Black Teens Are Breaking The Internet And Seeing None Of The Benefits

As the world around us is growing rapidly everyday, we are easily overwhelmed by tons of new information. We rarely have the chance to think how digital technologies affect the way we gather the information and whether we are using it correctly. In the article “ Something Borrowed” by Malcolm Gladwell, he asserts that it is okay to use old ideas as long as the new work is transformative, and in the article The Plagiarist’s Tale” by Lizzie Widdicombe, she argues that copying is a creating process and continuous borrowing is a kind of art. Both the authors agree that borrowing is deemed to be acceptable as long as they are not entirely copying old work. It is true that everyone can have there own definition of plagiarism, and I believe that nothing

In the essay " Black Teenagers Defy Pop Culture Portrayals", Laura Stepp talks about the stereotypes black boys and girls face. They face being overly sexualized in pop culture, being careless when it comes to sex, accused of want nothing but sex and becoming a teen parent. I was somewhat aware of the stereotypes young black people face but not in depth.

It is clear that the hip hop culture plays a huge role in the lives of many people. It has influenced the way people dress, the way they talk, and the way they act. Unfortunately, many big corporations have taken advantage of this and commercialized rap music in order to gain a profit (Blair, 497). Commercialization is a very complex topic; however, it is important to understand. This is because of the fact that when something becomes widely known, such a hip hop and rap have, it is vulnerable to change (Phillips, paragraph 9). An example of this is when author Nicole Phillips states, “Hip-hop became more about edge and less about the content of the message. It became about sales….” (Phillips, paragraph 9). Therefore, in order to prevent any further change, one needs to understand commercialization and how it works. This paper is going to explore the complexities and nuances of commercialization of the hip hop culture. In order to do this, this paper will consider what commercialization of hip hop culture entails. This paper will also discuss how Elizabeth Blair, author of “Commercialization of the Rap Music Subculture,” conceptualized commercialization, as well as how she discusses the situation in general. After discussing these topics, the paper will move on to discussing cultural appropriation. This discussion will include how authors describe cultural appropriation, and a debate regarding this topic.

Teens are always on their phones. Whether it’s at the store, school, or even driving. Teenagers are losing communication skills, getting into fights more, and getting distracted in school. These are the effects of teens getting on their phone way too much.

Furthermore, various songs are specifically written with certain intentions and nuances to express the artist’s values and beliefs about a topic such as, love or the natural phenomena. Based on the passage, “ Source 2: Selling Out Not Worth the Risk”, it states “ But when outside interests enter the mix, they can replace the passion in an artist’s music and turn the art into just another tool for corporations.” To emphasize, businesses have the power to change any lyric in the song, so the song would lose it’s meaning and instead be about the product the business is selling. Even though, allowing corporations use an artist’s song for advertising a product, enables the artist’s song to be heard from an even more

Throughout our Communication Studies, we have examined the capitalist economy through a critical lens and as a result, corporations always appear at the forefront of debate, blame, and power. From a neo-liberalist economic standpoint, the typical “prosumer” is encouraged to create consumer-generated content, but what happens when you put your creative labour to the test? York University consistently advocates, “this is your time”; in other words, students are responsible for their own success and are held liable for any failures or mishaps they may endure. While contemporary technologies have multiplied and democratized opportunities for musical creativity, intellectual property law has been used to repress our right to free speech, which is guaranteed under the first amendment (Demers 2006). Therefore, the industry’s effort at convincing people that file-sharing is equivalent to thievery have turned an increasing number of artists into intellectual property activists.

With technology growing more and more each day, it is no surprise that the music industry is transitioning to rely more and more on online sales. However, problems can arise from this when artists are taken advantage of by people who illegally download their music off of the internet for free. When one college radio host publically stated that she illegally downloaded her music, a professor by the name of David Lowery saw a problem with this and decided to speak up about it. He wrote a letter addressed to the college radio host, Emily, called “Letter to Emily White at NPR All Songs Considered”. With this, he also addresses the general public and calls them to make a change in their music buying, or lack thereof, habits. He explains that illegally downloading music is not a harmless task and we must understand the effects that it has on the artists as well as the music industry as a whole. While Lowery has strong uses of ethos, logos, and pathos, his conversational and

