Block Booking System, Admission Price Discrimination, And The Formation Of Clearance And Zoning Boards

My analysis will cover competition from substitutes and the change in buyer behavior and demographics. I will use the five forces model of competition and a SWOT analysis along with other sources of analysis. The information and recommendations that follow will provide you with the insight and building blocks to compete in the movie exhibition industry.

By mid 2002, the company had 349 screens in 31 locations and had generated a reported compound annual rate of return well in excess of 20% for its initial investors. 2-for-1 Wednesdays In the spring of 2001, Cinemex’s competitors began offering a special deal: any customer who purchased a ticket to see a film on a Wednesday (traditionally a slow day at the box office) would receive a second ticket at no additional charge. This ploy cut into Cinemex’s attendance figures (Exhibit 3). On five of the first six Wednesdays after the deal’s introduction, Cinemex’s attendance was less than in the same week during the previous year. Heyman faced a difficult decision. Should he offer his own two-for-one deal on Wednesdays? This might raise attendance, but since many tickets would be given away for free, it might also reduce ticket revenues. Or should he do nothing, hoping that the appeal of Cinemex’s customer service package would eventually bring customers back? Heyman’s first step was to review his attendance data. What made this difficult was that week-to-week attendance was highly variable, depending on (among other things) the time of year, the popularity of current films, local weather conditions, and the timing of holidays. The question was how to disentangle the impact of these factors from those of Wednesdays at Cinemex Page 2

Inequality and mistreatment is prevalent in the world today. However, today the world is much closer to solving its issues as opposed to 100 years ago. Planners are a significant part of that fight, standing up for what they believe is right and implementing the proper plans and action needed to begin to solve that issue.

The Motion Picture Production Code, commonly known as the Hays Code, was adopted in March 1930, though it was not truly enforced until four years later in 1934. This set of rules had tremendously influenced the way Hollywood movies were made for a number of years. This code was based on the ethics and norms if that time. There were three main principals of the Hays Code. The first was no picture shall be produced that will lower the moral standard of those who see it. What was meant by this was that sympathy should not be portrayed towards crimes, wrongdoings, evil or sins. The second stated that only a correct standard of living could be presented that are only subject to the requirements of drama and

There is the issue of whether Royal 16 theaters committed fraudulent misrepresentation in not informing the moviegoers of the commercials that are played at the indicated movie start time before the actual movie starts. There is also the issue of whether the number of disgruntled moviegoers is larger or greater than 10%, which would determine whether or not there is great reason for the complaint. Lastly, there is an ethical issue of whether or not it is or is not ethical to play 20 minutes of commercials without informing moviegoers that they will be played. In order to evaluate these issues, our team has done several analysis’ to come to our conclusions. We have done a legal analysis of what fraudulent

To understand why the fall of the production code was so prolific to the film industry one must first understand the production code and how it worked. This was a code that regulated what filmmakers could say, what kind of content their films could contain, and introduced an early version of the rating system that we know today. This kind of censorship was as detrimental to this art form as censorship can be. With a media as widespread as film, so many people see it on average that it can largely change a perception of a population or keep

Since all theater had the same films, they focused on the quality of the theater as a form of differentiation (bigger and better screens, carpeting, emergency lights on floors, attractive marquees), while this was standard in the USA, this was new to Mexico

Hayes said the Code set up “high standards” for producers. He was the head of the Motion Picture Producers and Directors Association or MPPDA, a group of film companies under a trade association. The films the members of the MPPDA produced took about approximately 70 to 80 percent of all US films.

Although gangster films were a hit with the mainstream audiences, it wasn't with the Protestant and Catholic religious groups. This sparked the beginning of the new movie code, that would be introduced. In 1934 with the Movie Industry still plummeting, the Motion Picture Production code was put into action. The Code was founded in 1930 and was made to censor films and create guidelines for production studios to adhere to. The code was never carried out until 1934, when the Production Code Administration was founded. They required all films and even scripts, be pre approved before going to theaters.

The poor distribution of Australian films has made it difficult for the public to view these said films, due to the lack of theatres screening the actual pictures. This contributes to the community of the Australian public to collectively be unaware of these films and leads to the small number of tickets sold in cinemas. With this lack of money being spent on Australian films, the industry suffers due to with no return going into the

Motion pictures are a key driver of the market for entertainment products, one of the largest export markets in US. Motion picture industry consists of three stages: studio production, distribution, and exhibition. The studios produce the lifeblood of the industry, the films that are its content. The biggest players at this level are the majors, big studios which integrate production and distribution, as do the slightly smaller mini-majors. The next stage is distribution. Distributors are the intermediaries between the studios and exhibitors. Distribution entails all steps following a film’s artistic completion including marketing, logistics, and administration. Distributors coordinate the manufacture and distribution of

How did the Paramount decision of 1948 change the U.S. film industry? To what degree did the decision alter the way the industry did business?

On the concession side the bargaining power is weak due to economies of scale. Theaters earn most of their profits on concessions so they use their power to reduce their costs from their suppliers.

The competitive forces in the movie rental industry are quite strong, as I will explain through the five forces model. There are a vast amount of substitutes for watching a movie. You can go to a play, sporting event, concert, out the lake/beach, go for a run, watch regular television, go shopping; I could go on and on. Also, torrenting or pirating movies is growing increasingly popular. Buyers have a strong presence in this industry mainly because they are picky about how much they will pay to rent or stream a movie. With the amount of substitutes and their pickiness, they make this

The five forces of competition of the movie rental industry presents little force against a competitor’s market position based on buyer power, supplier power, and new entrant threats. However, threat of substitutes and rivalry among competitors can affect the amount of profits a company will gain and retain.