On July 5, 1954, forty-nine days after the Supreme Court handed down the decision on the Brown vs. Board of Education case, a nineteen year old truck driver recorded an Arthur Crudup blues track called “That’s All Right Mama” (Bertrand 46). Memphis disc jockey Dewey Phillips found the cut and played it on his radio show a few weeks later. He received calls all over from people, mostly white, who wanted to hear more. He quickly located the musician and brought him into the studio for an interview, audiences were shocked to learn that Elvis was white (Bertrand 46). Elvis’s music brought black music into white mainstream pop culture almost overnight. The breakthrough of Elvis happening almost simultaneously with the dawn of …show more content…
In the Puritan world white represented good and black represented evil, including Africans and their culture. After the War Baldwin states that the former puritanical views of whites will be challenged. Musicians such as Elvis Presley were the first to issue this challenge to white society. Early rockers such as Elvis would pave the way for social commentary in music that would add much fire to the Civil Rights Movement. In order to fully understand the explosion in popularity of black music in the years following World War II, one must understand the social conditions in which blacks and whites lived in the American South. An article entitled “Not Just the Same Old Show on my Radio” delves into the very issues behind racism. The article names aspects necessary for social segregation to exist: 1.) There must be a stigmatism of the oppressed group. 2.) There must be some sort of “labeled interaction” between groups. 3.) There must be a hierarchy of discrimination. (Kloosterman, Quispel 152) In the case of the American South we see evidence of the Baldwin’s “Puritan dicta” in each of theses points. Obviously the stigmatism of the African race gathers its logic from the belief of African inferiority. However, of importance at this time will be the second criterion referring to “labeled interaction” between races. The “labeled interaction” that these authors are referring to of course represents the South’s
Black and white teenagers listen alike to rock music on the radio and attended clubs to hear it, together. Rock ‘n’ Roll’s roots helped accustom white teens to black music through the lenses of white, male vocalists—a normalcy to ground these drastic changes in race relations. The stars, like Elvis Presley—know for his sexual and riveting performances—began to blur the line between different forms of music and more importantly, black and white music.3 Rock ‘n’ Roll music was a blend of these two different cultures, demonstrating the enormous consumer power of this emerging youth culture and giving it the power to unite an entire
During the Civil Rights era, African Americans changed the way people looked at music by ending the segregation in the music world and by making a well-known “soundtrack” and influence during the Civil Rights Movement.
The rise of Soul music was a product of the particular environment of that time in which the musicians who created it lived, a period much paralleled with the Civil Rights Movement (CRM) and Black Power Movement (BPM) (Maultsby, 1983, 54). The objective of this research was to examine any existence of political and social messages delivered in Soul music around the civil rights movement era in America, which would lead to a better understanding of the role of Soul music having served in the process of political and social changes in the country.
Elvis Presley was one of the most influential rock and roll singers in the American history. Presley’s work revolutionized the music and brought about significant changes in the entertainment industry. He grew up in an environment where racial segregation between the whites and African Americans was highly pronounced. In fact, Presley schooled in Memphis where he graduated from a whites-only high school. However, he upheld the Black’s music and made it possible for their music to be accessed by the White American youths. Presley’s tracks broke past the racial barrier as many teenagers loved his amazing voice. Through his music, he confronted racism and challenged both social and moral values. Elvis Presley changed the manner in which the Black minority were treated in the U.S. through his music, and this initiated the fights against racial discrimination leading to the civil rights movement.
The Black Arts movement refers to a period of “furious flowering” of African American creativity beginning in the mid-1960’s and continuing through much of the 1970’s (Perceptions of Black). Linked both chronologically and ideologically with the Black Power Movement, The BAM recognized the idea of two cultural Americas: one black and one white. The BAM pressed for the creation of a distinctive Black Aesthetic in which black artists created for black audiences. The movement saw artistic production as the key to revising Black American’s perceptions of themselves, thus the Black Aesthetic was believed to be an integral component of the economic, political, and cultural empowerment of the Black
African American influence in music has been an ever present and controversial subject in American history. Stemming from many different cultures, religions and backgrounds, large portions of American music was introduced by, and credited to African Americans. Although in many cases, this music was used for entertainment by the masses or majority, contrary to popular belief, black music served a greater purpose than just recreation. Dating all the way back to the beginning of slavery in the U.S. during the 17th century, music has been used to make a statement and send a message. As African American music progressed over the years, there were common themes expressed as the genres evolved. It has been an open letter to the world, documenting and protesting the ongoing oppression faced by blacks in the United States, as well as an outlet for frustration. For many African Americans, the music gave them the only voice that couldn’t be silenced by their oppressors.
