Blood Imagery In Macbeth

Macbeth is the ultimate story of a fight between the forces of good and evil. It tells the tale of a tragic hero whose quest for power leads to his ultimate downfall. Macbeth starts out as an honorable warrior but changes when his ambition becomes uncontrollable. As he becomes increasingly paranoid, Macbeth uses violent means to eliminate threats to his Scottish throne. As the play progresses, blood continuously plays a part in the events as the murders become more frequent. William Shakespeare, the author of Macbeth, uses blood imagery to develop Macbeth’s character, create a foil in between Macbeth and Lady Macbeth and to symbolize honor and guilt.

William Shakespeare enhances his play, Macbeth, by including a variety of motifs. “In a literary work, a motif can be seen as an image, sound, action or other figures that have a symbolic significance and contributes toward the development of theme,” (Literarydevices.net). In Macbeth, Shakespeare uses sleep, blood, hallucination, darkness and many other motifs to show importance in the play. Beginning with the battle between the Scots and the Norwegian invaders, blood is one of the most significant motifs that are presented in Macbeth. Shakespeare uses blood to symbolize power, courage and heroism as well as, death, cruelty and guilt.

William Shakespeare uses different techniques to increase the excitement and intensity in his plays. Macbeth is the dramatic play written by William Shakespeare has many good examples of imagery, especially that of blood. William Shakespeare’s play about Macbeth is a story of ambition and intrigue. The ambition creates actions that lead to the breakdown of the main character and which drove

The violence and the blood that results are important symbols in Shakespeare's Macbeth and Lady Macbeth. The blood imagery for Macbeth and Lady Macbeth is guilty, murder, remouse and power. It shows Macbeth had killed King Duncan, Banquo and the Guards to get what he want for him to be a king in Shakespeare. Lady Macbeth

     The longest running tradition in medicine, bloodletting, was a widely accepted practice with a three-thousand year-old history from the ancient Egyptians to the late 19th century. At that time, physicians thought that disease was a curse caused by the supernatural. It was a common idea that blood carried the vital force of the body and was the seat of the soul. Anything from body weaknesses to insanity were attributed to a defect in this vital fluid. Bloodletting was a method for balancing other fluids in the body and cleansing it of impurities. Shakespeare takes the same knowledge of blood and applies it to “Macbeth” in which the connotations not only foretell one’s glory but also one’s guilt.

iv. 136-140). From this quote it can be inferred that Macbeth is concerned for himself because of all of the crimes that he is committed and is scared that people are coming after him. He has already stepped in the river of blood but cannot go back because he is already too deep and plans to continue farther. Holding the guilt of killing the most beloved King and the thought that people are coming after him, drives Macbeth to making poor decisions to protect himself and the use of blood helps the reader to see how insane Macbeth really is. Macbeth is not the only character in the play who goes insane because of guilt, his wife Lady Macbeth too goes insane with holding the guilt of ruining lives of innocent people. At one point she feels so guilty she begins to have hallucinations and even starts sleepwalking and talking. During the night when she was sleepwalking she tried to remove the blood that has stained her hands and becomes extremely paranoid that the blood is not coming off. It can be inferred that even though Lady Macbeth only helped to plan the murders she never actually kill someone, but she still carries the guilt as if she did. Shakespeare is trying to showcase with the motif of blood that no matter what type of crime is committed there is still guilt and

Shakespeare uses the symbol of blood in MacBeth to represent treason, guilt, murder and death. These ideas are constant throughout the book. There are many examples of blood representing these three ideas in the book.

After the murder, Macbeth says ‘'will all great Neptune's ocean wash the blood clean from my hand?'' in which Lady Macbeth assures her husband by telling him that ‘a little water clears us of this deed', meaning a little bit of water will clear the blood from their hands. Shakespeare, here, uses the blood on her hands as a metaphor for the guilt she has placed on herself. As, a few days later, Lady Macbeth begins to go totally insane over the blood that was supposed to be washed away using ‘a little water'. Shakespeare ultimately shows Lady Macbeths loss of power and also her mental confusion when she speaks in prose, she starts to see hallucinations of the blood on her hands and screams ‘out, damn'd spot! Out, I say!' which eventually leads her to her death. This is ironic as something that she thought would never harm her was the exact thing that caused her life to end, which is the same situation with Curley's wife and her hair. Nevertheless, Lady Macbeth is the only main character in Shakespeare’s tragedies to die whilst not speaking in verse which signified her fall from

She continues to "wash" her hands till she is intruded by the memory of summon that she herself called upon her husband to the murder of King Duncan: “Out, damned spot! Out, I say! … One: two: why, then, 'tis time to do't… Hell is murky! … Fie, my lord, fie! A soldier, and afeard? What need we fear who knows it, when none can call our power to account?” Yet who would have thought the old man to have had so much blood in him? (5. 1. 35-40). Lady Macbeth thought once that her husband is a king, so it wouldn't trouble who knew that Lady Macbeth and Macbeth assassinated King Duncan, because no one would be able to test Macbeth's power as king. The old man in quote reminds her of her guilt. His blood is chasing her in alternative

In Shakespeare's Macbeth a play, a man named Macbeth goes through a great transformation; Macbeth goes from being a heroic general in the king's army to an assassin and a tyrant. The theme of the play is never give into evil because it destroys no matter what the benefits are. Blood Imagery is very important in the play; it shows Macbeth's evil ambition in the beginning, middle, and end of the play.

