Black Stars : An Extension Of Slick Rick 's Original Composition

The rest of the chapter talks about the similarity of minstrel images in 1990s hip-hop, as evidenced by the defining characteristics of greed, violence, hyper sexuality and pathos in “gangsta rap” (a sub-genre of hip-hop further defined in chapter two). Ogbar balances this landscape with challenges to what he calls “neo-minstrelsy” from both inside and outside the hip-hop community, including discussions of the Spike Lee movie, Bamboozled, underground conscious hip-hop groups such as The Roots and Little Brother, and the activist “Stop Coonin’ Movement”, to name a few. Throughout the book, Ogbar explains how rappers strive for authenticity by “keepin’ it real”. And that is defined by how they rap, walk, talk, and make their

Throughout the song, Tupac gives an inside look on the social problems affecting African-Americans and suggests possible solutions. In the first stanza of the song, Tupac first talks about how certain social issues are linked together; he makes a correlation between his skin color and being poor. Tupac says “I'm tired of bein' poor and even worse I'm black.” Then he explains how poverty causes crime by saying “My stomach hurts, so I'm lookin' for a purse to snatch.” And finally, he demonstrates the relationship between police brutality and race by saying “Cops give a damn about a negro? Pull the trigger, kill a nigga, he's a hero.”

The connection that is drawn between the formerly economically challenged rapper and the child whose parent works two jobs, and can’t pay his child’s college tuition is paramount in making this point. The illusion of the American dream is set through many hip-hop songs. The picture of the evolution of the rags to riches story is set by many rappers in current hip-hop culture, this picture is the basic premise

Nelson George states that “Gangsta rap is direct by- product of crack explosion. Unless you grasp that connection nothing else that happened in the hip hop’s journey to national scapegoat will make sense. This is not a chicken-or-the-egg riddle —first came rocks, then gangsta rap” (136). To prove his point he examines the connection between drug culture of the inner city areas and the hip hop music. The money collected from illegal drug deals spent on recordings of gangsta rap music. George says “Suspicion of women, loyalty to the crew, adoption of a stone face in confronting the world, hatred of authority—all major themes of gangsta rap-owe their presence of lyrics and impact on audiences to the large number of African-American men incarcerated in the ‘90s” (138). I agree with his statement that gangsta rap is a directed by- product of crack explosion, because social and racial issues for instance drug dealing influencing the lyrics of music and this explosion of heroin and crack in communities gave birth to gangsta rap.

1. Keyes points out that rap music derives from what she refers to as the “West African bardic tradition.” What is this tradition? What is the role of the griot in this tradition? What parallels do you see between the groit and a hip hop MC (the rapper, often the main writer of lyrics for a group)?

There is little question that he came from the streets, but this had been a growing comparison among the correlation of hip hop and the crack generation. “Not only did black teenagers in similar situations relate to what Eazy was talking about, but white suburban kids fantasized about being in his situation” (Eriewine).

The decade of hip-hop is what some may call it. Tupac, Naz, Biggie Smalls, as well as other artists, were major contributions. Not only for the people who are trying to find their footing, but Buck as well. Throughout the book various lyrics were embedded in order to create a better understanding for its readers. In addition, this book is based upon a 90s lifestyle within Philadelphia, which included drugs, gang activity, crime, hip-hop, and havoc. Malo was directly in the center of everything, the girls, the fights, the guns. His experiences shed light towards what it’s like to as an African American individual living in or near the hood. Not everyone realizes what people go through while living there, but now it gives some readers an image of what goes on. Though times have changed, not all previous feelings

The movie Boyz N the Hood is an illustration of how a group of early adolescents’ lives was affected negatively due to the environment they lived in. These adolescents lived in an environment where drugs, gangs, and shootings were the center of their community. Living in a predominantly African American community these adolescents were faced with many misfortunes. Ricky one of the adolescent characters I have decided to evaluate for this particular paper was faced with adversity.

