Biography Of Irving Penn And Diane Arbus

While the painters after the Impressionism period were collectively called the “Post-Impressionists,” the label is quite reductive. Each artist had their own unique style, from Seurat’s pointillism to Signac’s mosaic-like divisionism, Cezanne, Émile Bernard, and others. These artists were all connected in that they were reacting to the aesthetics of Impressionism. Two of the more influential painters from this movement were Vincent van Gogh and Paul Gauguin, who aimed to connect with viewers on a deeper level by access Nature’s mystery and meaning beyond its superficial, observable level. However, each artist’s approach to achieving this goal was different. In close examination of Vincent van Gogh’s Self-Portrait (Dedicated to Paul Gauguin) and Paul Gauguin’s Self-Portrait with Portrait of Émile Bernard (Les misérables), one may clearly see the two artists’ contrasting styles on display.

In “Ways of Seeing”, John Berger, an English art critic, argues that images are important for the present-day by saying, “No other kind of relic or text from the past can offer such direct testimony about the world which surrounded other people at other times. In this respect images are more precise and richer literature” (10). John Berger allowed others to see the true meaning behind certain art pieces in “Ways of Seeing”. Images and art show what people experienced in the past allowing others to see for themselves rather than be told how an event occurred. There are two images that represent the above claim, Arnold Eagle and David Robbins’ photo of a little boy in New York City, and Dorothea Lange’s image of a migratory family from Texas; both were taken during the Great Depression.

This essay explores the various types of art used in Oscar Wilde’s The Picture of Dorian Gray. The focus is made on the three types of art: the picture of Dorian Gray, the yellow book and the actress. It examines the way Wilde chooses to develop his novel’s characters’ personalities and destinies by asking: what is the role of art

As we know, the result of “Art is” is “Art is” which returned in an ephemeral form at the Studio Museum. All forty photographs are on display on the basement level of the galleries, which are supposedly reserved for pieces in their permanent collection. The room just outside, whether coincidentally or not, is filled with photos of students - reflecting personal memories. How the museum decides to play with this, is by missing them with old-timer photos of Harlem from the

For this essay the works of Robert Draper, author of “Why Photos Matter,” and Fred Ritchen, author of “Photography Changes the Way News is Reported,” will be analyzed. Though both deal with the topic of photography, their take on the matter is very different. While Ritchen is a photographer who writes on “what professional photographers will be doing in the future,” Draper is a writer for the National Geographic writing on how the photographers of the magazine share “a hunger for the unknown.” Both writers, however, write on the topic of photographers having a deeper understanding of their subjects, Ritchen due to research and practice, and Draper because the photographers “sit [with] their subjects, just listening to them.” In both essays the need for a deeper understanding of the

Among all of the great Hollywood portrait photographers, George Hurrell is arguably the most famous and is considered by collectors and historians to be the best in the business. It was his photos that actually inspired the term “glamour photography.” In 1936, Esquire magazine claimed, “A Hurrell portrait is to the ordinary publicity still what a Rolls Royce is to a roller skate.” George Hurrell said, “As long as I can remember I wanted to be an artist. As a boy, I was drawing all the time, in school and out.” As an art student in Chicago he started to work with a camera, as it was common for art students to photograph inspirational locations as well as their finished work. While at school he held a series of jobs, including acting as a colorist for Chicago portrait photographer Eugene Hutchinson who taught him valuable tricks of the trade, including negative retouching, darkroom developing and airbrushing. He moved to Laguna Beach, California where there was a thriving fine arts community. His many connections led him to meeting the famed photographer Edward Steichen, who saw in his work a natural talent for photography. Our childhood desire to create is nurtured into a talent by those who possess the gift. Following Steichen advice and encouraged by his friend and patron, aviatrix Pancho Barnes, Hurrell opened a photography studio in Laguna Beach. George’s first celebrity client came from Pancho’s referral of her best friend, silent film star Ramon Novarro. Ramon felt his Latin

Kehinde Wiley’s large-scale, brightly colored, highly patterned portraits of African American subjects are a salute to traditional portraiture as well as a critique of the art historical focus on the privileged male Caucasian. The artist scouts out ordinary black men of ages 18 to 25 from urban settings to copy poses from works by master Western painters like Titian and Jean-Auguste-Dominique Ingres. The photographs of their poses become Wiley’s references for his enormous, dazzlingly vibrant portraits. The extreme realism of the figure combined with intense color use, decorative patterning, and larger-than-life scale all emphasize the extravagant grandeur of power and male dominance. Wiley has radically shifted the paradigm to make a contemporary statement about the long absence of the black male figure in historical portraiture.