Presley facilitated desegregation through his music genre and selection. He did this by creating music for both Black and White listeners “integrating” the two music genres. For instance, Elvis Presley’s first single released in July of 1954 began his career of integrating Black and White music. This record contained a cover of “That’s All Right” an R&B song which was originally written and recorded by the African American artist Arthur Crudup on side A. While side B was a recording of a cover of the bluegrass song “Blue Moon of Kentucky” by the white artist Bill Monroe. This representation showed the American people that both Black and White culture could live side by side beautifully. This record also displayed the beginning Presley’s attitude and complete disregard for segregation.
Berry Gordy, the founder of Motown, had to so called ¨craft an image for his acts.¨ He had young stars go to a music school, to finish up and add on a few new techniques. He would also make them appear such that, in no way could even offend one person. Gordy tried to play it smart and to make the artists album covers in a way that it would be a secret in revealing the artist's race. Gordy found out that some black artist were still having trouble going from the R&B chart to the Hot 100. Many artists were having trouble trying to go along with what Gordy had in mind. But artist wanted to be themselves, express their feelings with how they wanna sing or perform. And hiding who they really were was hard from them to do when you have to keep their race in
Elvis Presley was best known for his integration of R&B and country music. The public was scared that not only Presley would integrate music but also the white and black community. Which was something he did actually achieve according to Little Richard “He was an integrator. Elvis was a blessing. They wouldn’t let black music through. He opened the door for black music” (Elvis After 198). Parents were afraid of his music, considering it was said that he had a voice of a black man. He caused controversy, a white man singing black music on the radio.This controversy grew as Presley grew in
It is well known that racism was very present in the early days of Rock n Roll, but its direct long-term effect on music is significant. The attitude surrounding black music as an industry would change after slavery in segregated America. The very sounds being produced were heavily influenced by slave life. Along with this, music gained a new level of personal emotion due to the catharsis of the oppressed. Due to slavery, segregation, and racism in America during the early years of Rock n Roll, a large shift in the culture of the music industry, musical structure, and content occured.
The emergence of Rock and Roll was one of the most pivotal moments of our nation’s history. The impact that this genre of music made is still evident in our culture. However, before this genre was able to gain momentum, it faced many cultural conflicts. The book, All Shook Up: How Rock ‘N’ Roll Changed America by Glenn C. Altschuler analyzes the impact that rock and roll music has made on American culture. It explores how the Rock and Roll culture was able to roughly integrate and later conflict with preceding cultural values. This is especially apparent in chapters regarding race and sexuality. Overall, Rock and Roll was extremely controversial amongst parents and educators. This new music genre was condemned by the previous generation as
This judgment began unexpectedly to spread as African American music, especially the blues and jazz, became a worldwide sensation. Black music provided the pulse of the Harlem Renaissance and of the Jazz Age more generally. The rise of the “race records” industry, beginning with OKeh’s recording of Mamie Smith’s
Music plays many roles in the life of African Americans still, but back then it was trying to get a statement out that people would listen to. There were many singer who did everything they could ton show they were against it like Guy and Candle Carawan. They sing the songs “Tree Of Life,” “Eyes on the Prize,” and “We Shall Overcome.” There was more than just them. You had Pete Seegger, Jamilia Jone, and many more.
The broadcasting and recording industries did not solely represent the conquering racial assumptions of the 1950's, they internalized them and helped to continue them. Racial conventions permeated the organization and structure of the music industry at every level. The very existence
When historians look at history and at reasons why society changed many focus on conflicts like wars, civil rights, and poverty. However, there is so much more that over time changed America. One of the most influential subjects that helped this change was Elvis Presley. Through his music, which was influenced by black artists, he allowed white Americans to view a new group of performers. He tested social boundaries that helped him change American culture. His appearance and singing would end up changing the teenage world by introducing new trends in fashion and music. Presley was the reason why we have Rock-N-Roll. As a business and a singer, he brought America together into a new type of society; therefore he is a