“There are approximately 27,900 gangs, with 774,000 members, impacting towns, cities, and communities across the United States. Gangs conduct criminal activity in all 50 states and U.S. territories. Although most gang activity is concentrated in major urban areas, gangs also are proliferating in rural and suburban areas of the country as gang members flee increasing law enforcement pressure in urban areas or seek more lucrative drug markets. This proliferation in non-urban areas increasingly is accompanied by violence and is threatening society in general (Decker, 1996).” The code of the street is silence and to snitch is death. Everyone within Calliope projects knows this so no one talks, not even to the police. In the distance music from a radio playing “Hand on pump finger on the trigger (Cypress Hill)” can be heard as men laughing and joke about how they just creeped up on some guy and shot him and the look on his face. A 187 has just been committed (police code for homicide) but no one cares in this community

Adversity sometimes gives rise to greatness. The day-in, day-out struggle of scratching an existence out of the hood can instill in one an aspiration to conquer the highest peaks. America's most poverty-stricken slums and crime-ridden inner cities have birthed some of the greatest visionary talent the music industry has ever seen. Those who struggle to make it out seldom succeed, but the ones with the will to do so possess a certain spark that drives them to unimaginable heights.

Black pathologies include characteristics such as rising rates of poverty and crime, selling of drugs, and being unemployed. It appears that some elements of Jay Z’s biography fit this “tangle of black pathology” stereotype. Jay Z was born into poverty, and his father left his family when Jay Z was younger; the idea of poverty and of the father figure leaving are black stereotypes. Jay Z would also go on to become a hustler, selling drugs to others in his community. Some might argue that the actions blacks undertake result in characteristics such as unemployment. However, there are also several aspects of Jay Z’s biography that do not fit the “tangle of black pathology” stereotypes. Today, Jay Z is a very successful man who escaped poverty.

Analysis CER (TS) The significantly unique song “The Show Goes On” by Lupe Fiasco captivates and draws in listeners to the message of his song using mood and style.. (C1) Lupe Fiasco remarkably highlights the stereotypes of children who are stuck in bad areas or what most call the “ ghetto” and skillfully conveys a message about the reality of what some people specifically children go through everyday and how they are judged. (E1)

With things, such as explicit lyrics and depiction of women, drugs, and violence an assumption can be made that gangster rap represents a masculinity that rappers portray themselves as in their songs. Dating back to its origins, African Americans had always been the face of gangster rap, with such names like Tupac, Biggie, Jay-Z, DMX, and much more, as covers of rap magazines. Gangster rap had always been seen as what people interpret it to be and that is a raw rhythmic and explicit version of poetry in motion, but gangster rap depicts more than what people interpret it to be. Gangster rap depicts the image of how a strong African American male should look like, a bold, angry, rebellious, and fierce man. Strong African American males are subjective to gangster rap, mainly because of how gangster rap portrays masculinity. In “Brotherly Love: Homosociality and Black Masculinity in Gangsta Rap Muscic” Oware argues that although gangster rap music portrays the masculinity of African American males through the use of hyper masculinity, misogyny, and violence in lyrics, gangster rap music also provides a way for rappers to express themselves to commemorate their fellow friends through lyrics that depict family/friend relationships, success by association, and have a tribute for lost friends.

From it's inception, rap indured a lot of hostility from listeners--many, but not all, White--who found the music too harsh, monotonous, and lacking in traditional melodic values. However, millions of others--often, though not always, young African-Americans from underprivileged inner city backgrounds--found and immediate connection with the style. Here was poetry of the

One should believe that explicit music contributes to one of the major issues our society faces in America and that’s gun control. The suicide rate in 2017 is at 62.7 percent just from the use of a gun, while in Chicago there have been 500 homicides. The issues we face as a nation, can be better controlled if the music being put out to people aren't so gang related and if guns were more controlled. One should feel our music today in America could have some impacts on violence because of all the killings and gang violence they mention in their music. The artist shouldn’t be blamed the parents should be. Parents should restrict their children from listening to music by Lil Herb because it leads to violence and killings and a lot of gang related activities.