Before Duncan’s murder, Macbeth imagines that he sees a dagger floating in the air in front of him. (“And on thy blade and dungeon, gouts of blood, which was not so before. There’s no such thing: it is the bloody business which informs thus to mine eyes.” (Act 2 scene 1 lines 46-49). The blood imagery here refers to murder, ambition, and betrayal. This is a totally different meaning than earlier in the play. Before, blood was seen as a positive thing. Now, it is associated with evil. It also shows Macbeth’s transformation from a person of honesty, nobility, and bravery to an evil, deceitful person. After Macbeth murders Duncan, he starts to see how severe his crime was and tries to wash Duncan’s blood off his hands. (“Will all great Neptune’s ocean wash this blood clean from my hand? No; this my hand will rather the multitudinous seas incarnadine, making the green one red.”) Act 2 scene 2 lines 60-63. This shows that Macbeth’s character is starting to get weaker because of his crime. The blood does not represent a feeling of ambition; it now represents remorse, and guilt. Macbeth is so upset and says that not even all the water in the ocean will wash the blood off his hands. Duncan was a kind generous man and he had no

Lady Macbeth starts this off when she asks the spirits to "make thick [her] blood"(1.5.50). What she is saying by this, is that she wants to make herself insensitive and remorseless for the deed she is hoping to commit. However, she forces Macbeth to do the deed. Right before killing Duncan, Macbeth sees a dagger floating in the air leading him to Duncan?s room and he sees "on the blade and dudgeon gouts of blood"(2.1.58), indicating that the knife has been viciously stabbed into someone. This is a Lady Macbeth knows that the evidence of blood is a treacherous symbol, and knows it will deflect the guilt from her and Macbeth to the servants when she says "If he do bleed, I?ll gild the faces of the grooms withal, for it must seem their guilt"(2.2.71-73).

Initially, she is a beguiling instigator of murder, and her first reaction to blood displays this nonchalant attitude. She tells Macbeth, “My hands are of your colour, but I shame / To wear a heart so white” (IIii 24). Lady Macbeth effortlessly washes off this blood with water, disregarding the guilt. Lady Macbeth’s second reaction to blood, however, exhibits shock over her husband’s free acts of cruelty. She sees the guards her husband has slain and faints. Covered in blood, the murdered guards underline Macbeth’s malice and cruelty. Therefore, when Lady Macbeth faints at the sight of these symbols, she makes obvious her change from plotting instigator to shocked observer. Blood continues to symbolize guilt, and eventually, just as Macbeth wants to remove blood from his hands, Lady Macbeth wants to cleanse her hands of blood and guilt. She visualizes a spot of blood on her hands and perpetually tries to wash it off. “Out, damned spot! out, I say!” (Vi 72). The stigma of guilt, however, cannot be removed, which reveals Lady Macbeth’s haunting, incurable guilt over the murders during Macbeth’s reign. Lady Macbeth continues in woeful guilt, saying “The Thane of Fife had a wife: where is she now? / What, will these hands ne’er be clean? No more / o’ that, my lord, no more o’ that: you mar all with / this starting” (Vi 72). She says her hands will never be clean, indicating that

     In the play ‘Macbeth’, Shakespeare uses brutal imagery, with association of blood.  The mood of disgust and horror towards the characters and setting is established by the references to the universal representation of death and pain. The first mention of blood seems to establish a sense of honor. The second mention of blood seems to communicate betrayal.  Lastly the third allusion of blood appears to establish a sense of guilt All of these images of blood help develop the atmosphere and scene and contribute to the over all drama of the play.

Shakespeare’s Macbeth is a story taken from Scottish history and presented to the Scottish king James I. Shakespeare took this gory tale of murderous ambition, however, and transformed it into an imaginative tale of good and evil. Shakespeare brought about this transformation by relying upon “imaginative verbal vigor” that imbeds itself in the brilliantly concentrated phrases of this literary work. Critics have dubbed it his darkest work, along with King Lear. In his critique of Shakespeare’s works and plays, Charles Haines describes Macbeth as “one of Shakespeare’s shortest plays, containing just 2,108 lines.” He further states that it is a vigorous, headlong drama, a relentless spectacle in red and black. (Haines, p. 105) This red and