Black Oxen Analysis

First of all, through the inaccurate representation and stereotypes of both empowered and oppressed women, Shakespeare and Steinbeck explore the destruction of relationships. In Shakespeare’s play King Lear, the dominant female roles are given to Goneril and Regan who manipulate others through their empowerment to get what they desire, yet in the end of the play lead to each other’s demise – tragic ending. Neither Goneril, nor Regan have the decency to honor or remain loyal to their own husbands. They usurp their father’s authority and disrespect their marriage. However, in the beginning of the play, they remain loyal to one another. Through a feminist lens, this portrayal of women is demeaning and erroneous, but illustrates how even the most horrific character’s loyalty to one other is worthless. The lustful desires of both women for Edmund results in Goneril poisoning Regan and then committing suicide – tragic demise of both women. In similar fashion, Steinbeck depicts the disloyalty in an oppressed woman. The only female character in Of Mice and Men is Curley’s wife whose identification is known through her husband. She is considered to be the reason for the downfall of men and a distraction. Throughout the novel she is described in derogatory

Does being a female put every woman at a disadvantage in a patriarchal society? In The Marquise of O, Heinrich von Kleist tells the story of a woman named Giulietta who lost her husband, but continues to take care of her children. This almost perfect life of hers came to an end when she was raped and found out she was pregnant without any knowledge of the incident. As a woman living in the 18th century, she was put at a disadvantage because she now had to now find a father for the child in order for her and the child to avoid public scrutiny in the patriarchal society where having a father figure or more so his name was crucial. In this paper, I will be looking at the problem of feminine passivity in the Marquise of O and how this is shown

Angela Carter’s ‘The Bloody Chamber’ attempts to change this ideal by re-establishing the feminine narrative through her story. Although the view of female as a commodity is far older than psychoanalysis, psychoanalytic theory has consistently re-enforced the ideals of women as objects and of a lower status than men (Loftus). In ‘The Bloody Chamber’ Carter works to discredit the concept of the female as a commodity. When reflecting on the Marquis’ previous wives, the narrator of ‘The Bloody Chamber’ references the portrait model saying “her face was common property” (pg. 5). From the surface, this is an allusion to the fact that she allowed herself to be painted,

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Women were regard as a second class of people. They had neither legal right nor respect from their male counterparts. When the narrator's husband, John, a

In her 1945 article, Woman in the Nineteenth Century, Margaret Fuller illustrates a world in which “there exists in the minds of men a tone of feeling toward women as toward slaves”, and where men hold “the belief that Woman was made for Man”. Two books, Herman Melville’s Moby Dick and Woman in the Nineteenth Century, provide male and female perspective in the 19th century. These separate texts exemplify two sides of the same coin. On the one hand, Woman in the Nineteenth Century provides perspective of the feminine experience in a male dominated world while Moby Dick portrays a society from a male point of view and experiences woman as subservient to himself.

In Hurston's “Their Eyes Were Watching God”, men and women inhabit separate roles. Not only are the women portrayed as the more fragile sex, Hurston essentially defines them by their relationships to and with the men. Thus, marriage is paramount in this story. The message sent here is that women can and do only obtain power through marrying powerful or, at least, motivated men. By the use of tradition, women are limited to the confines of positions of piteousness, passiveness, domesticity, and of course as sexual objectivity. The men consistently silence the women's voices, limit their actions with proprietary notions and insult their appearance and sexuality. In contrasts, when the women exhibit any traditionally male characteristics such as authority, intelligence or ambition, men deem them as unattractive and masculine. The male characters set out to prove to their peers that they are masculine by showing their wives who is in charge. This was not always due to personal desire, but also by society and at large as well as environmental pressures.

     In The Murder of Helen Jewett, Patricia Cohen uses one of the most trivial murders during the 1800’s to illustrate the sexiest society accommodations to the privileged, hypocritical tunneled views toward sexual behavior, and the exploitation of legal codes, use of tabloid journalism, and politics. Taking the fact that woman was made from taking a rib from man was more than biblical knowledge, but incorporated into the male belief that a woman’s place is determined by the man. Helen had the proper rearing a maid servant, but how did she fall so far from grace. Judge Weston properly takes credit for rearing her with the proper strictness and education. Was Helen seduced at an

Gender inequality will always affect the portrayal of women in society, the weaker, unnecessary, and other sex. It is not just a subject of the past, and still holds a name in society. However in the olden eras, the way women were treated and looked at was in a much harsher condition. In Shakespeare’s Othello and Shelley’s Frankenstein, women’s roles in the books are solely based on the way they are treated in their time period. The portrayal of women in these books demonstrate that they can never be in the same standing as men and therefore will never have the same respect as them. In both Othello and Frankenstein women are treated as property, used to better men’s social standards, and lack a voice, which demonstrates that in

