Bill Viola Research Paper

Article Three – Author: David Bordwell / Title of Article: The Art Cinema as a Mode of Film

Through the use of techniques and themes, a composer is able to create distinctively visual images when describing the setting and characters in detail which help us to understand and form meaning of what the composer is trying to convey in their texts. The use of techniques such as body language, symbolism, lighting, music and photographic background slides create distinctively visual images same with themes that are being used within the texts such as truth which is evident in the dramatic text ‘The Shoe-Horn Sonata’ by John Misto, the song ‘Lose Yourself’ sang by Eminem, and the film ‘The Eye’ directed by David Moreau and Xavier Palud featuring Jessica Alba. These three texts demonstrate how the responders are impacted and what is

Through studying and analyzing ‘Maestro’ ,written by Peter Goldsworthy, and by viewing and analyzing the film ‘Edward Scissorhands’ directed by Tim Burton, it is evident that the composers of these texts allow the audience to see distinctive experiences with our eyes as well as with our minds through distinctively visual. The many visual, written and literary techniques have the ability to create a significant and impacting visual.

Mulvey, Laura. Visual Pleasure and Narrative Cinema (1975) - Laura Mulvey. Thesis. N.d. N.p.: Laura Mulvey, 1975. Visual Pleasure and Narrative Cinema (1975) - Laura Mulvey. NG Communications, 2006. Web. 20 Feb. 2014. .

A distinctly visual aspect of demonstrating the experience of the characters kindles curiosity in the audience to involve and instill emotional understanding of the context. Through the use of distinct and unique techniques, composers create an emotional response that can have a significant effect on the responders’ attitude on the world. The play ‘The shoe-horn sonata’ explores the crisis of circumstances as John Misto depicts the forgotten history of the women captured and imprisoned during WW2. Misto explores the experiences of the Australian nurses and the government’s response to their pleads of salvation, to emotionally bind the audience and the characters. Likewise, David Douglas Duncan involves the audience by evoking a feeling of pity and empathy in his Korean War photograph. He creates sentiment for the loss of innocence and employs distinctly visual elements to convey the horrifying nature of war. He profoundly highlights power in the photograph to explore the despair felt by the weak fleeing Korean citizens. Hence, both authors elevate the context with a visual representation of the individuals’ struggles to create curiosity and emotional rapport with the audience to improve the understanding of the characters experiences.

 He attended college at gallaudet university then transferred to the Rochester institute for technology receiving his bfa in art He acted in several productions, designed and painted sets and won the NTID Best Actor Award in 1974. (ntid.rit.edu) He received

giving a voice to problems, social and political criticism, and human emotion in an artistic form.

The way in which composers convey their ideas is dependent on their use of distinctive visuals. Amanda Lohrey’s “Vertigo”, Tim Burton’s “Edward Scissorhands” and Bruce Dawe’s “Homecoming” show how the composers use the distinctively visual concept to portray a greater understanding to the audience of the themes and ideas presented in their work.

White began his more than forty-year career in art as an art and education major at Morgan State University in Baltimore and later continued with graduate studies in Museum Arts at Syracuse University in Upstate New

“Vrrrrrrrr” sounds the fans cooling the projectors displaying video instillations of Terry Berkowitz “the last supper”. As I strolled into this gallery, I instantly thought of both “ted talks” we previously had this semester and how the artist we using rather unconventional means to portray their art. In visiting the Boca Museum Of Art I observed 3 specific pieces that tied into lessons I’ve come to learn more about in this semester.

Vito Acconci has been a part of the art world for the past sixty years creating artwork that has sparked debate for just as long. His early projects which started with a piece titled Pryings in 1971 were videos that pushed the boundaries between the artist and the viewer. These early video tapes would become the foundation for Acconci’s art in the future that would evolve from tapes, to photography, to architecture, and more.

In his later years, he incorporates water as a symbol in his art work. He uses film as personal expression and makes wonderful videos. He goes beyond “blockbuster” films and films different shots without an intensive plotline to attract audiences. For instance, “The Raft’ is a short video of water gushing onto a group of people in a slow motion shot. This work includes water, Viola’s personal connection, and demonstrates the different actions and emotions of people after the water stops. Bill Viola also used the symbol of the religion, Christianity, in “The Room of Saint John Cross”. He films a representation of the small room the saint stayed in during his imprisonment. He caused many critics to arise, however he was proud of his work. He used a personal symbol in his artwork and wanted to show a bit more of himself. Although Viola’s work has many personal roots, it can still communicate to the viewer. For example, his film ‘The Passing’ had used his home videos about his family. He included clips of his mother’s days in the hospital just before she passed, this had been very personal to

6). At last, in the 20th century the violin was well known everywhere and reached the epitome of “technical and artistic aspects.” Isaac Stern and Fritz Kreisler where two of the most well known violinist of the time (Estrella, Espie).

Video art can take many forms: recordings that are broadcast; installations viewed in galleries or museums; works streamed online, distributed as video tapes, or DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying ‘live’ or recorded images and sounds.(http://www.merrittcontemporaryart.com). In this essay I will probe the art work of Num June Paik, the Flag. I will answer the following questions why this medium, along with a few complications of viewing this artwork.

Bill viola is a video, digital and sound artist, he was one of the main artists for originality and employing video art and sound technologies. Bill was born in January 25, 1951 in New York. Bill attended Syracuse University in New York in 1973 where he first began to study and work with video. In the 1970s Bill had stayed in Florence, Italy for 18 months. He was technical director of production for Art/Tapes/22 which was one of the first video arts studios in Europe. Afterwards he traveled to study and record traditional performing arts in the Solomon Islands, Java, Bali, and Japan.