Blues And The Blues

“Sonny’s Blues” is an emotional story written by an amazing author, James Baldwin, who has come to be one of my favorite writers. This particular piece talks about the troubles of African American freeing themselves from the mental bondages of their surroundings, the ghetto. The title is significant, and helped me to understand the underlining meaning of the story. The title can be divided into two main reasons, the first, “Sonny’s Blues, meaning the music he plays. Second is the reference to his life, his feelings, his style, and most importantly his way of life.

In James Baldwin's Sonny's Blues he deals with a man trying to find his identity in a very hostile society. The blues in this story is used in a more emotional manner which recollects the past. It also repairs the relationship between the two brothers who have chosen two different ways of coping in their ghetto environment. The blues also serves as a communication devise between the two brothers. Baldwin uses the blues to state a fact; the ugliness and meanness inherent in the human condition. In order to really understand the message of the blues you have to be one that has suffered just like Sonny and the elder brother. The blues that they play also communicates to other sufferers who have had their own trials, so they know what this music is all about. Sonny's suffering are within himself, but deep suffering is common to all his listeners. Even his brother can attune himself to this suffering, which is brought on by the death of his little daughter Grace. When the brother is at the club listening to the blues he recalls his mother, the moonlit road on

Blues is one of the most captivating genres of music. The genre was originated in the late 1800’s as a method used by African American slaves to express the circumstances as well as to put emphasis on their feelings and emotions. In order to create these feelings in this music, blues artists incorporate many of the same techniques used to write poetry. One of the most easily identifiable songs in which it is easy to see the relation between poetic elements and blues music is the song “Empty Bed Blues” by Bessie Smith.

Looking back at the history of Blues music, one can see the influence of the African-American community, tradition, and culture very apparent in it. The Blues music genre came into being from the songs

“When first entering in America, British folk music was distinguished by three-chord tunes, sparse instrumentation (with some fiddlers), mostly male performers, improvisation, the singers’ sporadic shouts (Scottish “yips”), Christian themes served up in hundreds of hymns, and a secular collection of songs that told stories, generally about love and lost love, using metaphor and symbol to tell those stories” (Allen 101). By the late nineteenth and early twentieth centuries, British music changed and became Americanized. Vocal harmonizing slowly evolved, and fiddlers were accompanied by those who played banjo, an African American opening. “Tambourines and “bones” (tapping out rhythms using pork rib bones) were a minstrel show contribution” (Allen 102). When African Americans were forced into slavery and brought to North America in the 1600s, they brought their own musical traditions and sounds. Slaves who were on the Mississippi River Valley delta soil developed what will later be introduced as blues music. On the plantations, slaves greatly changed British American hymn singing. They took non-religious British American songs and turned it into their own forms of music that followed their culture and taste of music. Blues emerged in the early twentieth century at the same time country music became settled from its folk roots. Blues music talked about the indifferences African American slaves were going through at that time. “The blues voiced human

The blues, a uniquely American art form, was born on the dusty street corners of the Deep South in the late 1800s. An evolution of West African music brought to the United States by slaves, created the blues which was a way for black people in the south

The Harlem Renaissance was a time of revival and awakening in which the African American community produced a new form of cultural identity. After years of oppression and slavery, African Americans struggled to discover their own distinctive culture. It was through the literature and artistry of the Harlem Renaissance that the African American community began to express the suffering and resentment they truly experienced. In addition, the movement allowed them to find a way to escape their hardships. James Baldwin’s “Sonny’s Blues” and Langston Hughes’ “The Weary Blues” address the addiction, poverty, and violence that surrounded African Americans and the triumph of life that was captured in their attempt to escape the suffering.

“ Sonny Blues” is a short story about the reunion of two alienated brothers who finally overcame the grieve of their struggles through the connection of their emotions. This story emphasize on the capacity at which the intensity of any form of communication can hold, for example: Jazz music, blues music and so on. The major protagonist and the narrator of “Sonny Blues” is Sonny's older brother whose name was unknown through out the story. The story was written in a first person singular narrative way. He had a pretty rough childhood in Harlem. They were an African American family who had a lot of tribulations, their father was an alcohol addict, they struggled through everything. According to the narrator, “he says he never in his life seen anything as dark as that road after the lights of that car had gone away. Weren't nothing, weren't nobody on that road, just your Daddy and his brother and that busted guitar. Oh, yes. Your Daddy never did really get right again. Till the day he died he weren't sure but that every white man he saw was the man that killed his brother” (Baldwin/Sonny's Blues p.132). This statement clearly illustrates how the narrator's uncle was killed by a group of white men in a vehicle. They pretty had a fair share in the struggles African American families in the twenty century went through .

