Blackfish And Seaworld Argumentative Analysis

Blackfish does a great job at using all three rhetorical appeals in defending their argument for the abolishment of orca captivity. First, ethos is widely used throughout the documentary. Almost every speaker in the documentary had a first hand experience with Tilikum or other captive orcas, giving the document major credibility. Actual SeaWorld trainers who worked the shows gave their personal first hand stories in working with the orcas. They themselves explained how they saw Tilikum’s behavior and health deteriorate. Former amusement park managers who were either worked with Tilikum or dealt with the business in capturing and trading orcas also gave their first hand accounts of what had happened with Tilikum and other orcas. An OSHA expert witness was also included in the documentary speaking about the horrible conditions that SeaWorld had put the orcas in. All of these experts in their respective field talking about the dangers of orcas in captivity is a great use of ethos in Blackfish’s argument against orca captivity.

Blackfish shows all of rhetorical situations throughout the documentary. The rhetor in Blackfish is Gabriela Cowperthwaite, the director. The audience is Sea World customers or potential customers. The purpose of the documentary Blackfish is to inform people on how damaging mentally and physically it is to keep an orca whales captive. The exigence in this documentary is that holding killer whale’s captive and it is very dangerous mentally and physically to the whale, but also can be dangerous for the workers. The constraints in Blackfish is that the film may appear to be slightly biased against SeaWorld, making the audience see only one side of the issue. The affordances are you get to see live footage from the harmful attacks and listen to real life stories that people that witnessed it. Cowperthwaite goes on and appealeed to Pathos, Ethos, and Logos to create awareness on the harm of keeping killer whale’s captive.

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

In 2013 Gabriela Cowperthwaite produced and directed the documentary “Blackfish”. This documentary mainly focused on the issues behind killer whales being held in captivity such as at the famous amusement park Sea World, instead of the open ocean. Some negative outcomes of these animals being confined to such small spaces is, many accounts have been documented of the whales being agitated and having an aggressive tone with other whales and the trainers as well that work with them. A handful of these are human deaths caused by the orca whales. Throughout the documentary the director uses the Rhetorical strategies ethos, pathos, and logos to persuade the audience and try to convince them that her argument has a valid point and can be

In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.

Black Fish uses the death of a recognized Killer Whale trainer at SeaWorld, Dawn Brancheau who was one of Tilikums trainers thorough his twenty years in captivity, almost as a framing device to explore the theory that possessing Orcas in captivity is corrupt and unnatural for the whales. In Black fish, there are many different tragedies that went on while the Orcas were in captivity. Fisher men separated the young from the mothers and took them into SeaWorld. Many of the workers were unaware of all of the immoral actions they were taking part in. Tilikum was the Killer Whale that ended up killing Dawn Brancheau and causing a stir in SeaWorld. Having Orcas in captivity damages them but, the trainers were scared to leave because they want to continue to care for the whales. There is a relationship shared with the trainers and the whales yet it is obvious that very little was taught in the SeaWorld industry about these intelligent mammals.

In the documentary “Blackfish,” there are rhetorical devices that are used to send off different thoughts about orca whales being held in captivity in such a limited space. Many of these devices try to give off certain feelings to the emotions and the mind through different people’s opinions. A device that is most used throughout this documentary is logos, meaning more facts are included and convincing the audience to pick more of one side than another. Shown through the documentary, many points from different people are told and give off plenty of emotions for the viewers that watch the documentary. Many facts are given off throughout this whole documentary, however the way that the people say it gives it more of two aspects that

After all this is a family, theme park and favored vacation destination for many. Some people do not want to see the darker side that this book represents, yet Grom’s twist of the logos inspires individuals to consider the proposal offered. Grom aims to acquire those people by introducing the friendly whale, casually swimming on the cover. The photographer attempts to draw in the reader, with the subtitle, “SHAMU and The DARK SIDE of KILLER WHALES IN CAPTIVITY.” The font is in all caps as if it is screaming to the reader to look at the logos, or the logic of whales in captivity. “Shamu” is SeaWorld’s iconic trademark, and a recognized character accepted in the homes of families all over the world. Any person that frequents the park learns that Shamu is a stage name and not the name of any of the whales. The light blue font coming out of the dark blue background symbolizes the truth coming out of the darkness. From a logos side of Grom’s argument, one is stimulated to evaluate the claims of whales in captivity.

