blatant, and prevalent to a fault. Post Jim-Crow, racism has diminished so much so that it barely exists; or so society likes to believe. In actuality, racism has been transformed under a different lens where racism still stands as the structures and functions of American society but have been so normalized and legalized that white Americans feel as the country has progressed in terms of racism. This lens, one that Eduardo Bonilla-Silva has defined as colorblind in his book Racism without Racists, explain
Firstly, the novel is read from the traditional feminist perspective, and later Berensmeyer offers queer readings of gender in it. According to the feminist perspective, the novel declares the “fantasy of a powerful woman, who subverts the patriarchal desire for knowledge, domination and control”. Gender studies and queer theory see this controversial text as a “hybrid and playful staging of gender that ‘queers’ or deconstructs traditional categories of masculinity and femininity”. Most recent gender studies
has become the commercialized superclub, where profit rather than music is the bottom line. As a space traditionally influenced by homosexuals becomes a major business opportunity, this commercialization has led to the inclusion of gay subcultures within mainstream American society. However, this process has served to reinforce social stigma and stereotypes. The advertising and club environment designed to “sell” the experience to the gay customer is founded on the overtly sexual club culture of the
sees Harlem Renaissance used interchangeably with ‘‘New Negro Renaissance,’’ a term that includes all African Americans, regardless of their location, who participated in this cultural revolution. Followers of the New Negro dicta, which emphasized blacks’ inclusion in and empowerment by American society, were undeniably spread throughout the nation, and most major cities had pockets of the African-American elite that W. E. B. Du Bois dubbed the ‘‘Talented Tenth.’’ Nevertheless, New York City was,
term avatar to represent the self or user in the context of shared on-line Internet environments first occurs in the early 1980's with the development of LucasFilms's Habitat project (Farmer). The term came to popular consciousness with the success of the novel SnowCrash (Stephenson). Discussions of the nature of the avatar are often mixed with current cyborg theory. Although the avatar and the cyborg share numerous social constructions and identity politics, in the interest of developing an understanding
doublespeak, to make it less troublesome for the speaker.[citation needed] It also may be a substitution of a description of something or someone rather than the name, to avoid revealing secret, holy, or sacred names to the uninitiated, or to obscure the identity of the subject of a conversation from potential eavesdroppers. Some euphemisms are intended to be funny. Contents [hide] 1 Usage 2 Etymology 3 The "Euphemism Treadmill" 4 Classification of euphemisms 5 The evolution of euphemisms 6 Euphemisms
E SSAYS ON TWENTIETH-C ENTURY H ISTORY In the series Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig Also in this series: Paula Hamilton and Linda Shopes, eds., Oral History and Public Memories Tiffany Ruby Patterson, Zora Neale Hurston and a History of Southern Life Lisa M. Fine, The Story of Reo Joe: Work, Kin, and Community in Autotown, U.S.A. Van Gosse and Richard Moser, eds., The World the Sixties Made: Politics and Culture in
THE IMPACT OF SCIENCE ON SOCIETY James Burke Jules Bergman Isaac Asimov NASA SP-482 THE IMPACT OF SCIENCE ON SOCIETY James Burke Jules Bergman Isaac Asimov Prepared by Langley Research Center Scientific and Technical Information Branch 1985 National Aeronautics and Space Administration Washington, DC Library of Congress Cataloging in PublicationData Burke, James, 1936The impact of science on society. (NASA SP ; 482) Series of lectures given at a public lecture series sponsored by NASA and