentalists use the power to their advantage and restrict women’s freedom. As a result, each woman is assigned a specific duty to perform in society. Offred’s husband and child are taken away from her and she is now forced to live her life as a Handmaid. Offred’s role in society is to produce a child

Psychological criticism has roots as far back as the fourth century BC, when Aristotle “commented on the effects of tragedy on an audience, saying hat by evoking pity and fear, tragedy creates a cathartic of those emotions” (Dobie 54). More recently, however, psychological criticism has been shaped and influenced by the work of Sigmund Freud. He developed theories concerning “the workings of the human psyche, its formations, its organization, and its maladies” that, while further refined by other theorists, are still the basis of the modern approach to literary criticism (Dobie 54). Freud’s theory of the tripartite psyche is used to classify and define the conscious and unconscious mind into the id, ego, and superego. When examined using this theory, Margaret Atwood’s The Handmaid’s Tale, a dystopian novel about a patriarchal totalitarian government that has replaced the United States of America, is particularly interesting.

In Margaret Atwood’s ‘The Handmaids Tale’, we hear a transcribed account of one womans posting ‘Offred’ in the Republic of Gilead. A society based around Biblical philosophies as a way to validate inhumane state practises. In a society of declining birth rates, fertile women are chosen to become Handmaids, walking incubators, whose role in life is to reproduce for barren wives of commanders. Older women, gay men, and barren Handmaids are sent to the colonies to clean toxic waste.

In The Handmaid’s Tale by Margaret Atwood, the United States of America no longer exists. It has been overthrown and is now known as the Republic of Gilead. Due to an unknown disaster, women are desperately needed to keep the reproduction rate steady. They are too valuable in this time of crisis to be allowed to roam around as they please. The new government’s attempt to enforce this message and make it a known fact is through the use of propaganda. The propaganda is focused towards women because it is a male dominated society which eliminates education, uses selective television broadcasting, and contains the Red Center.

In Margaret Atwood's The Handmaid's Tale, Offred recounts the story of her life and that of others in Gilead, but she does not do so alone. The symbolic meanings found in the dress code of the women, the names/titles of characters, the absence of the mirror, and the smell and hunger imagery aid her in telling of the repugnant conditions in the Republic of Gilead. The symbols speak with a voice of their own and in decibels louder than Offred can ever dare to use. They convey the social structure of Gileadean society and carry the theme of the individual's loss of identity.

The Handmaid's Tale, a film based on Margaret Atwood’s book depicts a dystopia, where pollution and radiation have rendered innumerable women sterile, and the birthrates of North America have plummeted to dangerously low levels. To make matters worse, the nation’s plummeting birth rates are blamed on its women. The United States, now renamed the Republic of Gilead, retains power the use of piousness, purges, and violence. A Puritan theocracy, the Republic of Gilead, with its religious trappings and rigid class, gender, and racial castes is built around the singular desire to control reproduction. Despite this, the republic is inhabited by characters who would not seem out of place in today's society. They plant flowers in the yard, live in suburban houses, drink whiskey in the den and follow a far off a war on the television. The film leaves the conditions of the war and the society vague, but this is not a political tale, like Fahrenheit 451, but rather a feminist one. As such, the film, isolates, exaggerates and dramatizes the systems in which women are the 'handmaidens' of today's society in general and men in particular.

In the Handmaid’s Tale by Margaret Atwood, life in the newly formed dystopian society of Gilead is partial to the rights of women. Once the college town of Cambridge, Massachusetts, Gilead has produced laws that prohibit women from writing, reading, conversing in a casual manner, having jobs, purchasing items, and even forming intimate and meaningful relationships. They are brought down to just a means of reproduction. Those who reproduce are called Handmaids and one such Handmaid is Offred. Her way of adapting to such a drastic change of lifestyle is to separate her mind from her body, to dissociate herself from what’s happening around her and to her. Pollock, the author of The Brain in Defense Mode, cites a definition of dissociation

In a society where women are completely oppressed they have two choices: To conform and survive, or to rebel and risk execution. Conformity would entail suppressing their morals and their personal rights to adapt to Gilead’s social standards. Would one choose self-inflicted isolation by disassociating oneself as a human being to survive, or gain more rights and disregard all morals by working for the government? This society is represented in Margaret Atwood’s The Handmaids Tale. The novel is set in the Republic of Gilead, a dictatorship, formerly known as the United States of America. The government controls all aspects of the lives’ of its citizens, with its harshest regulations directly affecting women.

Cultural criticism is a broad technique that puts emphasis on the culture that contributed to the production of a work. This approach is an eclectic, interdisciplinary study that utilizes a wide range of topics to analyze literature. Cultural criticism considers a variety of perspectives and branches of knowledge to discover the compilation of beliefs and customs that characterize a group of people. For a cultural reading of The Handmaid’s Tale by Margaret Atwood, a cultural critic would consider the historical background paired with theories such as Marxism and feminism to make assumptions about what culture engendered the creation of this novel. (104 words)

Within history, societies have to try to find a balance between gender and class. Margaret Atwood writes about a country called Gilead: a society where women are broken down into classes while men control all the power. Throughout her dystopian novel, The Handmaid's Tale, Atwood utilizes gender and class to alienate the protagonist, Offred, illustrating how women and their position within society are used as a political instrument to gain dominance.