Black Women In Film: 1939-Present Day

This movie Directed by Paul Haggis who also directed Academy Award Winning "Million Dollar Baby" and had also won an Academy Award for this movie as well puts a twisted story in this film. This movie is trying to symbolize what goes on in the world today in regards to racism and stereotypes. He tries to make a point on how societies view themselves and others in the world based on there ethnicities. This movie intertwines several different people's lives, all different races, with different types of beliefs. Such ethnicities include Caucasians, African Americans, Hispanics, Asians and Middle Eastern. This movie includes conflicts on both sides of the picture from cops and criminals as well

Quentin Tarantino’s film Jackie Brown, released in 1997, challenges the pervasive stereotyping of not only blacks but specifically black women. Nowhere is the cinematic devaluation of African Americans more evident than in images of black women which, in the history of cinematography, the white ideal for female beauty has overlooked. The portrayal of black women as the racial Extra has been fabricated through many semblances in the history of American film. Film scholars and feminists alike have long been plagued with lament for the negativity and stereotyping that sticks with black women in American cinema. In this paper, I will argue that Jackie Brown highlights and stresses the racial variance of the female African American protagonist,

The inclusion of Black women and their vital roles within Black press also improved the film’s

Firstly, a brief background of Early Black cinema is important to note. In 1915 The Plantation Genre (form of genre) came about with the release of Birth of a Nation an overtly anti-black film, which included three main mythic stereotypes. These included the “unlawful slave” who represented black slaves as unpredictable, cunning and violent; this representation was used as reasoning for whites sustaining control. The “subordinate slave” stereotype, which represented blacks as dependable, loving and accepting of their position; this allowed white audiences to displace any guilt about slavery. Additionally, there’s also what is known as the “clown entertainer” which included characteristics of innate humor and the

The 1930’s were hard times for the entire working class, but as usual in history, minorities were hit the hardest. Especially the African American society had to suffer the most under the effects of the great economic depression; they were the first to be discharged from their jobs and the last to be hired. African Americans were even pushed out of jobs, which were previously scorned out by whites. Even if they were allowed to keep their jobs, they still had to face daily racism. Compared to the white folks, the wages of African American workers were at least 30% below white’s wages, even when performing the same job; considering, that even the normal wage of a white American was not enough to cover the subsistent level of expanses of a household.

According to Tukachinsky, Mastro, and Yarchi, prior to 1930, the role of Blacks on screen were seen involving mostly in criminality and idleness (540). That role still persists until the present, with Blacks usually have to withstand to “longstanding and unfavorable media stereotypes including sexually provocative females and aggressive male thugs” (Tukachinsky 540). 1970’s movies such as The Mack, Black Caesar and Coffy have reinforced this stereotypic image of the black community. The

If you take a look at most Hollywood movies, a good majority of the actresses are fair skinnend. One of the first African American female actress was Nina Mae McKinney whom as been inducted into the Black Filmmakers Hall of Fame. Since she was black she was only offered low budget films and looked at as the standard barer for future lead roles when using black women. Fredi Washington was a light skin, light eye female and was described as being too beautiful to play a maid but wasn’nt offered romantic leads. Her skin was so pale that some

In the beginning stages of production, Carmen Jones garnered negative reception first by using a black actress in the staring role. While a box office hit, the film was criticized for adhering to a logic of segregation that situates black representations within idealized often-rural landscapes and/or of any larger social context. In the 1940s, Hollywood was under pressure by the NAACP (National Association for the Advancement of Colored People) to cast a black woman in a non-stereotypical role in hopes of assimilating black culture into mainstream fields. Up to that time, a fair number of African-American actresses were offered roles where they were portrayed in subservient positions as mammies, maids, and whores or as exotic/primitive examples of sexual desire in

For many years, African Americans have been depicted as ghetto, ignorant, violent and many times relentless. Though they have been shown in these ways, there are some times when they are shown to be responsible, creative, hard working and intelligent. These variables make me think about what the media could be trying to convey.

The United States has long been a country that has accepted that change is a necessity for prosperity and growth. However, each change within the nation's history was hard fought against those who resisted such change either through racism, bigotry, and blatant discrimination. African American cinema is enshrouded in history that depicts these themes of racism, struggle, and deprivation. Yet, this same cinema also shows scenes of hope, artistic spirit, intellectual greatness, and joy. Black actresses, actors, directors, producers, and writers have been fighting for recognition and respect since the great Paul Robeson. The civil rights movement of the 1950's and 60's was fueled by black cinema through films like A Raisin in the Sun.

As a young girl my great-grandmother used to tell my male-cousin and I to make people treat us as an equal, because we are Kings and Queens. As a child I didn’t understand, now as a young woman I understand. I am very proud of my skin color as well as the fact of being considered Haitian American / Black American female. The whole ideal about this movie is letting the African American culture know that in order to be accepted we have to accept ourselves first.

Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics, citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain let alone share the same television waves or stage. But over time the strength of the expectant black actors and actresses overwhelmed the majority force to stop blacks from appearing on film. For the longest time the performing arts were

These stereotypes depicted “drug dealers, prostitutes, single mothers, and complacent drag queens” (Harris, 51). In the 1980s, African American filmmakers began to make a name for themselves. These films are “social commentaries, indictments of racism and depictions of ‘everyday’ American lives” (Harris, 51). Compared to the traditional representations of blacks and blackness, New Black cinema takes on this cultural intervention and the recoding of blackness. Harris describes this as “revising the visual codes surrounding black skin on the screen and in the public

This movie is amazing and inspirational to other young black women, it shows that you many struggle but if you keep going your dreams and hard work will be recognize. This film touch on the gender norms and racial norms, which has strong connection to the four reading I choice to critical review this blog. This movie has strong connection to the Gaga Feminism theory, the concept is “a set of wholesale changes that may be most obvious in the realm of gender norms but that also stretch too many other realms of everyday experience and that call for improvisational feminism that keeps pace with the winds of political change.” Hidden-figures proved that Black women can do whatever they want if they put their mind to it. This is breaking down what society has deem as the normal way of doing this.

The 2009 film directed by Lee Daniels, Precious: Based on the Novel Push by Sapphire, tells a story about the life of a 16-year-old, Claireece “Precious” Jones, who grew up in Harlem during the late 1980s. Precious lives a life that includes many sociological issues that have unarguably caused her great pain throughout her young life. Having endured poverty, sexual abuse, and verbal abuse her life has been far from perfect, but she realizes the need to defeat these negative sociological factors to achieve a life that seems to her as only a fantasy. Daniels effectively portrays the source of Precious’s problems, as well as the way in which she deals with them; thus, achieving his goal in allowing the audience to see the effects of negative