Biography Of Ashoke Ganguli 's Novel, The Namesake, By Jhumpa Lahiri

“They wept together, for the things they now knew.”(104) The last sentence of the first story in Interpreter of Maladies, reveals the cruelty of the elapsed romance in a marriage. In the two collections, A Temporary Matter and The Third and Final Continent, Jhumpa Lahiri demonstrates that a marriage can be either uplifting or discouraging depends on the mindset held by the couple and the strength of human bonding. Lahiri emphasizes the significance of mindset and human bondings through the ending of the two stories. The endings of the two stories are polar opposite : In A Temporary Matter, Shukumar and Shobha weeps for the termination of their relationship; The Third and Final Continent, by contrast, the protagonist(MIT) enjoys a fairytale-like

Change can be painful. This is true especially when it comes to a human’s journey of growing up and forming one’s own identity. In The Namesake, by Jhumpa Lahiri, the novel follows the protagonist, Gogol, as he grows up and struggles with balancing his Bengali identity with Western culture. The reader discovers that on his path to developing independence he chooses to push his family away, which ends up having negative effects, but he believes that he is doing the right thing. Therefore, in The Namesake, Jhumpa Lahiri uses irony to argue that it is human nature to want to separate oneself from one’s family and childhood in order to establish a

to America with grace and compassion. This story by Jhumpa Lahiri, is an allegory establishing an identity with using symbolic meaning between two cultures that intersect. The themes throughout the story refer to immigrant experiences, the conflict of cultures, the contrast of assimilation and the connection between generations. The Namesake, opens the worlds of emotions Ashima experiences, while straddling her two worlds. This story of identity allows readers to travel with Ashima on an intimate journey through her life as an immigrant.

Most people use the phrase,“ home is where the heart is” to describe a home, but without a heart in it you're lost in a world looking for it. In Jhumpa Lahiri’s novel, The Namesake, Gogol is a guy who’s divided between two worlds: his American life and fitting in like a regular everyday American guy, and his family's traditional heritage lifestyle. Along with ...While Gogol refers to home in more than one location along with his relationship with women are relevant to help him search what he is lacking in his life and finding the right place for him is where he wishes not to remember of Pemberton road.

In daily life, people encounter many concepts such as emotions, thoughts, actions, and situations. These concepts can often be categorized into two atmospheres: positive and negative. In “The Old Masters” and “The Racer,” Amit Chaudhuri and Hanif Kureishi convey their atmospheres through character relationships involving greed and symbolic ideas. Within “The Old Masters,” the reader is focused on the relationship between Pramathesh and Ranjit--two colleagues who work together--and their lives as time progresses. Throughout “The Racer,” the reader experiences the failing marriage of a husband and wife and their desire to compete in a race and win to show superiority over one another. Although Chaudhuri and Kureishi utilize symbolism,

Jhumpa Lahiri in The Namesake illustrates the assimilation of Gogol as a second generation American immigrant, where Gogol faces the assimilation of becoming an American. Throughout the novel, Gogol has been struggling with his name. From kindergarten to college, Gogol has questioned the reason why he was called Nikhil when he was a child, to the reason why he was called Gogol when he was in college. Having a Russian name, Gogol often encounters questions from people around him, asking the reason of his name. Gogol was not given an Indian name from his Indian family or an American name from the fact that he was born in America, to emphasize that how hard an individual try to assimilate into a different

The dominant idiom of Indian writing today is firmly entrenched in pain, anxiety of displacement, nostalgia, yearning to belong to roots, and so on. Arundhati Roy’s The God of Small Things and Kiran Desai’s The Inheritance of Loss are two such novels that explore the tragedy of man on several levels using different perspectives. Both the novels are about averted culture-clash tragedies, homogeneity vs. heterogeneity, and about Indian sensibilities.

As far as relationships go, people believe there is an ideal match somewhere out there in the world that was made for them. Most of the time this conspiracy becomes a reality, but only for few. In the story The Namesake by Jhumpa Lahiri, the main character, Nikhil and his ex-fiancé, Moushumi seemed as if they were the kind of couple that would have lasted forever. Unfortunately as we continue to read through the story, we realized that they were not really meant to be. Even though they seemed as a perfect puzzle piece, various factors contributed to the end of their marriage.

After going through this novel, “The hero’s walk” Nandana, the young girl has no other option than to live with her grandparents. In passing days, she may be adapted to Indian culture. Her grandfather Sripathi as usual writer letter to the editor of the News paper starting, “early this morning, at Toturpuram beach, I saw the most amazing sight....”

In Jhumpa Lahiri’s ‘Interpreter of Maladies’ Mr. Kapasi , the main character, seems to be a person with mixed feelings. He does not seem to have fixed stand neither in his job nor on his thoughts. His thoughts and experience are structured by the strict cultural society of India. His hidden wants and desires suppressed by the community rules are looking for way to come out. The consequence is his changing thoughts and desires which at different parts of the story appear differently and brings

The problems that one encounters in coping with the death of a dear one are portrayed in the novel and how it make them realise is death most be understood so life is understood. R.K Narayan Narayan English teacher says that everyone in life is separated by one and another and death is the start of the new road and a new journey.

The novel Jasmine by Bharati Mukherjee is an incredible story about the transformation and life experiences of a Panjabi girl from India. The life of Jyoti is told from her point of view when she is twenty-four years old, and pregnant with the baby of Bud Ripplemeyer, a crippled banker who is more than twice Jyoti’s age. During the span of two months in Iowa, Jyoti narrates her biographical experiences in Punjab and in America as she strives to become independent. Jasmine illustrates that when one’s relationships go through changes, it will impact one’s identity.

The immigrant experience affects families in a unique manner wherein ethnicity, and therefore, identity becomes something continuously negotiated. Jhumpa Lahiri’s contemporary novel, “The Namesake,” beautifully illustrates the complexities of generational culture clashes and the process of self-individualization over the course of this experience. Lahiri challenges the often-one-dimensional approach to ethnic identity by allowing readers an intimate and omnipresent look into the internal struggles of the Gangulis, a first-and-second-generation Bengali family, following their relocation to America. The novel incorporates a heavy presence of reading, and the abundant representation of books and documents throughout it are vital to its

The present study is based on the idea of displacement as the major theme of the selected short stories of Jhumpa Lahiri’s “Interpreter of maladies”. The book contains nine short stories and each one of them deals with the question of identity, alienation, and plight of those who are physically and psychologically displaced. But I would like to limit my studies to the three short stories from the collection viz. “When Mr. Pirzada came to dine”, Interpreter of Maladies”, and “Mrs. Sen’s”. The migration has become one of the most important issues of the contemporary world. Jhumpa Lahiri is also a diasporic writer like Salman Rushdie, V.S Naipaul and Bharati Mukherjee. The characters in the prescribed stories are citizens of more than one country

E.M. Forster’s classic novel “A Passage to India” tells the story of a young doctor, Dr. Aziz, and his interactions with the British citizens who are residing in India during the time of the British Raj. Throughout the novel, the reader gets many different viewpoints on the people and the culture of India during this point in history. The reader sees through the eyes of the Indian people primarily through the character of Dr. Aziz, and the perceptions of the British through the characters of Mr. Fielding, Adela Quested, and Mrs. Moore. Through the different characters, and their differing viewpoints, the reader can see that Forster was creating a work that expressed a criticism that he held of the behavior of the British towards their Indian subjects.