Birth of a Nation film critique

At this time period, the mammy image served the political, social, and economic interests of mainstream white America as proof that blacks -- in this case, black women -- were contented, even happy, as slaves. It was true, Pauline did feel happy working for the white family. Although, her motives are contrary to popular belief. It is there and there only that she feels as if she is a part of something valuable. The uncompromising perpetuation of white ideals, formed a clear difference between her and others in her mind.

The second mythology placed on black women was that of Mammy. ”Mammy was the woman who could do anything, and do it better than anyone else.” (White, 47) Mammy was basically the super nanny of the plantation who lived in the house, she would oversee the kitchen, manage the household and at sometimes raised the white children. Mammy was also so respected that she often served as friend and advisor to the master and mistress. (White, 48) Mammy was often called around the clock to and was expected to be available for assistances and nursing at anytime. From the chapter it could even be concluded that Mammy was asexual, maternal, and virtuous with nonexistent sexuality, the complete opposite of Jezebel. The Mammy mythology is as misleading as the Jezebel image. The image

The Patriot. A person who is willing to fight for their country against enemies. The Patriot begins in the year 1776 in the colony of South Carolina. Mel Gibson plays a planation farmer who fought in the French-Indian war named Benjamin Martin. A War was about to begin and Benjamin wanted no share partaking in the soon-to-be American Revolutionary War. He was more concerned about his two eldest sons who wanted to fight under General George Washington. The beginning of the movie starts out with Benjamin Martin peacefully living with his kids whom no longer have a living mother. Benjamin’s oldest son, Gabriel, joins the war without permission from his father. As the rest of the family are at home one afternoon, Colonel William Travington burns the Martin Plantation to the ground and his second oldest son was killed immediately for interrupting Travington’s plan. Benjamin finds a way to seek revenge because of the rage he experiences after his family is hurt. He begins to realize that he needs to fight for his children and he will not do it alone. Both Benjamin and his oldest son, Gabriel, decide to join the militia as a way of showing what they are capable of. Throughout the film, Benjamin Martin becomes a soldier whom others respect and admire. He shows the militia what it means to truly care for not only his men, but also for his family. As the film progresses, a turn of events take place that show Benjamin’s continued want of revenge against General Charles Cornwallis. The Continentals and the militia soon commence the battle at Cowpens. This is when Benjamin Martin meets his enemy, Travington, who murdered his two eldest sons. After a drawn-out battle, Benjamin stabs Travington in the neck and kills him for the sake of his children. It is then that General Cornwallis retreats his forces and the rest celebrate. Even though some portions of The Patriot aren’t as accurate as we perceive, it is a film full of war and despair, but also a film that contributes to the importance of dignity and the love for one’s family.

The Mammy concept that many African American women professors, such as Andra, experience is a historical concept that many African American women has had placed upon them. In the chapter Andra mentions that as a professor at a PWI many of the white students and their experiences with African American women comes from their first

All African-Americans have been portrayed in stereotypical roles since their arrival into American society for the entertainment and amusement of others. Many people find it difficult to appreciate the diversity of the African American women. So instead of trying to do this, they create identities based on negative stereotypes. There are several negative stereotypes associated with the African American woman. The Mammy archetype is the one chosen to be analyzed in this essay. Collins described the mammy as “-the faithful, obedient domestic servant. Created to justify the economic exploitation of house slaves and sustained to explain Black women’s long-standing restriction to domestic service…” (72) She is commonly seen trying to soothe

Along with the Mammy stereotype, the portrayal of Black women as being lecherous by nature is also a continuing stereotype. Lewd, hypersexual and loose are a few descriptive words associated with this stereotype (Thomas et. al, 2004). The Jezebel is everything the Mammy is not. Physically, she is seen as being a mixed-raced woman with Eurocentric features that those who fall into the physical characterization of the Mammy try to achieve. She has light-skin, less kinky hair, smaller lips and a more slender nose. Although the Jezebel fits the Eurocentric beauty standards, this image “branded Black women as being sexually promiscuous and immoral” (West, p. 294) due to the sexual violence committed against them during slavery. Hutchings et. al (2010) argues that, “explicit racial cues are not necessarily a thing of the past and under certain conditions they can be

Movies that are based on a book are not always the same. In social studies class, we read a book called Our America. The book is about two boys named LeAlan jones and Lloyd Newman becoming reporters and interviewing people in their neighborhood to show people what it’s like in the ghetto life. The movie that went with the book was very different. In the movie and the book Our America, there were many differences such as Principal Williams momentarily becoming an antagonist, Davis Isay was more important, and Lloyd’s life was focused on more in the movie.

