Blood Out That's Directed By Taylor Hackford

“Bloodchild” is a story that pushes the limits of humankind, creating blurry interpretations of good and evil that challenges everyday societal norms. Octavia Butler takes a traditional action-filled story and twists it into an unexpected and intensified tale. Through this heightened piece of work, the most compelling argument can be found from the structure of the narrative itself. From the first-person narrative, readers are able to receive first hand perspective in which no omniscience of any sort can be detected. Readers can acquire the character’s actions, thoughts, and interpretation of the things that happen to them. “Bloodchild” is a story of an alien planet where the Terrans are enslaved by an alien race called the Tlic. Gan, the protagonist, has been promised as a host for the alien embryos in which the story will later reveal a deeper meaning underlining the sacrifice.

Fukunaga also creates a reputable, realistic movie through intrinsic ethos. Finally, in an appeal to logos, the movie uses unforgettable scenes of gang violence, giving the audience context and showing them the realities of life in a gang and informs them of the modern issue that is gang violence. “Sin Nombre” consistently blends all three appeals and fulfills Fukunaga’s purpose of educating his audience about the issues of immigration and

This movie Directed by Paul Haggis who also directed Academy Award Winning "Million Dollar Baby" and had also won an Academy Award for this movie as well puts a twisted story in this film. This movie is trying to symbolize what goes on in the world today in regards to racism and stereotypes. He tries to make a point on how societies view themselves and others in the world based on there ethnicities. This movie intertwines several different people's lives, all different races, with different types of beliefs. Such ethnicities include Caucasians, African Americans, Hispanics, Asians and Middle Eastern. This movie includes conflicts on both sides of the picture from cops and criminals as well

Quentin Tarantino’s films are always controversial, and Pulp Fiction is no exception. The film depicts graphic violence and overt drug usage, while shying away from politically correct language. The film’s controversial topics such as racial stereotypes, has led some critics to hail the movie as racist; however, the movie denies many of these stereotypes, portraying character and character relationships as not exclusive to their stereotype. Furthermore, the movie mocks many of societies stereotypes, and it is not afraid to address, or not to address, uncomfortable racial topics. Thus, Pulp Fiction challenges racial barriers.

According to Newman, sexism refers to “a system of beliefs that asserts the inferiority of one sex and that justifies discrimination based on gender.” This sexism has a large impact on the daily life of a women through things like social interactions, power differentials, and violence against women. Institutional sexism refers to the “subordination of “women that is part of the everyday workings of economics, law, politics, and other social institutions.” The media is one institution that communicates gender norms both directly and indirectly. Understanding gender role expectations and how they are reinforced through social institutions like the media is necessary in order to explain things such as the wage gap, segregation in the workplace, and how women are devalued on a global scale.

These stereotypes depicted “drug dealers, prostitutes, single mothers, and complacent drag queens” (Harris, 51). In the 1980s, African American filmmakers began to make a name for themselves. These films are “social commentaries, indictments of racism and depictions of ‘everyday’ American lives” (Harris, 51). Compared to the traditional representations of blacks and blackness, New Black cinema takes on this cultural intervention and the recoding of blackness. Harris describes this as “revising the visual codes surrounding black skin on the screen and in the public

In society, social problems are often brought to the public’s attention through popular culture and media. The compelling film, Fruitvale Station, directed by Ryan Coogler is a nod to many social problems found in the United States of America today. The film portrays social problems like poverty among minorities, racial profiling and especially police brutality through the last 24 hours of Oscar Julius Grant III’s life. The star-studded film not only pays homage to Grant but also to the ideas of poverty and police brutality. The film all but shouts at the audience that the minorities, especially African Americans, suffer from many economic and social disadvantages that needs attention. At the 2013 Sundance Movie Festival by means of great