This piece was created during a time of political and social change. Increased political awareness and a focus on celebrity demanded art that was more

Before starting this project, I knew very little about photography, photographers, or exactly how much impact photographical images have had on our society. I have never taken a photography class, or researched too in depth about specific pictures or photographers. This project has allowed me to delve deeper into the world of photography in order to understand just how much influence pictures can have over society’s beliefs, emotions, and understandings’. I have have chosen two highly influential photographers, Diane Arbus and Dorothea Lange, who I have found to both resonate with me and perfectly capture human emotions in way that moves others.

However most people don’t believe this to be true; as Diane Arbus exclaimed, her photos sought to capture “the space between who someone is and who they think they are,” she used photography as a way of bringing us together and revealing the beauty in everyone. Many of her supporters like Sandra S. Philips, senior curator of photography at the San Francisco museum of modern art says “She was a great humanist photographer who was at the fore front of what has become recognized as a new kind of photographic art.” Instead of simply taking photos of sunsets, flowers, and rainbows, Diane Arbus set out and strove for more. She strove to make a

The photograph is a very powerful medium. The French painter Paul Delaroche exclaimed upon seeing an early photograph “from now on, painting is dead!” (Sayre, 2000). Many critics did not take photography seriously as a legitimate art form until the 20th century. With the

Andy Warhol, with his revolutionary idea of pop art, is arguably one of the most influential artists of the 20th century. Warhol’s unique view of the world and how he developed his definition of art is what changed the world. The creativity that Andy Warhol displayed was due to him having such a strange sense for obscure and fashionable things. Even his appearance, which consisted of his classical silver wig, clearly shows that he is no ordinary person, but instead that he is a cool, classical person, who will never be out of style. His ability to influence countless celebrities, all within different forms of art, with his fame made him into an unbelievably important impresario. Andy Warhol had plenty of revolutionary pieces, including his Campbell's soup, and Marilyn's, but these pieces are hardly what made him such a special and unique person. Helping to influence and promote many new and upcoming people such as Jean Michel Basquiat, and the Velvet Underground, he created a foundation for modern art that has continued to

Stephen Shore is an iconic American photographer of the 1970’s. Every day he brought and still brings fresh perspectives in his photographic work. Shore was born on October 8th, 1947 in New York City. He was interested in photography from a very early age. When he was only six, he received a darkroom kit from his uncle and three years later he started to use his first 35mm camera. In 1958, Shore was given a copy of Walker Evans' book American Photographs. This book had a profound effect on him introducing him to a descriptive visual language of a place. At the age of fourteen his work was bought by Edward Steichen for the collection in the Museum of Modern Art in New York which made him a prodigy. He rose to popularity for his straightforward, plain view of American culture and his experimentation with color and light. He chronicled the American experience across the country while provoking social thought.

vacations to museums in Europe. When he was 15 he really became intrigued by his

He continued his education at the Carnegie Institute in Pennsylvania graduating with a BA in Fine Art. Warhol moved to New York in 1948-49 where he started work as a graphic designer, creating adverts for fashion magazines such as Glamour, Vogue and Harper’s Bazaar. Andy Warhol shot to fame and soon became highly respected as a commercial artist. ”Tina Fredrick, then art director of Glamour” says “She was thrilled by Andy’s drawings but could not find a commercial use for them. She told him his drawings were good, but Glamour could only use drawings of shoes at the moment. The next day Warhol came back with 50 drawings of shoes” footwear being an important part of his advertising career until the mid 1960s.