Black Women in Art

Alice Walker speaks of her mother and grandmothers’ dark pasts of slavery and discrimination throughout their lives. Although women through the years have had it tough, colored women have and continue to have a deeper struggle within society. Alice Walker’s essay is inspiring and heartwarming because it tells of how the women in their lives have found beauty within a dark part of history. Her mother although had little, found a sense of identity with the joy of her own vibrant garden. She speaks a lot about how many people of color continued to keep their identity and spirituality in a time where they could have been discouraged. I think that Walker’s essay is really eye opening because so many women have struggled before us to pave the way for women of all

Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. Ed. By Patricia Hill Collins. (New York: Routledge, 2000. ii, 336 pp. Cloth, $128.28, ISBN 0-415-92483-9. Paper, $26.21, 0-415-92484-7.)

In “In Search of Our Mother’s Gardens”, Alice Walker looks to educate us on the hardships that almost all black women face when trying to express themselves through things such as art. She delves into many sociological and psychological concepts that have affected black women throughout human history. These concepts and ideologies created a realm for mass exclusion, discrimination, and oppression of many African American women, including Alice Walker’s Mother, who Alice utilizes as one of her particular examples. The writing thematically aims to show how these concepts of sexism, racism, and even classism have contributed to black women’s lack of individuality, optimism, and fulfillment for generations. The author does a tremendous job of defending and expanding upon her arguments. She has a credible background, being a black woman that produces the art of literature herself. As well as being raised by one, Walker’s first-hand experience warrants high regard. Therefore, her use of abstract and introspective language is presented clearly and convincingly. Also, her use of evidence and support from sources like Jean Toomer, Virginia Woolf, and Phillis Wheatley, all produce more validity for her stance through poems, quotes, and even experiences. All these individuals have their own accounts pertaining to the oppression of black women and their individuality. Successfully arguing that the artistry plights of black women described in “In Search of Our Mother’s Gardens” are

A review of the world’s great artists conjures familiar images: Michelangelo’s Sistine Chapel; Vincent Van Gogh’s Starry Night; Pablo Picasso’s The Tragedy. There are many more, of course: Monet, Moya, Warhol, Rembrandt, Kandinsky. What is immediately noticeable, however, upon any brief study of art, is the significant absence of women as heralded artists—not only in our ancient pasts, but even today, amongst valiant efforts for gender equality.

The aim of the thesis is to analyze and discuss the African American women`s quest for voice, acceptance and fulfilment. The analysis will be based on three selected novels, namely, Their Eyes Were Watching God, The Color Purple and Beloved. Since their authors - Zora Neale Hurston, Toni Morrison and Alice Walker all - experienced some difficulties in their life related to the subject matter of the thesis, their biographies will be sketched, too. The analysis focuses especially on three women who are the protagonists of the selected novels. Their personal and social problems will be juxtaposed within the context of the criticism selected for the purpose of this thesis.

While reading literature, we manage to forget that they have true roots to what is being written and what they actually represent. When looking at the similarities of how literature is represented it obvious to see that there are certain socially constructed groups presented. Although these socially constructed groups do vary throughout literature, they still tend to be very similar. In Alice Walker’s short story “Everyday Use,” Lorraine Hansberry play “A Raisin in the Sun,” and Langston Hughes’s poems “Harlem” and “Theme for English B” they evaluate the social construction of African Americans. What makes these authors so alike is the similarities that they share; being that they were all born in the early 1900’s, are all of African American ethnicity, and acknowledge the social construct of African Americans in these works. Looking at each of these works of literature they represent the struggles that African Americans faced when trying to be seen as equal, by allowing these works to be shown in different insights towards the battles faced in their movement towards being seen as equal.

