Blurred Gender Lines And Elizabethan Fear Of Femininity

While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famous piece has been portrayed and each has its own pros and cons.

Gender stereotypes are not a modern notion and as such expectations and limitations have always existed for both men and women. Fortunately women, who have formerly beared great burdens of discrimination, now have very liberated roles in society as a result of slowly shifting attitudes and values. Shakespeare was integral in challenging the subservient role expected of women in the 16th century. Throughout the play, ‘The Merchant of Venice’, women are expressed as powerful characters who behave, speak and live in a way that breaks away from the conformist role of females during the 16th century. Therefore, the submissive stereotype expected of women in Shakespearean time is confronted and defied through

Shakespeare 's complex play Othello holds numerous pressing issues within its intricate layers that seem to leap out to modern society. One such issue seen by many is the representation of women. Women within the play can be characterized as submissive possessions and temptresses. This ideology, though commonplace in this time period, appears controversial to the modern eye as we deconstruct the characters of this play. This dominate patriarchal society present within the setting merely conditions this belief further as it is prevalent within the characters dialogue.

The theme for honour and fidelity apply for both men and women in Shakespeare’s play ‘much ado about nothing’. Honour and fidelity is represented very differently for men and women as it would have been for the people in Elizabethan times. In this first section of the essay, I will be exploring double standards and Shakespeare’s awareness of the double standards between sexes and his feminist approach, the differences of honour and fidelity for men and women and upper class and lower class comparisons.

   Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women.

In William Shakespeare’s Merchant of Venice, gender roles are explored, culminating in two distinct scenes of cross-dressing. The men of Elizabethan society enjoy a prominent status based solely on gender, to which women are clearly outsiders. This is particularly evident in Jessica’s newfound freedom when dressed as a pageboy in Act 2 and Portia’s and Nerissa’s immediate elevation in social standing when they take on male personas in Act 4. Through these two instances of cross-dressing, Shakespeare presents class not in terms of socioeconomic status but in the benefits of being male. Although the three women all partake in cross-dressing as a means of undermining patriarchal constraint, the consequences vary as there are several

Gender roles are a prominent role that have been accepted by over time. Gender roles of the past are much more different from those of modern day. The past was very limiting towards women being equal of men. They have most certainly changed with recent events, however, the gender roles in Shakespearean times have most certainly been limited. In Romeo and Juliet, Gender roles in Shakespearean times forced Juliet to have her personality suppressed, as she is burdened with her parents expectations.

   Shakespeare’s tragic drama Othello features sexism as regular fare – initially from Brabantio and Iago, and finally from Othello. Let us in this essay explore the occurrences and severity of sexism in the drama.

In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello. From a careful analysis of the story, tragedy in Othello is result of violating expected gender roles, gender performance by Desdemona and Othello, and the result of Iago’s inability to tolerate these violations.

In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.

What would it be like to identify as a someone else, or even as a different gender? Thrilling yet confusing, and even troublesome, Twelfth Night’s theme of identity is shown within the romantic comedy through various ways. As an essential subject establishing rich symbolism and imagery, it uses disguises, mistaken identify, and crafty characters’, which causes much confusion between the individuals of the story. It examines the gender roles in Twelfth Night relating to the history of Renaissance/Elizabethan Theatre of males playing female roles, for women were forbidden to act—a male actor would play a female character (Viola) who disguises herself as a male (Cesario). Through What You Will, the theme of identity proves that “nothing that is

Jean Reid Norman argues the differences between women and men throughout Shakespeare’s play, Twelfth Night. In the early ages, Viola was played by a male whether Viola was herself or Cesario but the question Norman states is, “Does she speak as a woman, even when wearing men’s clothes? Does she try to disguise feminine speech as part of her effort to fit into a male world?” (66) He gives examples from the play in which women and men are different in various ways from the way they speak to how they act. Throughout the play, Viola was really being herself disguised as Cesario.

Gender identity and its roles in 17th and 19th century England were regarded as rigid fact — definite and unyielding. The adherence to these social protocols was of utmost importance. Masculinity was viewed as being dominant, assertive, and bold, whereas femininity involved beauty, obedience, and chastity. The theatre became a method of challenging this rigid social concept. Both William Shakespeare’s As You Like It and Oscar Wilde’s The Importance of Being Earnest explore these public values through their characters. Wilde and Shakespeare’s use of gender reversals satirize the traditions of social order, marriage, and gender responsibilities at the time, thereby revealing that gender is not absolute.

In Twelfth Night Shakespeare uses gender roles and cross dressing to create disguise. This creates a sense of gender ambiguity and this is what makes the audience laugh - but although it creates a sense of fun and liveliness it also examines

Since the beginning of time, there have been distinct divisions in the roles of men and women. Even dating back to early civilization, women have been portrayed by society as objects of desire. In the Renaissance period, the ideas about women and gender roles are still quite similar and the plays of Shakespeare can be used as a looking glass upon the acts of Renaissance society. Women were said to be concerned about their status as well as their identity which was said to be based solely upon the husband. In the Merchant of Venice, Shakespeare proves that not only can a woman be beautiful, but she can also be powerful, capable of overcoming similar obstacles as men, and above all else intelligent. Shakespeare appears to convey the true definition of feminism by creating heroic attributes in Portia, the heiress of Belmont, qualities that surpass other women of her time. A few of these traits would be perseverance, strength, resourcefulness, and the ability to put others before oneself. She defies and breaks the mold of traditional gender roles placed in a Renaissance society and illustrates admirable qualities that for centuries have gone unnoticed.