Biography Of Ludwig Van Beethoven 's Work

When we talk about Beethoven people often recall him as one that was great. When you think of Beethoven you can consider him a transitional composer and that is mainly because he is the crucial transitional figure linking the Classical and Romantic eras of musical history. Beethoven's innovation was the ability to briskly establish imperishability in bringing together different keys and unexpected notes to join them. Beethoven's music was correspondent to the agreement of the music in literature. Most of his music focused on life drama of one or more individuals through hard life circumstances. Beethoven’s role as a transitional composer between the classical and romantic periods took

While composing his great works, Beethoven was struggling to come to terms with a terrible news, one that he desperately tried to hide. He was going deaf. He loss his hearing in his early 30s and by 1819 he was completely deaf. At that point of time he was devastated by his loss of his hearing but he was passionate about music that it didn’t stop him from composing music. Even with his deaf ears he composed some of his great music at that time of the

Every day, Beethoven would disappear somewhere for a couple of hours and nobody would ever know where he went, until one day when Christoph followed him. Christoph followed him around town, quite stealthily,

Gives all the pertinent details for a novice in classical music. Distinguishes the differences in types of music written by a

His father, a heavy drinker, believed he could make Beethoven the next Mozart. The plan did not work, but Beethoven’s talent was recognized by his teachers (Eckley). Beethoven visited Vienna in 1787, and impressed Wolfgang Amadeus Mozart after playing for him, claims Columbia. He also moved the aristocracy with his own compositions, leading him to Viennese music publishers (Funk & Wagnalls). In 1792, he received piano lessons from Franz Joseph Haydn. However, his lessons were cut short. Beethoven thought Haydn’s “teaching was perfunctory” (Eckley), and Haydn disapproved Beethoven’s, according to Columbia, “unorthodox musical ideas,” says

Difficult as it may be to define the true relationship of an artist to his successors, this difficulty is enormously increased when the subject is as complex a man and musician as Beethoven. His role as both a “preserver of the eighteenth-century tradition1 and a pioneer of romantic self-expression, has secured his status as one of the most revered composers in the history of Western music. Throughout his symphonic cycle, Beethoven’s own journey of self-discovery can be very clearly heard. The Third, Fifth, Sixth and Ninth symphonies were particularly pioneering; they used new ideas such as programme music, orchestral and symphonic expansion and the prolongation of dissonance, inspiring a new generation of romantic symphonists. However, there is an equally strong argument, suggesting that musical fashion and history had turned away from Beethoven towards the end of his life. In the music of his immediate contemporaries, with the exception of Schubert perhaps, his work hardly played a vital force and it was not until the latter half of the 19th century that his influence began to dominate the musical scene. Composers such as Brahms and Bruckner developed the motivic and intrinsically musical ideas in Beethoven’s music whilst others such as Berlioz, Liszt, Mahler and Wagner embraced the extra-musical programmatic ideas. Through an extension of Beethoven’s work in both of these strands, his legacy

Ludwig van Beethoven is a revered figure in the history of classical music in today’s world. Born in Bonn, Germany, he underwent strict guidance from his father who aspired to mold him into the next generation “Mozart.” Sailing through the tides of social, political and cultural revolution, Beethoven became a renowned composer and rose in ranks in the history of classical music. Although succumbed to deafness in his later years, Beethoven had left behind a phenomenon legacy which took the stage of classical music. Moving on from the early 18th century, his works were venerated by many composers and musicians, and till date, his name still tops the lists in the field of classical composition. Not only expanding on his own classical style, Beethoven also highly influenced subsequent generations of classical music, such as the juxtaposition of chords and the expansion of orchestra size. Above all achievements, Beethoven had established such a classical music elitism that he represents a firm benchmark for classical music. Composers and musicians idolized Beethoven, so much that their humble veneration made him seemed unsurpassable. That veneration had also transformed Beethoven into a “singularity” that is studied extensively and his works played repeatedly, creating a stationary progression. Consequently, this veneration might stifle the future generation by excluding them of their individuality. However, Beethoven might be at the “zenith” but his works only paved one of

Although there have been many famous composers over the years, probably none are as well-known as Ludwig van Beethoven. Regardless of one’s particular preference of musical style, almost everyone can quickly recognize Fur Elise, Moonlight Sonata, Ode to Joy, or Symphony 5. Beethoven “was born during the age of the Enlightenment, came to maturity during a period of political and social revolutions, and died as the Romantic era was in full flower” (Benton & DiYanni, 443). He was “regarded as the bridge figure to the Romantic period” (Chiego, 307).

