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Biblical Allusions In Truman Capote's 'In Cold Blood'

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In Cold Blood: A Professor’s Analysis “Take ye heed, watch and pray: for ye know not when the time is” (Capote 30). On November 15, 1959, two ominous individuals struck terror into the hearts of the isolated and quiet town of Holcomb, Kansas, four members of the Clutter family were savagely massacred. These murders later culminated into a trial that eventually led to the deaths of the two culprits, Perry Smith and Richard Hickock who eventually hung to death. In Cold Blood, Truman Capote masterfully retells the crime that Smith and Hickock committed and even weaves sympathy for the murderers themselves by shedding light on their tragic past and psychotic psyches. In Cold Blood, Capote applies the usage of biblical references and emphasizes …show more content…

Capote employs biblical allusions to emphasize the seriousness of the crime and to create sympathy for the murderers. The first example is the usage of Eden “Eden on earth…the green, apple-scented Eden, he (Mr. Clutter) envisioned” (Capote 12-13). Capote utilizes Eden here to show that Mr. Clutter sees his farm as paradise already, that his world is already perfect and that there was no troubles afoot. This helps to add to the intensity of the crime and also to foreshadow the oncoming murderers. In the original biblical story, Eve eventually gets corrupted and expelled, in much the same vein that Clutter will be viciously murdered along with his family. This helps to emphasize the tension as most readers knows what happens in the Garden of Eden, tragedy. The usage of Eden also helps to set up a stark contrast with a beautiful, paradise land and the act of ruthless murder which in turn further builds up the cruelty of the murder. The second example is the numerous biblical allusions that debate between whether capital punishment should be justified “I believe in …show more content…

Holcomb is a lonesome place, isolated, and hushed “a lonesome area that other Kansans call “out there” (Capote 1). Capote highlights this fact to draw attention to the solitude of the location. This achieves the effect of preparing the stage for the murders to happen. This sets up a contrast with the explosive events and revelations of the latter half of the novel. It also reflects the loneliness of individual humans and more importantly the loneliness of the murderers (especially Smith). It also builds up a suspenseful, paranoid atmosphere that makes one uneasy because no one can hear screams “out there”. It’s a perfect setup for a suspenseful crime story, “out there”. Throughout the novel, one follows the travels of the K.B.I. agent Dewey and the culprits he is chasing such as when Dewey is in Las Vegas “weather had removed the first letter and the last – an R and an S – thereby coining a somewhat ominous word: OOM…upon a sun-warped sign” and the murderers as they reenter the United States “It was midday deep in the Mojave Desert…Dick was standing at the side of a black-surfaced highway, Route 66, his eyes fixed upon the immaculate emptiness as though the fervor of his gaze could force motorists to materialize” (Capote 154). Capote uses geography here to demonstrate the ominousness of the novel’s mood. Both locations are barren wastelands, desolate

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