The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,

1853 there was eighty-six documented galleries, which had women and children working in them, really changed the times. Around this time, there were document African American operators which seems counterproductive, as acrimonious slaves would be photographing and documenting the slave trade as well as high profile crime trials of relevancy. Post mortem portraits became prevalent as well as the documentation of the different interesting landscapes, for instance Niagara Falls was shown in the chapter with a group of folks standing in the foreground enjoying the view. The American Daguerrotypists made the sites commonly unseen by most, available. Such a Hawaii, Mexico, Philippines and South America. They were also able to introduce Photography as it was then known to the people of

In the twenty first century there are a few men in this world that admits when you think of artist, you don’t typically think of women. Women rights and racism play a strong role when it comes to African American female artist. For decades’ African American woman have always had a permanent double bull’s eye on their back. Their skin and gender was their worst enemy. In the 1700 century women rights movements started to rise. But if you look up women right movements starting in the 1700 century, the face of women rights is predominantly white women. Between books and the internet, they show that it was mostly white women who helped woman rights. If we still struggle to shine light on African American Women now in the 21st century, you cannot

     Alice Walker is an African American essayist, novelist and poet. She is described as a “black feminist.”(Ten on Ten) Alice Walker tries to incorporate the concepts of her heritage that are absent into her essays; such things as how women should be independent and find their special talent or art to make their life better. Throughout Walker’s essay entitled “In Search of Our Mothers’ Gardens,” I determined there were three factors that aided Walker gain the concepts of her heritage which are through artistic ability, her foremothers and artistic models.

The policing of women’s bodies and accessibility to self determination is a common theme throughout the readings (but also in the present day). Women have had the unfortunate experiences of being treated like second class citizens, and it is only worse for women of color. In their Blues lyrics, women of color could express how limited their lives were, how they were affected by their circumstances and how they found their strength. For example Clara Smith sang, “Gonna leave this town, cause my man is so unkind” (CITE), is an example of women recognizing their strength and independence. Using lyrics as a means to advocate for the progression of women created a sense of unity, because these singers we not just singing their own experiences, but using them as a way to connect and vocalize common circumstances, “we hear the ‘we’ when they say ‘I’” (CITE). Their work, helped to build communities and to call out what happens within them by pushing the

The poem, “A Woman Speaks” by Audre Lorde is a both a confessional and identity poem. She is not only addressing her internal battle and self-suffering, but also discussing the societal inequities African American women were suffering in the United States. The poem’s diction, on the surface, produces a tranquil tone to the poem. This facet of tranquility in the poem is used to express how her battle against inequity will not be fought with violence or hatred, and how she is not blaming any specific party or institution for her personal suffering. She instead plans to use the power and beauty of words to communicate the flaws of the image of women, fight against injustice and racism, and alleviate her internal despair. “A Woman Speaks” by Audre Lorde is an anthem for African American women and uses vivid imagery, ancestral references, and a call to action to connect to the reader and enact a fight against the underrepresentation of African American women.

In an effort to change this objectification, O’Grady suggests that female artists must begin to reconstruct the subjectivity of black female subjects in art. They should reclaim the black female body as something to embrace and admire rather than just glance over. It is a slow and steady process but a necessary one. Furthermore, she strongly argues that the artist must do so even if her audience is uncomfortable with it because it is the best method to deconstruct a pre-existing idea of the black female subject.

Throughout history many artistic works have been deemed "great" and many individuals have been labeled "masters" of the discipline. The question of who creates art and how is it to be classified as great or greater than another has commonly been addressed by scholars and historians. The last quarter of the 20th century has reexamined these questions based on the assertions that no women artists have ever created or been appreciated to the level of "greatness" that perpetually befalls their male counterparts. The position that society has institutionalized on women as unable to be anything but subordinate and unexpressive is a major contributor to this claim. Giving a brief history of gender discrimination in the art

Over time, it has become relatively easy, almost second nature, for people to devise strict societal barriers and categorize people, cultures, and ideas into separate boxes. In Jean Toomer’s “Portrait in Georgia”, however, this is exceptionally challenging for the reader to do so. With his poetic paintbrush, Toomer describes a beautiful woman, but he intentionally blurs the racial lines of black and white in order to illustrate an underlying theme concerning the deep-rooted problems of racism in America. To help convey this theme, Toomer utilizes the literary tool of imagery, and he does so masterfully. Each image is meticulously placed and organized to provide the most powerful impact possible. While certain images emphasize the beauty and grandeur of a woman, others bring up unbelievably violent, gory, and horrific images of death associated with the treatment of African Americans during the time of Jim Crow Laws. Overall, Toomer’s use of imagery brings “Portrait in Georgia” to life, grabs the reader’s attention, successfully demonstrates an extremely powerful message, and causes society’s darker parts to be questioned.