Blackfish Movie

The controversial documentary Blackfish, directed by Gabriela Cowperthwaite rose to popularity four years ago in 2013, when it was released. Blackfish tells the stories of killer whales, or orcas, that were caught and kept in captivity, and the effects that arose due to their capture. The documentary focuses on Tilikum, an orca caught in 1983, who was kept in captivity in SeaWorld Orlando since his capture for 34 years. Blackfish does an excellent job in using all three rhetorical appeals, providing many real life examples and statistics, to defend their argument that orcas should never be captured or held in captivity.

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

One of the most effective strategies that the director amplifies in the film is pathos. Pathos is shown by phone calls that have been made to dispatch when attacks occurred, actual footage from attacks and baby orcas crying when they were separated from their mothers. This allows the audience to see and hear all of the incidents regarding the killer whales and be able to feel more connected. When the director uses pathos the appeal is to have the sympathy directed for the killer whales. A claim that ties in with all of this is in the documentary when they are saying killer whales are normally peaceful in the wild, and they only attack while in captivity. Detailed facts about how the whales are to an extent, tortured and become agitated with no outlet support this reasoning, since there are documented reports and footage of this as well.

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

There is no doubt that humans have always been intrigued with the majestic beauty of the large giants found in all of the world’s oceans. Whales and people have had a long history together, marked by many turns of events.

The beginning of the documentary shows a whale attacking the trainer which makes the audience feel whales are dangerous and invites us to be terrified of them. The body of the documentary then goes into depth about the whales which explains SeaWorld’s mistreatment of them, whale psychology and their behaviour. The end of the documentary, a footage of a whale swimming with the community, which represent hope for the whales. By constructing a sequence like this, it makes us feel aware, anger and compassion which is basically playing with our emotions and also that is what the producer do to make a quality, memorable and poignant

Black Fish uses the death of a recognized Killer Whale trainer at SeaWorld, Dawn Brancheau who was one of Tilikums trainers thorough his twenty years in captivity, almost as a framing device to explore the theory that possessing Orcas in captivity is corrupt and unnatural for the whales. In Black fish, there are many different tragedies that went on while the Orcas were in captivity. Fisher men separated the young from the mothers and took them into SeaWorld. Many of the workers were unaware of all of the immoral actions they were taking part in. Tilikum was the Killer Whale that ended up killing Dawn Brancheau and causing a stir in SeaWorld. Having Orcas in captivity damages them but, the trainers were scared to leave because they want to continue to care for the whales. There is a relationship shared with the trainers and the whales yet it is obvious that very little was taught in the SeaWorld industry about these intelligent mammals.

If you have ever been to Seaworld you would have had to go see the Killer whales in fact its one of the top attractions there. Through the eyes of a child, these gentle giants seem to be happy, healthy, and enjoying a playful game with their trainers. The question is are they really happy, do they get treated the right way, and why have there been deaths and injuries. Many people wonder about these things and after the movie Blackfish came out more and more people began to question how well Seaworld treats their animals. “The truth is that Sea World keeps its animals for entertainment and money and helps no one but themselves.”- Animal Legal Defense Fund

“Blackfish” the documentary film was created to reveal how confinement of killer whales can lead to dangerous behavior toward human trainers. The main claim this film displayed is how the captivity of Killer Whales triggers aggression and is unsafe for humans and other marine mammals. Blackfish uses the story of Tilikum (most aggressive killer whale who killed the most amount of Sea World trainers), interviews of previous trainers, and court hearings regarding OSHA and Sea World to support their claim.

The claim further argues that said stress can be directly blamed for the violent outbursts of the orcas against the training staff. When whales are taken away from their families in the wild waters, they grieve the pain and suffering that is associated with that parting, thus making the whales an emotional time bomb. The documentary provides grounds to argue that orcas suffer the emotional repercussions of separation, much like humans do by with the fact that scientists have proven them to be conscious of human-like relationships and feelings via MRI’s. Moreover, included in this documentary was a commercial of a killer whale giving birth to baby Kalina. Much like our society, killer whales value their relationships with their offspring. Once Kalina was taken from her mother, Katina, is shown being immobile in the corner of the tank, audibly screeching and crying. Being able to see and hear the tragic response of the mother makes the audience empathize with the orca and want to cry for her. Incorporating this event shows how holding orcas in captivity can negatively affect them psychologically. This vivid scene gives the audience the ability to sympathize on a personal level with a mammal other than

David Kirby’s book describes the complex issues of whales in captivity. The death of a SeaWorld trainer brought up many objective reasons of the training practices of this business were not effective at keeping trainers safe in the water. Currently this debate is still being tested in a court of law. OSHA claims that even with the precautions that SeaWorld tries to use, it still cannot guarantee the safety of trainers in the water. This cultural topic has been gaining ground, and recently prompted a movie based off this book titled, Blackfish. The audience of this book includes animal activists, followers of David Kirby, and people that are interested in the topic of killer whales in captivity. Rob Grom was contracted to create a book

    The filmmaker practices various forms of Rhetorical devices to persuade the audience to believe that the ruling in the OSHA vs. SeaWorld case was indeed the appropriate option. Example of pathos in the documentary were when the trainers describing their time working at SeaWorld and the bond some of them had with Dawn it provides a chance for the viewers to bond with the trainers. Another example is when the fisherman, John Crowe, recollects the experience and emotions he had while capturing the baby orcas “We’re there trying to get the young orca into the stretcher and the whole famn damily is out here 25 yards away, maybe in a big line and they’re communicating back and forth, well you understand then what you’re doing, you know. I lost it. I mean I just started crying.” An example of Ethos is when the neuroscientist empathizes the intelligence of the orcas. The final device in the documentary is logos. Logos is utilized when the orca researcher, Howard Garrett, evaluate the behavior of the orcas in captivity and compare it to the orcas in the wild.

Blackfish, a documentary by Gabriela Cowperthwaite, analyzes the horrific treatment, containment, and use of Orca whales within entertainment facilities. The discussion of treatment began in 2010, when Dawn Brancheau was killed and drowned by the whale, Tilikum. Since this incident, there have been multiple investigations into SeaWorld and similar facilities. It is argued that the whales should be released from these facilities due to the posed dangers they have to humans, and themselves.

Blackfish, directed by Gabriela Cowperthwaite, tales of the beloved, yet infamous, killer whales are told in manner as to prove to the audience, those who might have visited SeaWorld or an attraction like it, how inhumane it is to keep such intelligent animals locked up, and how dangerous it is to those caretakers by their side, through the use of pathos heavy imagery, built up ethos during interviews, and humanizing some of the animal’s mannerisms as to build an emotional connection. Within the first few seconds of the documentary, a pathos heavy phone call takes place from the Orange County Sheriff’s Office which states that a S.O was needed for a trainer that was eaten by one of the whales. The phone call leaves the audience off guard

The death of Dawn Brancheau made national news back in 2010. Dawn was working as an orca trainer at the SeaWorld of Orlando when the tragic accident occurred. While doing a relationship session with Tilikum, the largest orca in captivity, Dawn was pulled into the water and drowned. It was a story that not only shocked the nation but left people wondering how something so horrible could happen. Gabriela Cowperthwaite‘s use of the accounts of retired SeaWorld trainers exposed the harsh reality of captured animals in her documentary Blackfish. In creating a piece focused on the life of one orca, Cowperthwaite has allowed viewers to look into the lives of captured animals and has shown the greater social issue of animal rights, the treatment