Blood Suckers Research Paper

Since the beginning of time vampires have been categorized into different "types” and are portrayed in different ways throughout several books. This paper will focus on three vampires from the following books: Dracula by Bram Stoker, and I am Legend by Richard Matheson. Dracula is considered to be the traditional vampire, where it all started, and the vampires in Matheson’s book, follow somewhat Stoker’s concept, but is more of a modern “type” of vampires. Certain vampire elements have been presented, but others have been completely removed or altered. In addition, elements along with appearances are used to infer if the vampire is a form of “the other”. There are two types of vampires; the traditional or modern vampire which can be distinguished based on the elements present in their storyline.

The word blood is not used in the novel until a few chapters in, but is a major motif. Blood symbolizes life in Dracula, because in every situation characters seem to be struggling without it. The Count is always craving it while some of the characters are constantly lacking it. As the readers all know Count is a vampire, but the characters are clueless throughout the beginning of the book, when poor Lucy is suffering. As Harker is a prisoner in Dracula’s castle, Dracula makes sure that it is clear to Harker that blood is something everyone should cherish. Harker thinks he is going crazy because of the weird sights, smells, and fears he has encountered while staying with the Count. Although he thinks he is becoming crazy everything that he think is unrealistically happening is actually happening.

Dracula explores the tale of a powerful vampire’s attempt to move to England and the battle between him and a small group of men and women led by Professor Abraham van Helsing. This dispute ultimately leads to Dracula’s defeat and death. There are a lot of symbols in Dracula that tie into the actual themes of the story. One example is the symbol of blood. Obviously, blood is significant in a vampire story, but the amount of references of blood in this novel is extraordinary. Reinfold is the only character to explain this in Chapter 18, page 16: “I tried to kill him for the purpose of strengthening my vital powers by the assimilation with my own body of his life through the medium of his blood - relying,

Humans for centuries have been drawn to vampires. From sitting around the fire in the time before the industrial revolution, to sitting around the table and in modern times watching it on the big screen. The folk tales of the undead that hunt at night, sucking the blood of the innocent has haunted and intrigued the human psyche for as long folklore has been in existence. Being afraid of what is being told to them, yet being unable to pull away. The pull and push affect that these mystical monsters have on the human aura is undeniable. Modern day vampires have a cult like following. When the Twilight series came out, the people where divided between team Jacob and team Edward. Teenage girls would swoon over these monsters, dangerous yet alluring.

The truly shocking and terrible, blood-sucking-monster we once  knew have now changed into beautiful, perfect,and healthy human beings. This paper will discuss the change and the reason why  the change of idea many still accept and like the modern picture of vampires.In order to answer this, I will examine the differences between Bram Stoker's Dracula , the typical figure of horror before, and the soft light just before sunrise or after sunset's Edward Cullen, the obvious example of the 21st century vampire. From this, I will be able to decide out what changed in the features of the vampires we know today.Many would think about Edward Cullen as a "shockingly disrespectful behavior of the vampire old example" (Mole).

Vampires have been around for centuries, they represent the fear of many things such as sexuality, race, gender, etc. and above all, they stand for the fear of diseases. Vampires have once been the symbol of horror due to their terrific depictions and were described as a threat to the humanity. Throughout time, the image of vampire has changed dramatically from a monstrous, inhumanely creature that doesn’t belong to human society to such an attractive and adaptive figure that expresses more of the human side than the evil. They developed human feelings, senses, and live within our society. Modern vampire movies are often more romantic and “sympathetic” comparing to the past. Vampires have abandoned their horror and evolved to a more

Symbolism, in particular, plays a main role in this cartoon, in conveying the overall message of the cartoon. In particular, it is highly eye-catching and evident that the vampire in the cartoon is symbolising George Clemenceau, the Prime

In Bram Stoker 's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse 's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the

To be a vampire, you have to take something from someone else to benefit yourself, whether that be anything from blood to money. Vampires weren’t always what we see today in “Twilight. Vampirism does not always have to do with vampires but selfishness, exploitation, and refusal to respect.

Blood is the symbol of human passion, the source of all passion. I think that is the main subtext in our story. We've tried to depict feelings so strong they can survive across the centuries, like Dracula's love for Mina/ Elizabeth. The idea that love can actually give back to the vampire his lost soul" (Holte 82).

The mischaracterization of Dracula and the propagation of the archetype and stereotype of vampires can mainly be blamed on the media. While this is not the grossest mischaracterization that we will see in this paper, it is certainly an early starting point for the making of monsters out of the misunderstood and unknown.

The generalization for vampires has been displayed in films and literature for hundreds of years. The stereotypical versions of vampires are that they have long fangs, sleep in coffins during the day, and suck the blood out of humans. Both novels contradict those stereotypes in different ways. To understand the diversity of the vampires described in both novels, one must examine the characteristics that the vampires display and the meaning and purpose behind them. David D. Gilmore’s book “Monsters” analyzes monsters and other mythical creatures. Gilmore describes why humanity invented the idea of

An additional way that horror movies are inspired by dracula is the way that the villain in each media for is molded by a deviant sexuality. This can be seen in Dracula by the use of blood transfusions performed by the vampires to symbolize rape. Stroker writes, “I was afraid to raise my eyelids, but looked out and saw perfectly under the lashes. The girl went on her knees, and bent over me, simply gloating.” (Stroker 55) This parallel can be seen in horror movies with the common use of nudity in the movies, as well as the fact that a lot of slasher movie villains are raped as children. Grant

As one of the most attractive and enduring figures in the Gothic literature, the vampires have moved from being a peripheral element with the genre to a place near the center and are capable of generating its own massive tradition now. In the recent literary history, they have already been adapted to play a role of a rebel against the moral, social, religious, and even sexual taboos. Put simply, the vampires are now a metaphor of human beings in the modern society and life.

Expository Essay Mary Arnold For centuries, vampires have been depicted in various cultures and throughout literary history as both bloodsuckers and vampire lovers. A good example is they’ve been portrayed as both monsters, comedic villains, and romantic figures. The film industry has represented many incarnations of vampires on the big screen for decades. Let’s begin with the first vampire film, Nosferatu (monster), up to the latest vampire film, Twilight (lover).