Women in Wollstonecraft’s time were only valued for their attractiveness, were only useful for their role as a mother, and were not given the right to an education nor the right to jobs. Wollstonecraft observes that “when a women is admired for her beauty, she suffers herself to be...intoxicated by the admiration she receives as to neglect...the indispensable duty of a mother, she sins against herself by neglecting to cultivate an affection that would equally tend to make her useful and happy” (Wollstonecraft 6). In other words, women getting so wrapped up in presenting themselves as beautiful in order to meet society’s standards then completely neglect their natural role as a mother that would make them “useful” by society’s standards by fulfilling the only role they really could at the time: a mother. Instead of being praised for being a virtuous mother, women were valued solely for their sexual attractiveness. Once their beauty fades and they have already birthed and raised their children, as Wollstonecraft states, “let them not expect to be valued” (32). During Wollstonecraft’s time, a typical woman was “dependent on her husband’s bounty for her subsistence during his life or support after his death” (19). A woman did not have any other job than to be impregnated and raise her husband’s offspring, meaning she had to be financially dependent on her husband. Women could not “study the art of healing” nor “be physicians [or] nurses”—jobs Wollstonecraft argued “women might certainly study” given the opportunity

The narrator is portraying a woman who is looked down upon because of her mental illness, but women at the time were often seen as childish or too emotional. “Then he took me in his arms called me a blessed little goose,” (Gilman 5). The narrator’s husband, John, treats her almost like a father would treat a daughter. The narrator is belittled because of her inability to act like women at the time were expected to. “Victorian values stressed that women were to behave demurely and remain with in the domestic sphere,” (Wilson 6). During the 19th century, women were expected to simply care for the children and clean the house. Most of the time, women who aspired to do more than that were not considered respectable wives. “Because the narrator is completely dependent on her husband and is allowed no other role than to be a wife and a mother, she represents the secondary status of women during the 19th century,” (Wilson 5).

It is common practice to see old tales revamped for the modern day like romeo and juliet. Franco Zeffirelli brought Romeo and Juliet to the big screen in 1968, while Baz Luhrmann's version added a modern twist in 1997. This is no different for Marcel Camus’s rendition of the classic Orpheus and Eurydice story. His version adds quite a twist from the greek original taking place in Rio during Carnival. The story follows the same like but the culture, and backdrop that envelopes the story is completely different. It is a quite authentic example of Carnival and the use of the music style Bossa Nova during the mid 20th century. The authenticity is even furthered when one learns that the two man composer group who made the beautiful soundtrack are from Rio. Black Orpheus is an authentic look into the festival of carnival and also the state of Brazil in the mid 1950s. Some of the underlying feeling of Brazilians relating to its culture are not seen throughout the book, but are expressed by Gilberto Frye who is quoted. I will analyzing the topics, and details of the film and connect them with ethnic and historical concepts in Brazil

In every society each gender’s behavioral response is often a reflection of the societal influences that have been instilled since birth. In every society each gender is subjected to certain roles. Males having to suppress their emotions while women are able to be emotional beings. Women being shunned for exhibiting characteristics of the opposite sex. Although, we live in a society that harps on individuality and self-expression, it is clear that this only applies when individuals do not feel inferior. Additionally, self-expression is only situational and accepted based off of certain agendas. In the following story, Porphyria’s Lover by Robert Browning, we are able to analyze how a male reacts to feeling inferior to a woman. In The Yellow Wallpaper, which is written by Charlotte Perkins, we are able to analyze how her husband’s lack of understanding and inability to communicate with his wife ultimately leads to her insanity. In each of these stories, gender roles are being depicted in a negative and positive way. Through the character’s actions were able to learn how society views each gender in the time in which the story takes place.

The “Patient Grissel” is a ballad of a peasant girl who marries a man of noble birth. He tests her with a series of cruel acts that will determine if she is suitable to what a wife ought to be. From the beginning when Grissel is introduced in the ballad she is described as “A fair and comely Maid” with “simple attire” (ballad grissel) which gives the idea of a perfect wife. According to Murphy in “Virtuous Necessity”, she points out that women in ballads during the seventeenth century are commonly viewed as “wondrously good” and “obscenely bad” (Murphy). The “Patient Grissel” will fall under the “wondrously good” wife. Patient and obedience is demonstrated with her husband’s tests. The ballad describes the “Noble Marquis” ordered to murder their children, and Grissel responded, “My gracious Lord…Must have his Will obeyd” (…….). This lines demonstrates the obedience Grissel had towards her husband illustrating marital norms women were expected to abide by. After sixteen years of keeping Grissel away from the country the Marquis demanded her to dress his new wife (based on the ballad the new wife is the daughter of both the Marquis and Grissel who he had ordered to kill sixteen years ago) to all this “Nothing she answered” (…). Grissel’s silence demonstrates her patience and obedience. At the end of the ballad the Marquis said,“The Chronicles of lasting fame/ Shall ever more extol the Name/Of patient GRISSEL/My most constant Wife” (…). Throughout the ballad societal expectations for women are demonstrated and Grissel seems to be an example for other women to follow. The use of a character such as Grissel then further shows the gender disparities during the seventeenth century because as Murphy pointed out women are given many characteristics which makes them “Ephemeral” and men have a more “fixated image” just

Written by John Stuart Mill in 1860-1861, as the Victorian era took place in England, “The Subjection of Women” is a critical piece of analysis in regards to the status of women in society and their unequal relationship with the opposite sex. During Mills lifetime, women were considered to be inferior to men by custom and laws, therefore, it was expected of them to be submissive in nature and to drive their aspirations as far as those of a homemaker, wife and mother could go. Deeply influenced by the ideas of his wife Harriet Taylor Mill, and John Stuart Mill’s own beliefs, “The Subjection of Women” was published in 1869, becoming a piece of literature that would not only challenge the common views of society at the time, but will advocate for different approaches in light of modern times.