The term Jezebel, a seductive female slave concerned only with matters of the flesh, was used as a means of excusing miscegenation, the sexual exploitation of African American women, and the mulatto population (61). The term Mammy, the premier house servant with expertise in all domestic matters and known for the loving way she raised the master’s children, was used to symbolize race and sex relations at their best. The image of Mammy justified slavery for many white Southerners, for she reflected a positive idea that slaves somehow benefited from the institution of slavery (61).

Travel is another manner to learn about life away from usual life. Urry (1990) states that holidays, tourism, and travel “are consumed because they supposedly generate pleasurable experiences which are different from those typically encountered in everyday life.” The director John Landis demonstrates it in his movie “Coming to America” with Arsenio Hall, James Earl Jones, and Eddie Murphy (Akeem) as the principal character. Eddie Murphy is a young prince from one of the African Kingdom who wants to experience something different in the United States from what he has been experiencing until his 21-year-old birthday and before his get married. The purpose is also to his own and true love during this journey. This prince desire follows the

She stands up for herself and says, “Don’t know nothing about writing,” on page 63. She writes in the dirt, which isn’t good for a slave to begin with, but then she denies anything about writing, which is stupid because there is proof right there in the dirt. She runs to her mother and hides behind her. Then, Waller walks in the quarters, goes up to Mammy, and asks her who is teaching her to read. Mammy then says, “Sir?” and gives Waller a dirty look (Page 64).

The movie, The Shawshank Redemption (1994), is based on a character Andy Dufresne. Andy is a young and successful banker who is sent to Shawshank Prison for murdering his wife and her secret lover. His life is changed drastically upon being convicted and being sent to prison. He is sent to prison to serve a life term. Over the 20-years in prison, Andy retains optimism and eventually earns the respect of his fellow inmates. He becomes friends with Red, and they both comfort and empathize with each other while in prison. The story has a strong message of hope, spirit, determination, courage, and desire.

The Abolitionists shows a long journey of ending the slavery. How they fought for the freedom for slaves and how they scarify what they had in the way of the human being equality. This documentary helps people to think about the long process that some people toke and they put their life in danger everyday by speaking against slavery. They main point of this story is in these people: Frederick Douglass, William Lloyd Garrison, Angelina Grimke, Harriet Beecher Stowe, and John Brown. Angelina Grimke was from a famous family in South Carolina. Each member of her family had their own slave but Angelina broke slave owning from her family. She was thinking that slavery is sin and God will punish the person who has slave. In 1829 she moved to North and she

Since 1968, there have been at least 25 films made that portray the events of the Vietnam War. Historians have to ask themselves when watching these films, "Did the fictional character represent historical figures accurately? Is this how a soldier would react in this situation?" The point of view of the director of the film can change with simple alterations in camera angles. For example, a view from the ground of a battle seen can show how the innocent people had the war in their own backyards. The view from a helicopter can show Viet Cong firing rounds at American troops and the troops can't tell the difference between the innocent and the enemy. The audience feels empathy and sympathy for the person from whose point of view the

“D.W. Griffith was the first American director to be as well-known as the films he directed, and he was among the very first to insist that filmmaking was an art form” (Lewis 53). This statement is very true. However, the inherent discriminating content in some of his movies also made him one of the hardest to appreciate. One of the most famous examples was The Birth of a Nation (1915), which was in favor of the Ku Klux Klan. After a few more controversial movies, he finally tried to redeem his reputation with Broken Blossoms (1919). Broken Blossoms is Griffith’s attempt at an apology in the portrayal of minorities and the idea of miscegenation within The Birth of a Nation in the midst of a troubling society heading towards the anti-miscegenation law.

this gang. The film American History X will be analyzed using cultural relativism to determine