Billy Pilgrim as a Christ Figure in Kurt Vonnegut Jr.'s Slaughterhouse Five

     Critics of Kurt Vonnegut’s are unable to agree on what the main theme of his novel Slaughterhouse Five may be. Although Vonnegut’s novels are satirical, ironical, and extremely wise, they have almost no plot structure, so it is hard to find a constant theme. From the many people that the main character Billy Pilgrim meets, and the places that he takes us, readers are able to discern that Vonnegut is trying to send the message that there will always be death, there will always be war, and humans have no control over their own lives.

SlaughterHouse-Five is a book about a man named Billy Pilgrim who is stuck in time, and constantly travels throughout different events in his life. Billy accepts different values and sees traumatic and morbid events differently than others. Billy accepts a way of life that is not perceivable to other humans. Many would argue that Billy’s experiences make him insane, but Billy’s experiences with the Tralfamadorians actually allows him to preserve his sanity, and stay a very intelligent man.

The Tralfamadorians, who explain this nature of time and existence to Billy, are shown as enlightened creatures while the humans back on earth are seen as backwards -- to such an extent that they believe in free will. Billy towards the end of his life becomes a preacher of these virtues of existence taught to him by his zookeepers on Tralfamadore, going around and speaking about his experiences and his acquired knowledge. This is ironic, because he is attempting to reverse the steady path of life, even time itself.

Kurt Vonnegut, the narrator, creates Billy Pilgrim as himself. Mr. Vonnegut went through the war himself and is the main character of this story. However, he has named the main character as Billy Pilgrim simply to be able to write about the events he has been through easier than what it would be if he were writing it directly as him. It is a way of making the story like seem a little bit more of a story.

The point of view that Slaughterhouse-Five is written from also affects the way the reader fells about time after reading the novel. Since the story is narrated by a omniscient being that is everywhere with Billy Pilgrim, the reader gets a first hand account of every event in his life. Also Billy is very relaxed and accepting all things around him. A good example of this is Billy's habit of following every death with "so it goes". (Vonnegut 69) The repetition of this phrase not only de-emphasizes death, but also helps Vonnegut assert control over the readers response after a death. (Dawley 2) The way Billy

Billy Pilgrim's life is far from normal. Throughout most of his adult life he has been moving backwards and forwards through time, from one event to another, in a non-sequential order. At least, this schizophrenic life is hard to understand. Because Vonnegut wants the reader to relate to Billy

Vonnegut calls upon his personal experiences to create his breakthrough work, Slaughterhouse Five. Vonnegut expresses his own feeling on war, family, and free will through the non-linear narrative of the protagonist, Billy Pilgrim. His experience as a soldier and death within his family are mirrored into Pilgrim’s character.

The year is 1944, 1945, 1964, 1967, 1968, and 1976 as Billy Pilgrim becomes unstuck in time. For many of us we see time as a river. It drifts listlessly from the springs to the ocean. We cannot touch the same waters twice. In the Novel Slaughter House five by Kurt Vonnegut, Billy Pilgrim discovers the true abounding nature of time. And that time is not a river, but the entire ocean, every water molecule a moment in time existing all at once in the vast blue of eternity.

“Fate is a misconception, it's only a cover-up for the fact you don't have control over your own life.” –Anonymous. In Kurt Vonnegut’s novel, Slaughterhouse-five, an optometrist named Billy Pilgrim becomes unstuck in time uncontrollably and constantly travels between his past, present, and future. Since Pilgrim is unable to control his time warps, he is forced to re-live agonizing moments such as watching his wartime friend Edgar Derby executed for stealing or going through the Dresden bombing repeatedly. However, he is also able to visit pleasant moments like speaking as president in front of the Lions club or his honeymoon with his wife, Valencia. Vonnegut’s use of repetition and vision of war, time and death are crucial to Pilgrim as he

The phrase “so it goes” is repeated 106 times in Kurt Vonnegut’s Slaughterhouse Five. From “dead” champagne to the massacre at Dresden, every death in the book is seemingly equalized with the phrase “so it goes”. The continuation of this phrase ties in with the general theme on indifference in the story. If the Tralfamadorian view of time is correct, then everyone is continuously living every moment of their life and dying is not the end. However, if Vonnegut believed in this idea, then he wouldn’t have felt compelled to write about the firebombing of Dresden. It is clear that both Billy Pilgrim and Kurt Vonnegut are affected by the massacre they saw, but they have different ways of rationalizing it. Billy finds comfort in the Tralfamadorian view of life, whereas Vonnegut disagrees, and urges the reader to disagree too. The constant repetition of “so it goes” breaks the reader away from the Tralfamadorian point of view, and allows them to come to their own conclusion that although it would be nice to forget the bad parts of life, it is important to remember all of the past. Vonnegut helps the reader come to this conclusion by repeating the phrase after gruesome moments, and showing how meaningless life can be if the Tralfamadorian ideas are believed, as seen through Billy Pilgrim’s bland life..

