Birth of a Nation

Even in the advanced world we live in today, racism is still a strong presence in our everyday lives. Racism today can be seen in a variety of ways that are different than past displays. For instance, my friends that attended public high schools said that they noticed more racism from African Americans toward Caucasians than vice versa. In a lot of movies that are released in theaters today, it seems that the directors do a very good job of not displaying racism in movies, unless the movie is obviously about racism. In one of Mel Brooks’ most well known movies the 1974 film, Blazing Saddles, racism is shown in a different manner than almost any other

All of this proves that Hollywood is not doing a good job in making up for the blatantly racist films of the twentieth century. Hollywood needs to do more to reverse the stereotypes of early film because such stereotypes are still seen today along with their respective repercussions.

Throughout history in America there has always been the idea of racism. When Americans think of racism, they usually think of slavery and that racism is no longer a problem in America. However, this is not the case. Racism is still very apparent in America. It is true that since the end of slavery, the U.S. has made great strides towards becoming a less racist country. In reality, racism will never be extinct. In today’s society, all American citizens of all races have the same rights as one another, yet there is still racism. Racism can be linked directly to stereotypical mindsets of certain groups of people. It is human nature to make conclusions about other people, this is what leads to racism. Today’s racism is not limited to whites

The very last line when police tells him that he was at the “wrong place,” to which White replies by saying, ”that’s where I live,” is a very powerful line as it highlights the point that it was his face that was wrong, the racist point of view that was wrong.

Birth of a Nation uses its histrionic plot to show how tangled destinies of a southern and northern family before and after the Civil War. It willingly portrays southern blacks as spiteful and uncivil, the northern whites as crafty, dishonest, and conceited, and the film’s southern whites as anguish recurrent radical and erotic mortifications at the hands of white northerners and black southerners before factually being saved by the thoughtful, Ku Klux Klan. The film is divided to show the different aspects of those two sides during this historical time. During this time Africans were coming to America and it started the reconstruction on our country. D.W. Griffith made this film to show us the reality of racism at this point in time.

In another event, some racist white boys attack and hit Odessa’s daughter and son for having darker skin and being ‘idiot coons.’ This is one of many examples of racism being a factor. The ultimate clash of the subordinate (whites) and insubordinate (African-Americans) groups comes at end of the film with the mob seen at the carpool lot. This shows racism, discrimination and stereotyping all in one. It is amazing to me to see both how far and how little we have come as a society.

In this movie the African Americans were treated nicely but in reality they did not feel this way. The masters mistreated their slaves but in the movie they were actually having conversations. There is a scene in the movie where a group of African Americans were shaking hands with the white Americans. The producer of the movie wanted to inform others that the “birth” of America was founded on the basis of equality rather than discrimination. If the producer of the movie did not show how the slaves were mistreated, the people will just see the world in only that point of view; the slaves’ point of view does not exist. Ruling countries oppressed both the undeveloped, barren places and the African Americans. The Birth of the Nation is a perfect example of a form of travel writing; the Americans wanted to inform others about America but this movie was only produced in their perspective. Rather than recording the reality, the produces or writers record history with the input of their own influences.

If a movie of this sort had such an emotional impact on me, it is no wonder people embraced these ideas back then. The use of new and popular media methods in those days was more than adequate in transferring the black inferiority ideas to the general public. Beginning at the early 19th century with the happy, dancing, toothless, drunken Negro with big, bold and white lips to the image of the mid 21st century African-American, the media has always used these images to convey inferiority. These images implied inherent traits in the black community. This whole community was represented in the new media as one who can not be collateralized and integrated in to society without being happily enslaved. Most of these images had great commercial values that made it all the more impossible for the rest of the nation not to embrace the African American stereotypes.

The history of African Americans in early Hollywood films originated with blacks representing preconceived stereotypes. D.W. Griffith’s 1915 film, Birth of a Nation, stirred many controversial issues within the black community. The fact that Griffith used white actors in blackface to portray black people showed how little he knew about African Americans. Bosley Crowther’s article “The Birth of Birth of a Nation” emphasizes that the film was a “highly pro-South drama of the American Civil War and the Period of Reconstruction, and it glorified the role of the Ku Klux Klan” (76). While viewing this film, one would assert that the Ku Klux Klan members are heroic forces that rescue white women from sexually abusive black men. Griffith

Although racism has changed over time these past 50 years, racism in many ways still exists. Everybody has their own opinion and those opinions are influenced by the public and the media. In some way,

The reason many people in America today, as well as in the movie are racist is because this is how they were brought up, by the labels they were taught to live by. Past generations were exposed to segregation between ethnic groups, which has greatly carried on to how people look at others today. Up until 1967 it was prohibited for blacks to marry white people in 38 states

Racism in this country has been prevalent over centuries now, and still a huge hindrance in the United States of America. Racism has a huge history with scholars documenting the long illustrious reasons and root causes as to why this has become such a major topic of issue in the United States and its psychological and social obliterations in the society.

Race does not play a large role in this movie, which tells you a lot about the community the movie is set in. None of the characters in the movie are people of color. This tells the audience that the movie is dealing with an all-white, poor, rural community. This allows the audience to fill in information regarding this community based on what is already known about such communities.

The movies came out at a time when the country was at unrest in regards to new age racism. Racism today is well documented through the use of social media s compared to the past. In addition, the time period in which the movies were set people were afraid to express their opinions on racism due to fear of retaliation from the whites but this is not the case today. People are expressing their opinion in regards to racism be it through social media or peaceful protest such as the popular kneeling by Colin Kaepernick a football quarterback. The

Hollywood and the media continues to promote social stereotypes as the white male is portrayed as upper-middle-class professional who is family-oriented while African Americans are depicted as thugs, funny, maids, best friends, and servants. The media sacrifices objective depiction of races to gain better ratings and earnings. Further, in most movies, blacks are depicted as foolish, lazy, submissive, violent, animal-like, and irresponsible. The 1915 film The Birth of a Nation was one of the first films to feature a strong stereotype by portraying blacks as subhuman.