Blake's Writing Style In The Land Of Dreams By William Blake

Blake was one of the foremost poets in the Romantic Era. Blake valued the unattainable as much as the other poets of his time did. The main goal, although impossible to attain was, "the Ideal, a state in which a perfect union between nature and human comprehension was accomplished" ( Marcotte 16).

Before watching your presentation, I only knew the basics regarding William Blake. There are various interesting things that you mentioned that I did not know about. For example, you mentioned how he was more commonly known for his art rather than his poems. His art as a whole is really interesting. You mentioned how he took his encounters with the people around him, his brother’s death, and visions and reflected them into his work. One thing from that list that stood out to me the most were his visions. He was able to take his visions and portray them in his paintings even when many people found it difficult to understand the meanings behind it.

For example, in “Infant Joy,” Blake demonstrates the child’s eye and sense of wonder that we find in the incorruptibility of infants. Blake presents a truly pure creature in the first stanza:

The Romantic Period centered on creative imagination, nature, mythology, symbolism, feelings and intuition, freedom from laws, impulsiveness, simplistic language, personal experiences, democracy, and liberty, significant in various art forms including poetry. The development of the self and self-awareness became a major theme as the Romantic Period was seen as an unpredictable release of artistic energy, new found confidence, and creative power found in the writings of the Romantic poets Blake, Wordsworth, Coleridge, Keats, and Shelley, who made a substantial impact on the world of poetry. Two of the Romantic poets, William Blake, and Percy Bysshe Shelley rebelled against convention and authority in search of personal, political and artistic freedom. Blake and Shelley attempted to liberate the subjugated people through the contrary state of human existence prevalent throughout their writings, including Blake’s “The Chimney Sweepers,” from “Songs of Innocence”, “London,” from “Songs of Experience” and Shelley’s A Song: “Men of England.”

On January 1st, 2017, a gang held an alleyway waiting for people to come through so they and take their money. The alley was very dark. People came through the alley at nights and trashed the alley, cracking windows, leaving cigarettes on the dirty spray-painted ground littered with sharp shards of glass from a broken window. Their leader, Kole Blazer, was there in the rooftops, waiting for someone to come through, when he saw someone betray his gang: Mike Blazer, his brother. Kole was taller than him by only a few inches. He had brown hair, freckles, blue eyes, more muscular than his brother who was always the weaker one, but they were twins and he wanted to keep a secret. His brother betrayed them and now it’s time for payback.

Through diction, figurative language and imagery, and syntax, William Blake conveys an intense and curious tone, revealing the doubt of whether or not human power was given by a higher being. The author, William Blake, uses connotation to make his audience understand what the true subject of the poem that he refers to is. For example, the word, “tyger,” in this poem is not specifying an actual tiger, but is used to represent humans. When Blake says, “thy fearful symmetry,” he is giving the tyger the characteristics of strength and power. Humans, as well, are strong and have the potential to create a big impact on the world, just as tigers do in the wild. Overall, the main focus of this poem is who the creator of the tyger is. This is supported with “And what shoulder, & what art/ Could twist the sinews of thy heart” and “On what wings dare he aspire.”

Romanticism is described as the period across the eighteenth and nineteenth centuries, following The Enlightenment and Industrial Revolution, that enlightened artists and philosophers developed and expressed revolutionary responses to injustices at the time. On such revolutionary was poet artist William Blake. Blake lived and wrote in England at a time when the Christian Church and Industrialisation held utmost power over people. The philosophic writer saw such values and attitudes as crimes against nature and human nature and sought to protest. William Blake, in his protesting works like Garden of Love and A Little Boy Lost, through the use of irony, sarcasm, aesthetic and metaphor, expresses concerns of corrupted 18th and 19th century Britons.

William Blake was one of several transitionary writers between the Age of Reason and the Age of Romanticism. He saw the poverty and suffering that surrounded him and was a supporter of the French Revolution in its early days. He could not accept the neoclassical idea of a stable, orderly hierarchy in the universe, but instead viewed existence as a blending of opposite poles - good and evil, innocence and experience, heaven and hell. His magnum opus Songs of Innocence and Songs of Experience is the epitome of how his work embodied his beliefs.

