Binary Oppositions appear in multiple forms within this poem. We find the pairs of conflicting words and the readers are expected sort out which words have the ideal interpretation to the poem. Most of these pairs are descriptions about the pebble, the “coldness (line 9) and the “false warmth” (line 14) skew our interpretation of this pebble. Pebbles are naturally cold but the text tries to resolve this fact by presenting warmth to the pebble. Yet the pebble did not produce this warmth itself, a living creature is required to generate the heat and to transfer it to the pebble. Also, the pebble will not be able to maintain the warmth once the heat source is taken away, thus “false” warmth. The pebble does have the potential to harness this warmth so is it really a cold being or a warm one? These conflicting ideas help to unravel the validity of the poem. The same can be done with the words “coldness” (line 9) and “ardour” (line 9), or its “fierce or burning heat” (Oxford English Dictionary). These words are given to the reader in the same line yet they hold completely unique ideas to the pebble. Is ardour heat that the pebble theoretically can hold or is it a kind of burning heat that a person feels due to emotions? A reader could also question how a pebble “cannot be tamed” (line 15) yet also be “mindful of its limits” (line 4). These are all human qualities which are getting placed onto the pebble, and due to the limitations of pebbles we can understand these binary
“’ But this is merely a negative definition of the value of education’” (23-24). Mark Halliday wrote “The Value of Education” from a first person standpoint. The introduction and the use of “I” demonstrates the poem is about the speaker. Likewise, the speaker uses imagery, self-recognition, and his own personal thoughts throughout the poem. He goes on throughout the poem stating external confrontations he is not doing because he is in the library receiving an education and reading books. With this in mind, the speaker goes on to convey images in your head to show a realization of things he could be doing if he were not in the library getting an education.
Richard Blanco is a Cuban- American poet who was given the oppurunity to write an inaugaration poem for Barack Obama's second swearing-in. He wrote a poem titled "One Today" that praised the good and unique things about the United States and also the everyday people who's daily routines help to make America the proud country that it is.
Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.
Clint Smith is a writer, teacher, and doctoral candidate in Education at Harvard University with a concentration in Culture, Institutions, and Society. Smith Clint wrote a poem called “Something You should Know.” The poem is about an early job he had in a Petsmart. The poet allows the readers into his personal life, but before he had trouble opening up to people and his work. Moreover, Clint wrote an insight in the poem about relying in anything to feel safe and he says it is the most terrifying thing any person can do.
Nature is first described in a peaceful and confident mood as something majestic, with the sun as the powerful being which controls this nature. However, by the end of the first stanza, “The hawk comes”. This phrase is said as if the narrator is afraid of the hawk and its presence is going to change the mood of the rest of the poem. The next stanza suddenly uses sharp diction, such as “scythes”, “honed”, and “steel-edge”, to illustrate the hawk’s stunning motions and the powerful aura of the hawk that is felt just from its existence, causing the mood of the poem to slowly transition to fearful, yet respectable. The narrator adores this change the hawk is causing on nature, and describes the scene with the hawk in awe, showing how the poet finds the changing of nature attractive.
Take a minute to imagine “Men looking like they had been/attacked repeatedly by a succession /of wild animals,” “never/ ending blasted field of corpses,” and “throats half gone, /eyes bleeding, raw meat heaped/ in piles.” These are the vividly, grotesque images Edward Mayes describes to readers in his poem, “University of Iowa Hospital, 1976.” Before even reading the poem, the title gave me a preconceived idea of what the poem might be about. “University of Iowa Hospital, 1976” describes what an extreme version of what I expected the poem to be about. The images I
The poem begins in a dull tone. The description of a ball that is “not a light hearted thing” (1-2) shows the weight of
The poem “Choices” is a narrative by Yolanda Cornelia “Nikki” Giovanni, a poet, writer, commentator, activist, and educator. Nikki Giovanni was born on June 7, 1943 in Knoxville, Tennessee though she was raised in Cincinnati, Ohio. Her parents were Jones "Gus" Giovanni and Yolanda Cornelia, Sr. were both educators and they had two daughters, the eldest was Gary Ann and Yolanda Cornelia was the baby. Gary is responsible for the name Nikki because she started calling her that at a very young age. Both of Nikki Giovanni parents and her sister are deceased. Nikki has on son whose name is Thomas and a granddaughter. A 1968 graduate of Fisk University, in Nashville, Tennessee with a Bachelor of the Arts in History and she subsequently went to graduate school at Columbia University in New York and the University of Pennsylvania.
Veterans are more susceptible to the memories of war, pain, suffering, and death. Memorials such as the Vietnam Memorial bring back many memories for veterans when they view these memorials. Those memories can attack the mind, and cause a veteran to feel vulnerable. Many veterans can only associate those memorials with the pain, suffering, and death that they had seen while at war. Yusef Komunyakaa expresses the pain that is felt within war veterans when they remember memories of war and survival in his poem "Facing It."
The first stanza of the poem is an example of the cycle of sexist, patriarchal, societal normalcy regarding females portrayal. In lines three and four, the mention of "wee lipsticks" and "miniature" stoves and irons, suggests that parents will often times raise their children based on what gender they are. Depending on the gender, adults would choose to gift their child toys they feel are considered as a culturally “normal” to give. The parents of the girlchild in this poem are prime examples of this. Instead of being given race cars or legos, the girl was given common objects that women are often associated with in regard to domestic roles. Also in line four, the author chooses cherry flavor of all candy flavors in the world. Cherries are
Ted Kooser, the thirteenth Poet Laureate of the United States and Pulitzer Prize winner, is known for his honest and accessible writing. Kooser’s poem “A Spiral Notebook” was published in 2004, in the book Good Poems for Hard Times, depicting a spiral notebook as something that represents more than its appearance. Through the use of imagery, diction, and structure, Ted Kooser reveals the reality of a spiral notebook to be a canvas of possibilities and goes deeper to portray the increasing complexities in life as we age.
As mentioned above, when Coal is examined at a verbal level, the poem contains contradictions between the signified and the signifier. One paradox originates from the poem’s conflict between the feelings expressed and the feelings proposed. The speaker describes the feeling of repression within the poem. This proposal of repression seems to originate from an external source, as if the speaker is being forced to keep her ideas and thoughts to herself. However, when examined closer, this professed feeling of restraint has disunity between what the speaker is actually trying to convey. In the second stanza, the speaker uses harsh language to contradict a feeling of
Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.
“The relationship between the energies of the inquiring mind that an intelligent reader brings to the poem and the poem’s refusal to yield a single comprehensive interpretation enacts vividly the everlasting intercourse between the human mind, with its instinct to organise and harmonise, and the baffling powers of the universe about it.”
Some of the poems and essays I have read during this class were relatable to me. Being away from college, I have struggled with not being at home. I have become a different person when I am at school, but when I am home, I feel like I am my normal self again. Some of these authors of the poems and essays that I have read throughout this class has struggled with being somewhere where they don’t belong and that they are someone else when they are not home. Unlike the other poems and essays we have read throughout the course. I enjoyed reading the ones about “home” because I actually understood what they are going through and that I can relate. Some of these poems and essays include “Going Home” by Maurice Kenny, Postcard from Kashmir”, by Agha Shahid Ali, “Returning” by Elias Miguel Munoz and “Hometown” by Luis Cabalquinto. All of these poems deal with duality.