On the other hand, Blues were basically from work songs of African Americans slaves at the time. “It is a native American music, the product of the black man in this country, or, to put it more exactly the way I have come to think about it, blues could not exist if the African captives had not become American captives”(pp.17), said Jones and Baraka. In Jazz – A History, Frank Tirro wisely analyzes and explains the relationship between the unique background and

Rhythm and blues, also known today as “R & B”, has been one of the most influential genres of music within the African American Culture, and has evolved over many decades in style and sound. Emerging in the late 1940's rhythm and blues, sometimes called jump blues, became dominant black popular music during and after WWII. Rhythm and blues artists often sung about love, relationships, life troubles, and sometimes focused on segregation and race struggles. Rhythm and blues helped embody what was unique about black American culture and validate it as something distinctive and valuable.

There are several stylistic characteristics of the blues. The first one is the blue notes, which is the "bent" technique for lowering the pitch of third and seventh scale degrees in the major scale(259). The next one is the blue chorus, which is three-line lyrics, and it contains fill which is the instrument response of the call and response between vocal and instrument. The third feature is the blue progression which is the form of the combination between tonic(I), subdominant(IV), and dominant(V) chords. It is usually arranged as: I- / IV- I- / V- I-. Another characteristic is that the timbre of the vocals in blues have a wide varieties. Every single piece of blue music features a different kind of vocal texture. The rhythm in the blues has a characteristic called "swung" which means the long-short pattern of the rhythm. In all three pieces of music, the blue note and the blue chorus are applied to the composition. The "bent" texture of the pitch and the neat separation of the lyrics can be easily notice in the music. The call and response in vocals and instruments, on the other hand, is not so obvious in "Can 't Help Lovin ' Dat Man," but I think, though subtle, it is still there at the end of each line. The rhythm in the "Muleskinner Blues" is more steady instead of the long- short patterned "swung." The "swung" is not so obvious in "Can 't Help Lovin ' Dat Man," either. Overall, there are some standard blue style in all three pieces of music, but we

No black person can escape the blues, because the blues are an inherent part of the black existence in America. To be black is to be blue. The blues tell us about black people’s attempt to carve out a significant existence in a very trying situation. The purpose of the blues is to give structure to black existence in a context where color means rejection and humiliation. Suffering and its relation to blackness is inseparable from the meaning of the blues. Without pain and suffering, and what that meant for black people in Mississippi, Tennessee, and Arkansas, there would have been no blues. The blue mood means sorrow, frustration, despair, and black people’s attempt to take these existential realities upon themselves and not lose their sanity. The blues are not art for art’s sake, music for music’s sake. They are a way of life, a life-style of the black community; and the will for survival. Thus to seek to understand the blues apart from the suffering that created them is to misinterpret them and distort the very creativity that defines them (Cone, 1980).

Nowadays the blues revolve around the meaning of sadness but doesn’t have a true message of fighting for survival or deprivation of freedom. In the process of searching for the modern day blues, it was discovered that the music is compiled by mostly Caucasian artist compared to the past where it was conceived by blacks to prompt their practices and beliefs.

At the heart of jazz, the blues was a creation of former black slaves who adapted their African musical heritage to the American environment. The blues is a 12-bar musical form with a call-and-response format between the singer and his guitar dealing with themes of personal adversity, overcoming hard luck, and other emotional turmoil.

The origin of blues music dates back all the way to the late 19th century, eventually going on to gain more recognition and popularity in the post-Reconstruction Era of the United States and early 20th century. It is widely known that the blues have deep roots in African-American history, having been conceived on Southern plantations where slaves would sing of their misery and unjust lives as they were extremely mistreated and over-worked endlessly in the fields by their slave-owners. After the end of the Civil War and Reconstruction Era, blues music began making