Known as the most influential musician of all time, Ludwig van Beethoven was born in Bonn, Germany in 1770. Beethoven’s talent was noticed at a young age and he soon became a pioneer in the world of music for breaking the traditional bounds of style and form. Over the course of his life, Beethoven produced nine symphonies, seven concertos, and a total of forty-two sonatas. Although these numbers are few when compared to other composers such as Joseph Haydn, his work was very substantial. Ludwig van Beethoven’s compositions were greatly influenced by the changes in the world around him. His ability to stray away from the practices that restrained other composers inspired musicians around him and changed the practices of music forever.

However, the somber tone that the work carries does not mean that it leaves anything to be desired in terms of its complexity, variety, and overall sound. Truly, just by listening to this piece off of the bat and attempting to analyze the style, it became very clear to see exactly why it is as highly revered and regarded as it is within the world of classical music, and among all of Beethoven’s other masterpieces.

As a boy Luiduig Van Beethoven had a genetic predisposition to reach a short stature, and had a large head and thick, bristly coal-black hair framing a pockmarked and ruddycomplexioned face. His foreheard was broad and heavily underlined by brushy eyebrows. Also, his mouth was small and delicately shaped. In the company of strangers he was reserved, stiff, and seemingly haughty. Therefore, people regarded him as arrogant because he was reserved. Nevertheless, among his own friends he was lively and talkative. Growing up, he appreciated authenticity, hence, he was disturbed by exaggerated or false attentiveness. In addition, his daily life was organized, in order to maximize his creative productivity, which was generally richer during the

In this essay, I will discuss two specific symphonies, Symphony No.3 and Symphony No.5, which are composed by Ludwig van Beethoven. Ludwig van Beethoven (1770 – 1827) was a German composer that stood out as one of the most famous and influential composers, in both Classical era and in the entire history of music. Beethoven was born in a family of talented musicians, both of his father and grandfather. He composed nine symphonies, thirty-five piano sonatas, in which thirty-two are numbered, ten violin sonatas, sixteen string quartets, an opera and two mass. From all of his works, nine of his symphonies are greatly known by people, and each of them all masterpieces.

Ludwig Van Beethoven served as an important link between two important periods of time, the classic and romantic eras of music, and his compositions still stand today as a famous memorial of the past. Many people say, ‘Music never dies!’, and that statement has proven true by Beethoven’s Legacy, a creation of many famous compositions of classical music that still stand, untouched by history today as a sound, a true monument that represents the golden age of classical music, a trip into the ever-growing distance of the past. Ludwig Van Beethoven created many pieces of classical music and piano sonatas, persisted to innovate ways to continue to compose music when he was unable to hear, and illuminated the world by encouraging the transition between the classical and romantic eras of musical history.

While attention tends to focus on the choral finale, the opening of the work is every bit as momentous. He immediately established the key, which served as a logical bridge to the exposition. Never before had I heard a symphony begin with such pure atmosphere and suspense! Beethoven makes his path in the harmony, and every other aspect of the piece, unclear and unexpected. He then teases us with all of the three basic elements of music – tonality, rhythm and melody – which he purposely left receptive to every and all possibilities. An open fifth, the most ancient and mysterious interval of music, suggests either A major or minor in the melody. The melody sounds like a rhythm-less tremolo, (a wavering effect in the tone, typically produced by rapid reiteration of a note, or sometimes by rapid repeated variation in the pitch of a note or by sounding two notes of slightly different pitches to produce prominent overtones.) But it is notated as “sextolets” (groups of six notes played in the time of four). Notes begin to cascade, but this was just mere building-blocks of nascent melody. Gradually but purposefully, these undefined elements that we got from

Beethoven was one of the most influential composers of the late classical era. Of all the forms of music he composed one constant during Beethoven’s career were his piano sonatas, which were composed during his early, middle, and late periods. These sonatas far exceeded those created by composers before and are considered to be the bridge between salon music and the concert hall for solo piano repertoire. The early sonatas follow the same traditions established by Mozart and Haydn and by the end of the late period are radically different from conventional form. The late sonatas, Op. 101, 106, 109, 110, and 111, are distinctly different from the other sonatas that came before in their style, forms, and composition.