The film is directly targeted at the general population, with the intent to notify the public about the cruel management and the inhumane practices of SeaWorld. They use Logos to assure that Orca whales are more than a simple creature. They inform the audience that Orcas are intellectual, and are capable of understanding emotion. The film supports this claim by further saying that orcas have a limbic system that is more complex than that of humans. Additionally, Blackfish supports its argument by claiming that scientists have used MRI's on the whales, proving them to be conscious of human-like relationships and feelings. This source of Logos becomes very apparent when the film shows the Orca whales being taken from their ocean environment. They become lethargic and show signs of depression while captive in their tanks. Another sign of the whales having the capacity to understand emotion and human-like relationships is when one of the mother Orcas gives birth. Form research, it is found

In the documentary “Blackfish”, the creators use rhetorical strategy to show the audience the cruel treatment of animals in facilities such as Sea World in order to promote release and fair care of animals in captivity. Commonly used in this documentary, pathos, is a strategy in which the author uses words and examples to invoke an emotion in the audience. Scenes of whales being taken from their family pod, or footage of a whale that had been raked by the teeth of another whale are prime examples of this emotional appeal in action. The main animal in this film is a twelve-thousand-pound whale named Tilikum. “Tilly” was taken from the wild about thirty years ago. Since then, he performs many shows, and experiences cruel treatment in almost every

Ever since the entertainment industry began to capture animals for the enjoyment of others, activists who believe animals can only subsist in the wild have been protesting against this monstrous act, using powerful propaganda to entice others to join their cause. The critically acclaimed film Blackfish, which highlights SeaWorld’s treatment of killer whales, apparently reveals shocking and appalling insight on accidental deaths caused by captive killer whales. One of the highest grossing documentaries of all time, as stated on director Gabriela Cowperthwaite’s website, Blackfish has captivated millions of viewers, causing them to reevaluate their values and advocating against SeaWorld. Although Cowperthwaite has stated in an interview that the “film is not at all advocating for anything,” and that she attempted to take a “journalistic approach” to documenting these phenomena, it is clear that the events depicted in the film reflect opposition to SeaWorld and its captivity of whales. Although Blackfish extensively applies human emotion and concepts to the animal kingdom to solicit sympathy from the viewers and provides misleading information to add to the sense of credibility, further research contradicts the points made in the film, rendering the conveyance of the film’s admonition against the captivity of killer whales ineffective.

This article discuses the documentary film “Blackfish”, and exposes the dangers of having animals in captivity. The documentary unfolds the tragic story of Tilikum, a stress-induced whale who lived in captivity at SeaWorld since 1983. The 23-foot long bull orca drowned SeaWorld trainer, Dawn Brancheau, in 2010. The thesis in this article is “A comparison of their natural behavior patterns, as opposed to the lives they must endure in aquariums and amusement parks, reveal the answer” (Cronin. para. 4). The author Aisling Cronin, poses the question; Why do animals consistently demonstrate greater levels of aggression in captivity, than they do in the wild? The author makes comparisons of their natural behavioral patterns, as opposed to lives in

The latest animal rights issue to hit the public is a whale of a controversy. For decades, the public has enjoyed visiting SeaWorld and taking in mesmerizing displays of aquatic performance by orcas, the largest species of dolphins, and their trainers. Recent events have stirred up a media uproar over the safety of these creatures and their trainers. Much of what the public knows about the maltreatment of these creatures comes from a documentary released in 2013 called “Blackfish”. The breeding and captivity of killer whales for entertainment purposes poses a threat not only to the whales, but also the trainers who interact with them.

The average tourist decked out in a Hawaiian flowered shirt, carrying binoculars, sunglasses perched on his nose, and wearing globs of sunscreen has planned his day out minute by minute inside the entrance of the most popular attraction of SeaWorld. His daughter, at five years old, holds his wife’s hand jumping up and down; she can’t wait to see her favorite animal. They stop by the gift shop, she picks out a pink killer whale stuffed animal and then as a family they head down the path to the pool arena to watch the orcas live in action. Little do they know as they sit down on the benches of the bleachers, sun shining bright, and birds chirping, that they are putting themselves into grave danger. Neither do they understand that the animals resting in the pools beyond the little crooked fences and barriers are not as happy and healthy as perceived. On the posters and advertisements displayed everywhere around the park, the animals are portrayed as living in paradise. On the contrary, they are not treated as well as the trainers claim they are; as they wave their arms to

Hurry up, come on down, and take a trip to one of Orlando, Florida’s most famous theme parks, SeaWorld! Grab your friends, family, kids and neighbors to peer in on SeaWorld’s most prized possession… Shamu, a spectacular look on an Orca whale’s magnificence as you watch them fly, loop, and dive through the air into the nearly oceanic waters… this is what they want you to think anyway. Behind SeaWorld’s thick, poorly patched walls, lies a blanket that cascades over all the dark lies and secrets. A story of death and tragedy is told and soon, the truth unveils. Disease stricken and uncared for, these orcas are drowning in tanks the size of bathtubs. They need their family, their pod, their home--the ocean. From improper dental care to malnutrition, the whales are not even fed correctly. Even if SeaWorld increased the tank size, it would still not be enough. Just like us, orcas need to be with their pods, or family, due to the psychological and physical attachment they have on them in order to survive in the wild. Although SeaWorld’s ‘Shamu’ show has brought in over 2.5 billion dollars into the entertainment industry, the orcas of the park should be set free due to the decrease of psychological and physical health, resulting in a declination of the whale’s average lifespan in captivity.