Black Cultures And Subcultures Within The United States

The story “Woman Hollering Creek" by Sandra Cisneros describes the lives of Mexicans in a Chicago neighborhood. She depicts the life that women endure as Latino wives through her portrayal of the protagonist, Cleofilas. For Cisneros being a Mexican-American has given her a chance to see life from two different cultures. In addition, Cisneros has written the story from a woman’s perspective, illustrating the types of conflicts many women face as Latino wives. This unique paradigm allows the reader to examine the events and characters using a feminist critical perspective.

In the story "Woman Hollering Creek" Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleofilas; a character who is married to a man who abuses her physically and mentally .Cisneros reveals the way the culture puts a difference between a male and a female, men above women. Cisneros has been famous about writing stories about the latino culture and how women are treated; she explain what they go through as a child, teen and when they are married; always dominated by men because of how the culture has been adapted. "Woman Hollering Creek" is one of the best examples. A character who grows up without a mother and who has no one to guid and give her advise about life.

Culture is such a broad and complex term that can be defined in numerous ways. It is said that in part is the integrated pattern of human knowledge, communication, belief, art, literature, and music one acquires upon learning and transmitting characteristics from previous generations. Culture is symbolic communication, and its symbols are learned and carefully perpetuated in a society through its institutions. In Black Culture and Black Consciousness by Lawrence W. Levine, he carefully attempts to uncover Afro-American culture during the antebellum and postbellum periods. More often than none, historians like to emphasize the things that get lost in the culture of Afro-Americans when they are taken from Africa and forced to live as enslaved people in North America. However, in Levine’s book, we discover that he carefully

Caminero-Santangelo, Marta. 2007. On Latinidad: U.S. Latino Literature and the Construction of Ethnicity. Gainesville, FL: University Press of Florida.

  The novels The House on Mango Street (Cisneros 1984) and Woman Hollering Creek (Cisneros 1992) relate the new American through the eyes of Cisneros. The women in both novels are caught in the middle of their ethnic identity and their American identity, thus creating the "New American." Cisneros moved between Mexico and the United States often while growing up, thus making her feel "homeless and displaced" (Jones and Jorgenson 109).

Cristina Henriquez’, The Book of Unknown Americans, folows the story of a family of immigants adjusting to their new life in the United States of America. The Rivera family finds themselves living within a comunity of other immigrants from all over South America also hoping to find a better life in a new country. This book explores the hardships and injustices each character faces while in their home country as well as withina foreign one, the United States. Themes of community, identity, globalization, and migration are prevalent throughout the book, but one that stood out most was belonging. In each chacters viewpoint, Henriquez explores their feelings of the yearning they have to belong in a community so different than the one that they are used to.

Social standards may confine individuals from pursuing their own personal interests. Through the relationship between societal standards and individual interests, Sandra Cisneros’ short story, “Woman Hollering Creek,” introduces the roles of men and women in a Hispanic culture. The protagonist, Cleofilas Hernandez, is trapped in an abusive relationship with her newly-wed husband, Juan Pedro. However, Cleofilas tolerates the toxic relationship due to the social norms of her society, which reveals that the Hispanic culture revolves around a patriarchal society and that women have to be submissive to their husbands. As the story progresses, Cleofilas abandons the gender norm to lead an independent lifestyle.

While Kylie Jenner’s faux dreadlocks for her ‘rebel-themed’ Teen Vogue photoshoot were described as beautiful, edgy, and raw by various style magazines, Zendaya Coleman’s dreadlocks she wore on the Oscars red carpet were described as making her look like she “smells like patchouli oil. Or, weed," by Fashion Police host Giuliana Rancic. America loves to appropriate black culture, even when black people themselves, don’t receive the same amount of love from America. From box braids to dashikis, black culture has been stolen by America and used for their own personal gain, disregarding the historical context and meaning of these traditions or blatantly perpetuating stereotypes.

Currently Sandra Cisneros resides in San Antonio in a purple house and she describes herself as “nobody’s mother” and “nobody’s wife.” Both Frida Kahlo’s and Cynthia Y. Hernandez’s works convey the idea of having one’s culture limit one’s freedom and individuality. Cisneros and Esperanza are both victims of this idea and realize that the only way to live one’s life freely is to defy the roles and limitations created by one’s culture.

A life in the city of Seguin, Texas was not as easy as Cleofilas, the protagonist of the story thought it would be. The author, Cisneros describes the life women went through as a Latino wife through Cleofilas. Luckily, Cisneros is a Mexican-American herself and had provided the opportunity to see what life is like from two window of the different cultures. Also, it allowed her to write the story from a woman’s point of view, painting a vision of the types of problems many women went through as a Latino housewife. This allows readers to analyze the characters and events using a feminist critical view. In the short story “Women Hollering Creek” Sandra Cineros portrays the theme of expectation versus reality not only through cleofilas’s thoughts but also through her marriage and television in order to display how the hardship of women in a patriarchal society can destroy a woman’s life.

Writing in the 20th century was great deal harder for a Chicano then it was for a typical American at this time. Although that did not stop this author, Sandra Cisneros. One of her famous novels, Woman Hollering Creek was a prime example of how a combined culture: Mexican-Americans, could show their pride and identity in this century. In conjunction, gave the opportunity for women to speak their voice and forever change the culture of Latino/a markets. Not only did it express identity/gender roles of women and relationships, but using these relationships to combine the cultures of Mexican and American into a hybrid breed. This novel, should have been a view-point for the future to show that there is more to life than just gender and race.

What I observed growing up in the 70s was the all natural big afros or pressed hair styles, platform shoes and bell bottom pants and dashiki shirts was apart of my African-American culture. Shoes had to be shined, even sneakers had to be wipe clean and cloths had to be pressed before you was able to walk out the door. Growing up I had three different styles of clothes. I had church clothes, play clothes and schools clothes.

The 20th century cultures of many modern cities were forged in this period. For instance, in 1910, the Black population of Detroit was 6,000, by the start of the Great Depression in 1929; this figure had risen to 120,000. Other cities, such as Chicago, St. Louis, Cleveland, Baltimore, Philadelphia and New York, also experienced surges in their Black populations. At the same time, these cities were receiving hundreds of thousands of new immigrants from southern and eastern Europe. Major industrial cities were places of numerous languages, an influx of peoples from mostly rural social and economic cultures, and staggeringly rapid change in the early decades of the 20th century.

To begin with, one of the values held dear in African American culture, regardless of socioeconomic status, is spirituality" (McAuliffe, 2013, p. 134).

Erika Lopez’s Flaming Iguanas addresses various constitutions of American identity, including ethnicity, gender, and sexuality. The protagonist, Jolene, is illustrative of how these constitutions of identity are complicated as she travels west. Traveling westward is considered a male gendered movement that rejects the constraints of middle class life, therefore, they decide to get on the road in hopes of finding selfhood also avoiding and rejecting the commitment to family life. Jolene being a woman on the road plans to accomplish selfhood because she is a middle class woman who also rejects the restricting life of domesticity. Flaming Iguanas demonstrates that gender, class, and ethnicity tie into the ability or inability of finding one’s