Blaxploitation In Peter Bergs Hancock: An African American Criticism

     Harlem Renaissance, an African American cultural movement of the 1920s and early 1930s that was centered in the Harlem neighborhood of New York City. According to Wintz:

     The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.

In Richard Wright’s novel, Black Boy, Richard is struggling to survive in a racist environment in the South. In his youth, Richard is vaguely aware of the differences between blacks and whites. He scarcely notices if a person is black or white, and views all people equally. As Richard grows older, he becomes more and more aware of how whites treat blacks, the social differences between the races, and how he is expected to act when in the presence of white people. Richard, with a rebellious nature, finds that he is torn between his need to be treated respectfully, with dignity and as an individual with value and his need to conform to the white rules of society for survival and acceptance.

Harlem Renaissance was undoubtedly a cultural and social-political movement for the African American race. The Renaissance was many things to people, but it is best described as a cultural movement in which the high level of black artistic cultural production, demanded and received recognition. Many African American writers, musicians, poets, and leaders were able to express their creativity in many ways in response to their social condition. Until the Harlem Renaissance, poetry and literature were dominated by the white people and were all about the white culture. One writer in particular, Langston Hughes, broke through those barriers that very few African-American artists had done before this

This paper will illustrate how the Harlem Renaissance assisted the African-American intellectual community to gain acceptance in mainstream America and prompted the writing of the book The Invisible Man, written by Ralph Ellison. Throughout this paper, I will examine the social context and climate of Ellison’s work. This paper will focus on the experience of a young African American man who claims to be invisible. However, the young man argues that his invisibility is not due to his wish but arises from society’s failure to notice him. This young man who is also educated captures his frustrations and struggles in order to survive in a predominantly racist society. Additionally, this paper will illustrate how the Harlem Renaissance afforded African-American artists like Ellison to provide an extraordinary opportunity for the African- American community to recall their experiences in a not so embracing America where deeply entrenched racism had been woven into the fabric of American society (Callahan, 2004).

The Harlem Renaissance was an intellectual and literary period of growth promoting a new African American cultural identity in the United States. The years of 1920 and 1990 and “were clear peak periods of African American cultural production.” During these years blacks were able to come together and form a united group that expressed a desire for enlightenment. “It is difficult not to recognize the signs that African Americans are in the midst of a cultural renaissance” (English 807). This renaissance allowed Blacks to have a uniform voice in a society based upon intellectual growth. The front-runners of this revival were extremely focused on cultural growth through means of intellect, literature, art and music. By using these means

DuBois was considered to be the inspiration for the literary movement known as the “Harlem Renaissance.” Du Bois also believed that if a small group of young black Americans could stay and retain the information in college educations, then they could be leaders of the race and encourage other black Americans to do the same and to reach a higher level of education. Contrary to Booker T. Washington. W.E.B. Du Bois assumed that if you wanted to achieve something and be good at it, you have to just got for it without turning back. Altered from Booker T. Washington, Du Bois understood that not all black men could go to college, but he believed that the ones that could, should, and should be able to succeed. There were six black institutions, and they were “Atlanta, Fisk, Howard, Shaw, Wilberforce, and Leland, and in those six institutes, only seven hundred and fifty were black college students.” Du Bois take on a trade school was different then Washington’s take on a trade school. Du Bois had said that “trade schools cannot teach people skills and how to fund themselves while keeping industries on a commercial basis.” W.E.B. Du Bois had said that he thinks that there should be social change, and that this could happen if there was a small group of college educated blacks that would be called “the Talented Tenth.” With this Du Bois says: "The Negro Race, like all races, is going to be saved by its exceptional men. The problem of education then, among Negroes, must first of all deal with the "Talented Tenth." It is the problem of developing the best of this race that they may guide the Mass away from the contamination and death of the worst."

What if you were captured as a slave how would you feel? Do you think you could survive? In the 1700’s life was very different than it is now. Back then if you were a Negro you would have to be extra careful or you could be sold as a slave. But imagine being sold after witnessing the death of your parents and being a child you would be traumatized. Now we do not have those kinds of worries; life was very different then than it is now. As a child, Aminata was taken away and captured as a slave, faced public humiliation, and lost her family, but in the end she overcame it all.