The movie I’m going to focus on is Baby Boy. Baby Boy is a movie by John Singleton set in California and focusing on a young black man named Jody and the struggles he faces in everyday life. I chose this movie because I can kind of relate to the story being that I’m from California and I’ve seen a lot of the situations presented in the movie. Jody is in his early twenties and has two kids by two different women, Yvette and Peanut. He still lives with his mother and acts like he is still a kid, hence the name of the movie Baby Boy. Yvette considers Jody to be her man but he’s still messing around with his other baby mama Peanut, along with numerous other women. Jody and Yvette are constantly arguing about his infidelity and his

The 1997 comedy film, ‘The Castle’, directed by Rob Sitch, is a classic Australian film which pits the underdog individual against a large corporation. The low-budget film follows the fight of tight-knit working class family, the Kerrigans, who face the forced acquisition of their modest home by a government organisation. It can be clearly seen that the director has positioned audiences to see the Kerrigans as praiseworthy characters. This is shown through the narrative elements, stylistic features, and constructedness of the plot.

Most horror films tend to be relatable, forgettable and follows mostly the same routine. However, it is so great to have an original mind of a horror and a comedy film that originates from Jordan Peele. It has a racial and stereotypical difference that is a socially important issue. But, it does not reveal or throw completely its issuance theme to the viewers which may find uncomfortable and unsettling. It breaks the stereotypes towards different race than white and gives black men more encouragement and the advantage aspect than being victims. It seemingly waves its social critique wave to a new level of a blend of horror, thrills, and comedy making this a professional and masterful film amongst these genres. It is a good, surprisingly new debut for a first-time writer and director for a widely releasing film around the world, a one to be praised and

balanced, realistic depictions of blacks in America The film is about a Chicago family who

From there on movies shifted from their portrayals of Latino males as "Latin lovers" to "urban banditos". Films changed from problems involving women, sex, and love to delinquency, drugs, and gang fights. Movies such as West Side Story, Scarface, and Fort Apache, the Bronx, all use Latinos as "scapegoats" to focus the problems of society to the immigration of Puerto Ricans to the U.S.

RACISM AS A CAUSE FOR CRIME AND VIOLENCE: CINEMATIC ANALYSIS OF “BOYZ N’ THE HOOD”

Pulp Fiction is an iconic early 1990s film directed by the unparalleled Quentin Tarantino. The title of the film pays homage to mid-20th century crime novels. In this way and others, the title is revealing of the content of the film. The film follows a very postmodern style that often distracts the plot to focus instead on developing the characters. The cinematography of Tarantino further highlights the characters, at times not allowing the viewer to focus on the context due to the intensity of the moment. Two elements that play key roles in the tone of the film are real violence and race. Real violence is used throughout the film both to create and release tension. The element of race is used through stereotypes that allow the characters and the way they interact to provide social commentary about racial perceptions in America at the time of its release in 1994. The elements of violence and race are used to entice the audience to remain invested in an incredibly complicated and interwoven story with no particular plot. It is these elements that allow the movie to have no single central plot and yet still captivate its audience as the artful masterpiece it is.

The movie is rated PG-13 and its total running time is two hours and 10 minutes. The main characters set in the movie are Vin Diesel, Paul Walker, Jordana Brewster, Tyrese Gibson, Ludacris, Matt Schulze, Sung Kang, Gal Gadot, Tego Calderon, Don Omar, Joaquim de Almeida, Dwayne Johnson, etc. After a successful prison escape, Vin Diesel, Paul Walker, and Jordana Brewster flee to Rio De Janeiro. Sooner than you know it, they are involved in another high speed race car theft. As the film goes on, their plan goes south and things start to get out of hand. During this time, they kill three DEA Agents and are wanted by the Kingpin leader of a drug cartel, Joaquim de Almeida, and a ruthless federal agent, Dwayne Johnson. As their time begins to wind down, Vin and Paul gather up a group of elite outlaws to stage a $100 million heist while being chased down all over the city of Rio De Janeiro.