The story of Slaughterhouse Five is about a man named Billy Pilgrim who goes through a series of strange events throughout his life time. And it all starts when he is in a war in Germany. Billy is resentful towards the war and he makes it clear that he does not want to be there. During the war, he becomes captured by Germans. Before Billy is captured, he meets Roland Weary. When captured, the Germans took everything from Weary, including his shoes so they gave him clogs as a substitute. Eventually, he dies from gangrene caused by the clogs. Right before Weary dies, he manages to convince another soldier; Paul Lazzaro that it was Billy’s fault that he was dying so Lazzaro vows to avenge the death of Weary by killing Billy.

While never a defeatist, Billy merely flows through his disjointed life without much heed to the event at hand. Billy realizes that he holds the power to create his own happiness and satisfaction out of life through appreciation of the present moment rather than contemplate the occurrence of past and future. Vonnegut develops Billy Pilgrim as a unique protagonist as a means of forcing the reader to question the application of free will upon society and gain a new perspective on the beauty of the present.

In the novel Slaughterhouse-Five by Kurt Vonnegut, a fictional character named Bill Pilgrim is used to depict the various themes about life and war. Vonnegut went through some harsh times in Dresden, which ultimately led to him writing about the tragedies and emotional effects that come with war. By experiencing the war first handed, Vonnegut is able to make a connection and relate to the traumatic events that the soldiers go through. Through the use of Billy Pilgrim and the other characters, Vonnegut is able show the horrific affects the war can have on these men, not only during the war but after as well. From the very beginning Vonnegut portrays a strong sense of anti-war feelings, which he makes most apparent through Billy Pilgrim.

“All time is all time. It does not change. It does not lend itself to warnings or explanations,” (85) And Vonnegut even test this by giving Billy the ability time traveling. Although Billy travel in time, he cannot change what happened in the past. In fact he sees his death, but can’t do anything to change it. “I, Billy Pilgrim will die, have died and always die on February thirteenth, 1976” (140) This unchangeable of time shows that proceed from past to future and nothing can change the sequence of this progression. This is like the domino’s movement its movement determined by the laws of physics everything is bounded in each other if you take one domino out than the movement will stop in this case if we change the past there will be no future. Ironically even Tralfamadorians do live in time, they still struggle against constraints on their free-will and this is almost hilarious for us humans who believe that we actually have free-will and can change our future. As a conclusion Kurt Vonnegut planned to juxtapose the free-will and the Tralfamadorian belief determinism by using symbolism.

This book can be quite confusing if not read with utmost care. Because the main character, Billy, becomes “unstuck in time,” (29) the book does not go in chronological order. That is solely because of this fact one must analyse the plot, making sure one does not get confused. To start out in the explanation of the plot in Slaughterhouse Five one must first look at where the action starts to incline, otherwise known as the rising action. Rising action would be best represented as Vonnegut’s character Billy “was taken prisoner by the Germans” (30). It is here where the rising action is because suspense is created, which locks the reader into the book, which makes them want to keep reading. This is where the reader becomes apprehensive about the characters safety. After the rising action comes the climax of the story. The climax is the moment of the most intensity in the story. The climax includes the reason why this book was written; Dresden. The most intense moment in this book is when Billy Pilgrim traveled to the time that “...Dresden was destroyed.” (226). To the reader this gives them information which they have been waiting for since they Vonnegut first mentioned it. Although a reader could infer what happened to Dresden the reader didn’t know what happened to Billy in Dresden, including whether he was hurt or not. In this case Billy was not hurt because he was “down in the meat locker…[which] was a very safe shelter.” (226). Although since the plot is always flashing back and forth between the present and past the reader knew that Billy did not die. Lastly is the part where all the loose ends are tied up. This is also called the falling action. The falling actions in this book occurs when Billy is about to present his insight on his findings of the subject of death, which the Tralfamadorians taught him. Billy was finally able to conclude that “we will all live forever, no matter how dead we may seem to be…” (269).