Biography of Sylvia Plath

1452 WordsJul 13, 20186 Pages
Critical Analysis Sylvia Plath, a great American author, focuses mostly on actual experiences. Plath’s poetry displays feelings and emotions. Plath had the ability to transform everyday happenings into poems or diary entries. Plath had a passion for poetry and her work was valued. She was inspired by novelists and her own skills. Her poetry was also very important to readers and critics. Sylvia Plath’s work shows change throughout her lifetime, relates to feelings and emotions, and focuses on day to day experiences. Plath’s difficulties with narrative prose contrasts between her novelistic dreams and her character. Plath’s passion for classic novelists and her own talent made her realize the fitting narrative prose were densely…show more content…
Sylvia Plath had the ability to get emotional responses through her word-pictures and poems. Plath was also able to create a picture from her trip to Spain, tied up ships, or even a beautiful beach setting (Magill 2225). Spring of 1959, Plath randomly wrote “Johnny Panic and the Bible of Dream,” a first-person short story that is written in a voice that resembles terror (Hughes 1). Plath later work shows the strong dissatisfaction of her dreams. Plath dreamt of discovering cheerfulness through work, marriage, and family, which was a disappointment, caused by a miscarriage and appendectomy, her divorce, and mood swings. Plath felt defenseless to men and apocalyptic to natural forces, mainly death (Draper 2734). Plath’s post-obituary writings imitate the persisting importance in her work. Three Women: A Monologue for Three Voices (1968), originally published on British Radio in 1962, discusses pregnancy of three women (Draper 2735). Plath was inspired to write “The Jailer” which was about her husband who drugged then raped her. Plath eventually became “The Lever of His Wet Dreams.” The exact prodigy occurs in most of her confessional poems, mainly in “Daddy” (Magill 2224). Plath’s tone changes throughout most of her poems (Magill 2228). In “Daddy,” Plath tells about herself being rebellious in her poems (Magill 2229). “No writer has meant more to the current feminist movement.” Kath Pollitt described this collection as “a storehouse

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