Black Millennials in America, a report by the Black Youth Project assembled surveys and government statistics over more than one decade. It illustrated African-American men and women between ages of 18 and 34 when compared with their peers from different race. Officials and community activist have been fighting over changes in the aftermath of Trayvon Martin’s, Michael Brown’s, and Freddie Gray’s death. The key findings of the study are the different views of African-American compared with other millennials especially on issues that include policing, guns, the legal system and violence. Based on Black Youth Project’s survey in 2009, 54.4% of African-American answered yes when they asked if they have experienced harassment or violence at the

The pervasive nature of the Internet has made the copying of music and software exceptionally easy, fast and for the most part, undetectable. The ubiquity of the Internet and the speed at which music and software can be copied is also changing the sociological and legal aspects of computing as well (De George, 2006). For the first time the availability of technology is driving a level of expertise with computer users globally that give them the opportunity to capture, distribute, duplicate and even re-publish massive amounts of intellectual property that isn't theirs (Wilson, 2007). This is forcing the issue of copyright infringement and the protection of intellectual property at a global scale. In so doing, this dynamics is also re-ordering ethics surrounding all forms of digital content as well.

In the article “The Flip Side of Internet Fame“, author Jessica Bennet argues that while posting things online can get you a quick rise to fame, these embarrassing things do stick with you for a lifetime. Bennet wrote, “ In 2002, Ghyslain Raza, a Canadian teen filmed himself acting out a fight scene from ‘Star Wars’. Using a makeshift light saber, Ghyslains’s awkward performance marked him as ‘internet famous’. Jessica stated that for over a year the video was kept on a school shelf at Raza’s schools’s Tv studio;however, in 2003 one student discovered the video , digitized it and posted it online, and that's when Raza’s nightmare began.

An article by Anna Jo Bratton, Associated Press, describes well the dangers of my topic: piracy. In the article, Bratton reported a recent legal matter that impacted Sarah Barg, a University of Nebraska-Lincoln sophomore, and her colleges. The RIAA, an anti-piracy and plagiarism society had suspected that many students at the university had been illegally downloading media content. Burg received an email concerning the matter, but she was ignorant and considered it a fluke or scam. The email suggested that she had supposedly downloaded a whopping 381 songs. The letter continued to say that a lawsuit was possible, but they offered here an opportunity to avoid that circumstance. They requested of her $3,000, or $7.87 per song. Sarah, still

A crucial element in the success of many artists is the amount of radio play they receive. Obtaining playtime has never been easy, and just like many other things that are difficult to obtain, a black market has developed in order for artists to receive radio play. “Payola, in the music industry, is the illegal practice of payment or other inducement by record companies for the broadcast of recordings on commercial radio in which the song is presented as being part of the normal day’s broadcast” and not the day’s sponsored broadcast (“Payola”). Artists benefit from their songs being played on the radio because their songs can be heard by millions of others, which will in turn build their fan base.

An excerpt from the article states, "People who work hard to produce creative works are entitled to enjoy legal protection to reap the benefits of their labors." Artists, actors, producers, and many other media jobs work hard to create original movies and songs to share to the public for a small cost. This small cost that is paid when their work is bought is how they put food on their table. Without the money, they may not be able to live the same lifestyle. Organizations should win legal battles over these money-stealing businesses by using emotionally charged language, so media creators are not robbed of potential money. Information found in the text expressed that the law stated that anything of value is considered property. If one downloads something from the internet that would usually cost money, they are stealing, and potential money for the creators of the media is lost. Therefore, organizations should use emotionally charged language if it means they will win more legal

Professor Joanne Simpson wrote in her article “Multitasking State of Mind”, “When [Gen Z is] not connected, they don’t know quite what to do with themselves.”(Par 17) Generation Z has been attracted to social media in a way that is has made them addicted to it and also sleep deprived. Lack of communication with other human beings however, is another negative effects of social media in accordance with Generation Z. Social Media affects Generation Z in a positive way by how it is used educating young children and giving the teens the potential to improve the many practical skills. Social media has been a big part of people’s lives since the mid 2000s and it is affecting Generation Z both negatively and positively.

Throughout America’s past, racial inequality has been a reoccurring theme in our society. Ever since the Europeans invaded America the white man has been superior compared to all ethnicities. No more than two hundred years ago, African Americans were slaves and only counted as three fifths of a person. Within the past hundred years African Americans have managed to obtain more equality in some situations, but in other cases racial inequality has become worse than it was when segregation took place. The gaps between the quality of education of white and black students receive appears to be growing instead of shrinking. The lack of quality education blacks receive has contributed to significant health differences between