Biography Of David Ghirlandaio 's Altarpiece Showing The Virgin And Child, With Saints Apollonia And Sebastian

Religious artwork has been prevalent throughout all of history. Christian artwork has been ever changing and evolving based on what it going on during the time period in which the work was created. In Romanesque artwork, art was imaginative and involved mysticism along with themes that represented their fears of the end of the world. In Gothic artwork, the art turned away from evoking fear and instead had the goal of bringing people into the church. In the fourteenth century, the religious art responded to the crises of the time period. During the Renaissance, artwork shifted to an interest in realism, which can be seen in Raphael’s Madonna and Child with the Young Saint John. The medium for this work of art is oil paint. it was painted in 1500 and is 47 inches in diameter.

Created in 1489 this masterpiece is made out of pure marble. This sculpture is located in the Vatican City. At first glance this sculpture looks like child dead in a mother's arms, which is correct but there is more too it. The sculpture represents the crucifixion of Jesus Christ. Its shows his mother Mary holding him and he lays there dead. A very little detail that usually goes unnoticed is that Mary is not touching her son directly, but a cloth is between the two. This signifies the Higher Renaissance belief in Neoplatonic, that the beauty on earth signifies God's beauty. This masterpiece is not only amazing by the meaning but the glorious detail that Michelangelo was able to go into with practically a hammer and chisel.

During this painting, Michelangelo didn’t have the drive he usually did, but when his greatest enemy, Perugino started to work on it with him, that drove him to another level. Michelangelo’s interest in portraying the human body, reflected how the people in this time period felt, and that made the people who viewed his art interested in his work. Also, his sculptures reflect how dramatic of a shift it was to the Renaissance Period from the Middle Ages, and shows how the

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

1. The art works of the artist Giotto that I chose was the Kiss of Judas. It is 6'6 3/4" by 6' 7/8" in size. It is located on the south wall of the Scrovegni Chapel, Padua. It is dated through 1305 and 1306. The medium used for the art work is called fresco.

The art that impressed me in the Getty Center is “Holy Family with Saints Anne, Catherine of Alexandria and Mary Magdalene” by Nosadella (Giovanni Francesco Bezzi).When I entered the room of this art, this is the first artwork attracted towards itself, probably the reason I went to Venetian art with big expectation of it will be beautiful among all Italian ones. The vibrant colors and contorted poses make this painting more vivacious. The sitting figures are from left is Virgin Mary holds infant Christ, Catherine of Alexandria and Mary Magdalene. The standing figures are Saint Anne and Joseph. On the right upper corner, two unknown baby angels are enjoying the scene of adoration below. All the characters are drawn like a pyramidal shape on left to give space so that angels can fly in the upper right in a distance from the main scene. The painting has mostly made of basic colors such as blue, yellow and red and those are plain colors. It doesn’t have much elaborate work on trying different colors or trying fine textile work, but giving different shades of same color adds more look. This painting great for distant admiration .Since the painting is oil on panel, applying paints on different layers is possible until getting the desired color. This painting technique gives artist more flexibility unlike fresco, which has time limit to apply paint and hard to correct the mistakes. The next attractive feature of this painting is body movements. The artist has

Similarly, the image of Madonna Enthroned was painted by Cimabue in Italy during the 13th Century, an interesting period of the country’s religious and art history. It was during the 13th Century that Italy was on the brink of a great revival known as the Renaissance. Cimabue’s work represents the best of the Byzantine Tradition. Cimabue is also the well-known teacher of Giotto, one of the leading artists of the Italian Renaissance. http://en.wikipedia.org/wiki/Cimabue

* Da Vinci –Virgin (Madonna) of the Rocks; Virgin and Child with St. Anne and Infant St. John; Last Supper, Refectory; Mona Lisa

I’ve focused on three art pieces which are so beautiful to me. The statue of The Maltese Virgin and Child at the Chancery House with the virgin holding baby in her arms with both looking into the sky, a Byzantine painting from the Byzantinscher Maler Jahrhunderts with the virgin holding child in her lap with baby looking at her and virgin looking at us and lastly, a marble statue located at The Metropolitan Museum of Art of the virgin sitting down holding child in her lap looking into baby’s eyes and baby looking into hers.

Painted on a panel, this painting was done in tempera, a pigment dissolved in egg. The chief medium till the late 1400s, tempera dries very quickly and when it does it gives a flat and dry appearance. This painting has sharp brushstrokes that do not fuse together and the forms have very sharp edges. All this is attributed partly to his style, and partly to the limitations of his medium. Artists at this time did not know much about the study of perspective, and Barna di Siena’s image reflects this flatness and lack of dimension. Not only are there different people on different scales supposedly in the same plane, even individual

Madonna and Child with Angels and Prophets, an alter piece standing some 12 feet and 7 inches tall, was created around 1280-1290 A.D. for the Church of Santa Trinità in Florence, Italy and is now in the Galleria delgi Uffizi Florence. This iconographical piece was constructed through tempera and gold leaf on wood by Cimabue, an Italian painter who brought classical tradition back into art during the 13th century, when Italo-Byzantine style was dominant, paving the way for art in the Renaissance period.

The great thing about art, is that there are multiple portrayals of one idea but, the artist’s own personal style allows one to feel something that another may not. Early Renaissance painters, Giotto di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene known as, The Betrayal of Christ. Through a close analysis of each artist’s representation of, The Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene through their attention to detail, character, and space throughout the painting. When examining these two works, one will have a stronger emotional response towards Giotto’s interpretation rather Duccio’s, due to his methods of handling organization, figures, and space.

The Pictorial style of Art has changed throughout the high Renaissance period to Baroque. The Virgin and Child with Donor (The Museum of Fine Arts, Houston) of c. 1480 (tempera and gold leaf on panel, 18 9/16 x 14 7/8 in.)and The Virgin and Child with St. John the Baptist ( the Museum of Fine Arts, Houston)

     This paper will compare the themes found in the paintings “Madonna and Child with St. John the Baptist and an Angel” by Domenico di Bartolomeo Ubaldini (Puligo) and “Madonna Enthroned” by Giotto. Both paintings deal with fables from the Christian faith but were executed during different periods in art. The Giotto painting was created around 1310 and the Puglio painting was executed between 1518 – 1520. Here, these two paintings have similar themes both at the extreme beginnings and endings of the Italian Renaissance, and as such they serve to present an exceptional example of the developments in art that occurred within that time. This paper shall compare

The painting was a commissioned work for the Medici Family of Florence, a powerful political and financial family which would later go on to become an influential royal house for centuries. Throughout the painting, there is evidence of movement and a prevailing sense you