Bib 370 What Is The Historical Context For The Psalm

The Bible is the Holly Book, composed by many text from different authors. The number of texts in the bible depends to the version. The Bible has two main parts, the ancient and the new testament. The Psalms, which are the object of our research paper, belong to the ancient testament. The Norton Anthology world literature offers us the King James version of the psalms, which played a key role in the literature. For our assignment, we will explore the historical context that lead to the writing of psalm, the information about of the author, themes treated by the psalms and the significance of those psalms in the world’s literature.

David knew that no amount of good works he had done, could rectify his guilty state before God. His position of prophet and king did not obligate God to him. David’s longing to be reconciled to God was granted by God’s compassionate acquittal of David despite his guilt. Moo explains that, “David’s words from the psalm confirm Paul’s basic point…a person’s relationship with God comes not by works but by God’s gracious act.” A further examination of David’s proclaimed blessing reveals the state of “being fortunate, happy because of circumstances, favored, and privileged.” William Sanday represents this state of blessedness well by stating, “…David in Psalm 32 describes how God pronounces happy (in the highest sense) those to whom He attributes righteousness without any reference to work.” Paul’s focus on the blessed state of the forgiven sinner in verse 6 is qualified by his citing of David’s proclamation of blessing in psalm 32:

DeClaisse-Walford offers an informed commentary of the psalm while also focusing on the entire structure and history of the Hebrew Psalter as opposed to other authors who do the analysis alone.

I sing of mercy and justice: to you, LORD, I sing praise. I study the way of integrity; when will you come to me? I act with integrity of heart within my royal court. I do not allow into my presence anyone who speaks perversely. Whoever acts shamefully I hate; no such person can be my friend. I shun the devious of heart; the wicked I do not tolerate. Whoever slanders another in secret I reduce to silence. Haughty eyes and arrogant hearts I cannot endure. I look to the faithful of the land; they alone can be my companions. Those who follow the way of integrity, they alone can enter my service. No one who practices deceit can hold a Post in my court. No one who speaks falsely can be among my advisors. Each morning I clear the wicked from the land, and rid the LORD’s city of all evildoers (The New American Bible, Psalm 101.1-8). An important allusion in O Pioneers is the one made to the 101st Psalm. The 101st Psalm is alluded to when Ivar repeats the verse in part five, chapter one. In the verse, David gives his guidelines for living life. This scripture was of the utmost importance in olden times, as many people memorized it and implemented David’s guidelines in their own lives. This scripture expanded on the novel’s theme of Christianity and drew my interest because I have similar views as some of the characters.

Briggs, Charles A. and Emilie G. Briggs. A Critical and Exegetical Commentary on the Book of Psalms. The International Critical Commentary, vol. 10. Edinburgh: T. & T. Clark International, 1907.

In Psalms, we see a collection of lyrical poetry, songs and prayers. Many of these were written by King David himself. The book covers almost the entire gamut of human emotion, from sorrow to joy, from doubt to faith.

The purpose of this section is to clarify major historical foundations of Christian worship practiced by the early church and its relation to the book of Psalms. The primary objective is to explain the influence of the Psalms on the worship life of the early church. By analyzing the New Testament context, believers can have a clear perception of the meaning of the book of Psalms in the worship life of the early church. Therefore, scholars assume that is fundamental to learn about the interaction between the book of Psalms and the New Testament in order to define Christian worship in the New Testament context. Moreover, this unit will exemplify aspects that influenced worship in the New Testament.

The attendance of the Lord as shepherd is present throughout the Holy Bible. Whether being accountable of the primary duty of providing animals with sufficient food and water, protecting the sheep, or just plain caring for the sheep like David, the responsibility of the shepherd is making sure every facet of a sheep’s life is taken care of. The rationale of this paper is to give an exposition of Psalm 23, while reflecting on Psalms as a whole, in order to give adequate evidence for arriving at a conclusion that proves the LORD is the only necessity in an individual’s life in regards to the role of a servant.