The early 1900s was a very challenging time for Negroes especially young women who developed issues in regards to their identities. Their concerns stemmed from their skin colors. Either they were fair skinned due mixed heritage or just dark skinned. Young African American women experienced issues with racial identity which caused them to be in a constant struggle that prohibits them from loving themselves and the skin they are in. The purpose of this paper is to examine those issues in the context of selected creative literature. I will be discussing the various aspects of them and to aid in my analysis, I will be utilizing the works of Nella Larsen from The Norton Anthology of African American Literature, Jessie Bennett Redmond Fauset,

The short but inspirational poem "Harlem" by Langston Hughes addresses what happens to aspirations that are postponed or lost. The brief, mind provoking questions posed throughout the poem allow the readers to reflect--on the effects of delaying our dreams. In addition, the questions give indications about Hughes' views on deferred dreams.

Hancock sees himself as a bastard that is unclaimed and an outsider that’s disliked by the community. Which affects his attitude towards the public. He doesn’t have a problem saving people he just does it in a bad manner. He would crash into buildings and ruin sidewalks. Therefore, the community doesn’t like Hancock they don’t appreciate his way of saving people they just reject him. It also doesn’t help when Hancock is watching the news and they’re talking about him saying stuff like they’re better off without him because he’s just causing so much damage to the city. One news lady said Hancock is a, “…selfish, absorb man.” Goldsman, A., Lassiter, J, Mann, M., & Smith (2008). Hearing the public speck of him this way just eats at him and his

     Between 1910 and 1920, in a movement known as the Great Migration, hundreds of thousands of African Americans uprooted from their homes in the South and moved North to the big cities in search of jobs. They left the South because of racial violence and economic discrimination. Their migration was an expression of their changing attitudes toward themselves, and has been described as "something like a spiritual emancipation." Many migrants moved to Harlem, a neighborhood on the upper west side of Manhattan. In the 1920's, Harlem became the worlds largest black community; also home to a highly diverse mix of cultures. This unprecedented outburst of creative activity exposed their unique culture and encouraged

The African-American literary period of Realism, Naturalism, and Modernism, also referred to as the Age of Wright, was when the writers and artist would expose the realities and identities of living in America and the harshness of society. This African-American literary period would begin around the time the Great Depression ends and would end the year in the death of Richard Wright, which was 1960. One of the most notable writers of this period was, of course, Richard Wright. By his way of thinking and the way he wrote literature, “Wright [had] effectively executed his own blueprint by rejecting what Locke termed the ‘decadent aestheticism’ of Harlem Renaissance writers and by drawing on the presumably more ‘nourishing’ elixir of Marxism and social protest” (Gates, 97). Richard Wright’s Blueprint for Negro Writing appeared in the journal New Challenge that he and other African-American writers had published in 1937. Although Richard Wright’s Blueprint for Negro Writing was written before 1940, this literature work makes an excellent representation of Urban Realism. This text represents this literary period because it tells about the reality, but also the promotion of success in African-American literature by criticizing black culture and nationalism in literary works.

Dreams are hopes that people hope to accomplish in their lifetime. When trying to achieve these goals, people are willing to do anything. But, what happens when a dream is deferred? A dream pushed aside can disappoint a person in the deepest way. It is likely to spread throughout their thoughts and becomes a burden. In the poem “Harlem,” Langston Hughes, through literary devices, introduce a strong theme through a short amount of language Hughes is asking what happens to a dream that is being put off.

Art is something that can only be achieved with the manipulation of the imagination. This is successful when using objects, sounds, and words. Richard Wright and Amira Baraka brought the power of art into the limelight. Wright’s perception of art was for it to be used as a means of guidance, one that could uplift the Negro towards bigger and better goals. Baraka’s perspective of art was for it to be used as an active agent, one that could kill and then imprint society permanently. Baraka and Wright both wanted the Negro to see that there was a much brighter future ahead of them. Both wanted art to leave a stain, a stain that could not be easily erased, washed, or bleached. Both believed that Black Art had no need to be silent but instead daring.