Bill Irwin's Old Hats: Scene Analysis

In studying William Shakespeare’s Twelfth Night, or What You Will, it becomes clear that the theme of “Inside/Outside” is visible at many different levels. One of the comedic methods applied is the mistaken identity of Viola and Sebastian. Another case is Malvolio’s sudden change of character and clothes. Furthermore, Feste, who acts as a professional fool in the play, turns out to be a bright and wise character, against the expectations of the readers. Without these important elements where the characters show to be entirely different on the outside than on the inside, the play would be less intriguing, and moreover, they are essential to develop major scenes.

Humorists are present through multiple mediums such as talk shows, blog columns, and political cartoons. The different platforms humorists’ use lends different purposes for their content. For example, political cartoon artists have the creative liberty to create offensive content on certain political issues. The political cartoons

The designers’ availability allows the play to provide admirable performance. Whatever differed in their jobs, their performance in these design worthy to admire. Also, The director was the one how encourages them to determine the precise time in the

Through the use of adynatons and juxtapositions Daniel O’Brien and M.S. Mason were able to portray the true meaning of the comedian community by explaining the use of political satire and the importance that serves. When comparing the work of the two authors, one notices how the use of the word comedian or comic is prevalent and prevails through the texts in order to talk to one another. They both define this word as someone who is able to poke fun at a given situation no matter where they are located, weather this was school for Bart Sampson or in a holding cell being interrogated by government agents for O’Brien. By poking fun they don’t just mean nice jabs at an opportune moment but they go as far as to mean parodying the whole political

The scenes and props complimented the attire of the performers, blending together create a magnificent display. The scenery was realistic enough to afford the viewer an escape into depths of the show. The setting was beautiful and the structures almost lifelike, excepting the absence of a front screen door. It seems that almost all plays and television shows I have viewed neglect this detail. The stage lighting played a key role in the show by setting the mood of the performance during soulful, pensive songs. In contrast, the lighting proved to be a detriment by overbearing the performance of the artists, in that one’s attention was drawn to the glare of extreme quantities of makeup rather than the actions of the characters. This was most notable during the final portions of the production.

Situational comedies draw connections between the realm of television life and reality. These shows are successful due to the realistic scenarios and mishaps that shape the lives of each individual character. The Office is a “mockumentary”, or parody documentary, that follows a small paper company in Scranton, Pennsylvania that is led by narcissistic boss, Michael Scott (Steve Carrell). Episode 12 of season 2, “The Injury” is a summary of the overall show, as it exhibits Michael’s desire to feel wanted and Dwight Schrute’s (Rainn Wilson) longing for his superior’s approval. Throughout the entirety of the show’s nine seasons, Michael continues to go to outlandish lengths for public approval, and Dwight continues to do equally embarrassing things

Australian theatre practitioners use various performance styles, techniques and dramatic conventions to help portray their ideas to their audiences and make them feel a particular way to the ideas presented in a play. Without the use of these styles, techniques and conventions it wouldn’t be possible for the practitioners to emphasise their ideas. In the play ‘Ruby Moon’ Matt Cameron the playwright uses various techniques such as symbolism, transformational acting, cyclical and episodic dramatic structure and a fractured fairytale.

The production elements of the show were magnificent. The costumes were great and helped to establish the childlike quality of the show and characters. During the transitions, the characters wore clothing that would best suit a child in play. The

The set design was simple throughout the entire play, yet it delivered a meaningful theme to the performance. Consisting of a raised platform, fabric for acrobatics and the pool, the actors used each element of the set design to enhance the overall experience for the show goers. The best example of the

Brecht’s political theatre stems from his political views towards communism and the upper class society. Theatre that comments on political issues within society. Brecht began to have a dislike for the capitalist society he was brought up in and wanted more of an equal approach to the world and the people around him. With epic theatre, Brecht wanted it to be both didactic (able to teach others) and dialectic (able to create discussions and ideas). The audience at no time during an epic play can be seen to be in a trance or take what they see on stage for granted. Our performance is reflective of Brecht and his Epic and Political theatre as we address many political topics such as Marxism and the divides between classes and the corruption of the government. We have props such as protest signs and banners to communicate Brecht’s political theatre to the audience. In the first episode, Brown’s Boys, there is a scene where MPs choke and die after ignoring the recession and protesters emerge into the audience chanting that ‘politics is dead’ and ‘they don’t really care about us’ while holding banners saying, ‘politics is dead’ and ‘Gordon Clown’. This was done as it represented politics and the fact the seriousness of the situation was ignored; showing how quickly the issues with the recession spiralled out of control and became something that even the higher up in society were unable

The dramaturge explores the inner and outer world of the play and how the use of Design can be appropriate to the plays context and accurately portray the playwright’s intention while still conforming to the conventions and practices of the period.

In William Shakespeare's "Midsummer Night's Dream" many symbols, imagery, allusions and dramatic irony are portrayed throughout the play. The collage helped to showcase the major idea's and connections to the play with the use of the dramatic elements.

A Christmas Carol is one of the most iconic play as it displays an abundance of successful components. From acting, to stage directing, scenery, costumes, and lighting, the production portrays all those significant aspects. Throughout the process of the play, the plot and acting was incredibly engaging and dramatic. As for the stage directing, all props and cues are organized and well constructed. As for the costumes, scenery, and lighting, all elements was focused on the theme of the play; this created a remarkable environment for the audience to settle on.

The Theme of Appearance vs. Reality in William Shakespeare's Works Characters within one of William Shakespeare's greatest tragic plays,

Although not recognized easily, humor is an effective tool that can influence the society. As Alain de Botton argues in his book Status Anxiety, humorists serve a vital function in that they satirize the social problems without offending any particular groups. They identify the troubles, exaggerate through humor, and effectively deliver the messages they have intended. The position of humorists can be recognized simply through media that people encounter everyday. Dave Barry’s The Ugly Truth about Beauty and Jon Stewart on The Daily Show reveals how humorists' indirect criticisms through wit can change the world by acknowledging people about the problems that are embedded in themselves.