Genre: The genre of Psalm 139 is Hebrew poetry, simply because the psalms were written in Hebrew and are a collection of poems and laments. The first principle of interoperation is that the psalms blend experience, emotion, and theology. This should be taken into account while reading the poem in order that the reader does not simply skip over the theology by only focusing on experience and emotion. The second interoperation principle is that each psalm should be read as a whole. Verses of psalms should not be taken out of context, in doing this the reader may distort the meaning of the psalm. Another interpretation principle to take into consideration is the different genres of psalms such as: laments, thanksgiving, hymns of praise, wisdom, and songs of trust. With that being said, Psalm 139 not only falls under the Hebrew poetry genre, but is also classified as a psalm of trust. Lastly, the fourth interpretation principle is that parallelisms are used. In other words, ideas correlate in many different ways such as: synonymously, antithesis, intensifying, specifying, and synthetically.

As mentioned previously, within this psalm, there are three distinct strophes, or stanzas, in view. Bullock (2005) noted that, “at the heart of Hebrew poetry is a device called parallelism” (p. 36). Several instances of parallelism are found in Psalm 24, and especially in the first two strophes. For example, in the first distich, we see David proclaiming that “The earth is the Lord's, and all it contains, the world, and those who dwell in it” (Psalm 24:1, King James Version). These two units are an example of synonymous parallelism, which Bullock (2005) noted as meaning that “the thought pattern in one line conforms to the pattern in the successive line” (p. 36, BULLOCK, PARAPHRASE THIS). Next, in verses three and four, we find the psalmist using a form of synthetic parallelism, which involves the second line solving or completing the thought of the first line (Owensboro Community and Technical College, n.d., para. 7). This can be seen in verse three when David asks the questions “Who may ascend into the hill of the Lord? And who may stand in His holy place” and then answers in the next verse with “He who has clean hands and a pure heart, who has not lifted up his soul to falsehood and has not sworn deceitfully” (Psalm 24:3-4, King James

The overall structure of the Psalm is that it is broken into two halves. The first half of the psalm is God’s creation. The second half deals with God’s Word. Though they are both different they both share the common theme of god revealing Himself to mankind. Inside of these halves the author uses different parallelism. In the first verse we see synonymous parallelism, using the heavens and skies to make the point that they are telling of God’s Work. In the seventh verse we see synthetic parallelism showing the progression from perfection to restoration of the imperfect.

Where the Psalm speaks of the human life that we must spend with our Lord and also refers to evil and the devil

Since Psalm 119 is a Psalm of reverence go God and His Word, Scripture is referenced repeatedly. The Psalm is unique and outstanding for its recurring reference to God’s written revelation. Scripture is

Verse three outlines the start of the forming of David's band of miscreants; "Also joining him was every person who was in distress, everyone who was in debt, and everyone who was discontented gathered to him. He became captain over them. And there were about four hundred men with him" (NKJV). David is now the leader of an unstructured group of men discontented with the current political situation. They had been wronged and mistreated, were under a curse of debt that they could not pay. They were not trained loyal soldiers, but like David, are so distressed that they have no option left except to run and hide from their problems (Swindoll, 1997, p.74; Epp, 1965, p.56). Psalm 57 indicates that not only were they hiding, but they were angry and wanting vengeance on those they felt had wronged them�. Keller (1985, pp. 120,121) suggests that it was in living with these oppressed outcasts that David developed his compassion for those living under oppression.

The last segment of the Psalm is Moses’ appeal to God for him to return his presence to his people: “Return, O LORD, how long? And let it repent thee concerning thy servants.” Not only should God return, but Moses asks for complete restoration and for God to bless the work of man: “Let thy work appear unto thy servants, and thy glory unto their children. And let the beauty of the LORD our God be upon us: and establish thou the work of our hands upon us; yea, the work of our hands establish thou it.