Children of a lower social rank were not fortunate enough to receive and education and instead were expected to learn nothing except how to master their given trade. In his poem, Blake implies that due to organized religion and society failing them, these working children were only free in their dreams. He writes about a dream in which an angel came to Tom Dacre and all the sweepers with a key and unlocked them from their black coffins. This symbolizes freeing the boys from their seven by seven holes that they were confined to each day. Once freed by the angel, the boys were no longer required to work and were free to roam and play in the fields similar to how the children of the middle and upper class had done. Enjoying their freedom, the boys, “wash in a river and shine in the Sun” ridding themselves of the soot that had become embedded in their skin as they soaked in the warmth of the sun (Blake 15-16). The angel then came to Tom and told him that “if he'd be a good boy, / He'd have God for his father & never want joy” (Blake 19-20). Tom’s dream acts as a tool for Blake to comment on the lack of involvement and help from the Church upon the failure to do their

William Blake, now one of the most famous Romantic poets of the era, was given nearly no recognition for his influential works during his lifetime. He strove to break free from the pattern of thoughts that defined common experience, and this was ever present in his works of literature. Perhaps his most renowned pieces were his two collections of poems titled Songs of Innocence and Songs of Experience, which illustrated the progression of man from childhood to adulthood, and demonstrated how the unpleasantries of life brings about the maturation from childhood to adulthood, and greatly affect how people view the world. In Songs of Innocence, the series that Blake wrote when he was young, he suggests that by recapturing the wonderment of childhood,

Blake had written many poems, but the four I will be discussing are rather unique because of the fact that each one of these poems is a symbol of innocence or experience. The four poems I am referring to is The Lamb, The Tyger, The Chimney Sweeper, and Infant Sorrow. Through my study I had to determined the two poems that were Innocent and the two that were a symbol of experience. Blake's views were on point in my opinion he shows the right balance between innocence and experience. Blake has this view that everything starts off innocent and within time we all gain experience which makes us turn from lambs to tigers. The question is however do we decide if we are more like a lamb or a tiger and in time I do believe we find the answer to that question.

Blake uses traditional symbols of angels and devils, animal imagery, and especially images of fire and flame to: 1) set up a dual world, a confrontation of opposites or "contraries" which illustrate how the rules of Reason and Religion repress and pervert the basic creative energy of humanity, 2) argues for apocalyptic transformation of the self "through the radical regeneration of each person's own power to imagine" (Johnson/Grant, xxiv), and 3) reconstructs Man in a new image, a fully realized Man who is both rational and imaginative, partaking of his divinity through creativity. The form of the poem consists of "The Argument," expositions on his concepts of the "contraries" and of "expanded perception" which are both interspersed with "Memorable Fancies" that explicate and enlarge on his expositions, and concludes with "A Song of Liberty," a prophecy of a future heaven on earth.

William Blake is one of England’s most famous literary figures. He is remembered and admired for his skill as a painter, engraver, and poet. He was born on Nov. 28, 1757 to a poor Hosier’s family living in or around London. Being of a poor family, Blake received little in the way of comfort or education while growing up. Amazingly, he did not attend school for very long and dropped out shortly after learning to read and write so that he could work in his father’s shop. The life of a hosier however was not the right path for Blake as he exhibited early on a skill for reading and drawing. Blake’s skill for reading can be seen in his understanding for and use of works such as the Bible and Greek classic literature.

The works of William Blake cannot be entirely discussed, so my project particularly focuses on 'Songs of Innocence and Experience'.

William Blake was one of those 19th century figures who could have and should have been beatniks, along with Rimbaud, Verlaine, Manet, Cezanne and Whitman. He began his career as an engraver and artist, and was an apprentice to the highly original Romantic painter Henry Fuseli. In his own time he was valued as an artist, and created a set of watercolor illustrations for the Book of Job that were so wildly but subtly colored they would have looked perfectly at home in next month's issue of Wired.