Bob Thiele And Weiss's 'What A Wonderful World'

For this analysis on Louis Armstrong’s West End Blues, I am going to concentrate on Louis Armstrong and how influential he was in the birth of Swing. He was extremely innovative in the way he played his instrument. Louis Armstrong had a brilliant trumpet sound. His power, range, and his rhythmic approach are all trademarks of his playing in the 1920s and 1930s. West End Blues is still considered one of the most influential and classic pieces in the Jazz Industry. I will explain why by breaking down the song utilizing the five elements of music; form, harmony, texture, melody, and rhythm.

He performed in front of large audiences at places like the cotton club and with King Oliver’s Creole band. African Americans performing at the cotton club had a huge impact on the Harlem Renaissance because it allowed the African American people to display their culture and inspire others for one of the first times. Duke Ellington was the African American performer to really persuade the owners of the club to allow other African Americans to perform alongside the normal performers. Louis Armstrong did a collaboration with this man, which shows his importance to his society during this time period. Alongside his new style of jazz music, the lyrics he used and the messages his songs conveyed were very influential and inspiring during the Harlem Renaissance. Armstrong made it a point to keep his political view to himself, and wrote songs of happiness and integration rather than sorrow.He is a New Orleans trumpet player who loves to entertain. (Schwartz, “What Louis Armstrong Really

If one was to go out into the street, walked up to a random stranger and asked them if they knew who Louis Armstrong was, chances are that they would be able to answer you correctly. Louis Armstrong (Aug 4th, 1901 - Jul 6th, 1971) was an American trumpeter, composer, singer and occasional actor who became one of the most influential figures in jazz. His career spanned many decades, from the 1920s to his death in 1971, and many different eras in jazz. He first came to prominence in the 1920s as a trumpeter and cornet player with no technique as well as being very skilled in scat singing, Armstrong was a foundational influence in jazz, influencing many later jazz artists as well as shifting the focus of the music from collective improvisation to solo performance.With his very well-known and recognizable gravelly voice, a technique that was later named “crooning”, Armstrong was an incredibly influential singer, demonstrating great dexterity as an improviser by bending the lyrics and melody of a song for expressive purposes on demand. Renowned for his charming and incredibly charismatic stage presence and voice almost as much as for his trumpet and/or cornet playing, Armstrong 's influence extends far beyond jazz music, and by the end of his career in the early 1970s at his death, he was widely regarded as a deep and profound influence on popular music in general. Armstrong was one of the first very popular

Louis Armstrong learned at a young age, not to let negative views direct your life. At the age of seven he worked for a Jewish family, and noticed how the whites treated them. It was not just the blacks in the early 1900’s that dealt with racial issues. But Louis saw one thing that left a long time mark on him. Many of the Blacks wanted Pity, but this family of Jews he worked for, did not, they made their way. This was something Louis would carry with him the rest of his life. Louis Armstrong’s influence was the style, structure, and joy of his art. It is something that can be seen in many musicians that listened to him. Listen to a Miles Davis cd, and you will hear the Great Satchmo. Yes it is Miles Davis, but the influence of Louis is there to be heard. Many of the musicians today you will also hear Louis’s influence, and not only in Jazz, Swing, Blues, but in any form. Louis Armstrong’s influence is one of the most powerful that has ever been, and may ever be.

2. Is the intent of this song to promote or protest the Vietnam War? Why?

Louis Armstrong's diversity and adaptability is widely recognized as one of the most influential aspect in jazz music. Louis Armstrong's musical influence is still the fundamental base for modern jazz today. "Louis Armstrong is jazz. He represents what the music is all about.” — Wynton Marsalis perfectly sums up his contributions. His diversity sets him apart from other jazz artists because he managed to stay relevant throughout different musical eras like, the ENOJ era, The Swing Era, Blues etc., until the end of his career. The accomplishments he has achieved throughout his life and the hardships he has gone through has shaped his persona, contributing to how he will become as an artist. His instrumental style, singing, career throughout musical eras, accomplishments, and etc., contribute to how adaptable and diverse he is.

Many great performers have come out of the jazz industry, but the most widely known is Louis “Satchmo” Armstrong. Louis began playing at a young age when he was growing up in New Orleans. His greatest inspiration was Joe “King” Oliver. He began following him and eventually Oliver became Armstrong’s mentor. Armstrong practiced his instrument and eventually he became the jazz great everyone knows today. Armstrong’s unique singing and masterful improvisation transitioned jazz from the traditional style to a newer, more rhythmic style. He popularized scat singing and was the first musician to have his solo on a recording (Rodgers 85). The solos Armstrong performed along with his popular scat singing helped make jazz musicians more popular along with making the fans take notice of Armstrong and jazz itself (Rennert 8).

As the war persisted, not everyone’s voice was being heard. To quickly spread the message to a wider demographic, American musical artists incorporated political beliefs into their music. For example, Jimi Hendrix wrote songs such as “Machine Gun” to show his disdain towards the war, but the biggest statement he made was his performance at Woodstock. Creating his own interpretation of “The Star-Spangled Banner”, Hendrix would always be remembered as taking a stand against the political leaders in charge of the United State’s involvement in Vietnam. The effect Hendrix created is captured by author Desmond Manderson as he explains the performance had “interrogated the memory and ideals of the United States … explicitly contrasting old with new, patriotism with violence, and victimhood with aggression” (315). Also, the rock group The Doors contributed to the movement by writing the song “Unknown Soldier”, which depicts the real tragedy of a soldier 's fate. One of the most

Many people knew Louis Armstrong as the “first real genius of jazz”(Shipton 26). He was born in New Orleans, Louisiana on August 4, 1901. Louis was the illegitimate son of William Armstrong and Mary Est “Mayann” Albert. He was abandoned by his father, a boiler stoker, shortly after his birth and was raised by his paternal grandmother. Then, at the age of five, he was returned to the care of his mother, who at the time worked as a laundress. Together with his mom, they moved to a better area of New Orleans. This is where Armstrong first fell in love with music; he would listen to people playing any chance that he would get(Tirro). He would attend parades, funerals, churches and go to cheap cabarets to be able to hear some of the greats play

Watching Louis Armstrong’s live performance in Berlin during the year 1965 was a pleasure, especially because I am a great fan of his music. Throughout the concert in Berlin, Armstrong and his chamber orchestra played 13 different pieces. With the exception of Jewel Woods’ entrance on vocals for two songs, the makeup of the chamber orchestra did not change throughout the concert. As a result, the cello, clarinet, drums, piano, trombone, and trumpet remained vital parts of each song throughout the concert.

Aside from the typical cultural, social, and political factors influencing any musician’s style, an early life filled with poverty and hardship also shaped Louis Armstrong’s musical development. Some even theorize that it was Armstrong’s difficult upbringing that made his music so wise, so unique, and so revolutionary. Armstrong was an African American child growing up in the slums of New Orleans, close to abandonment, impoverished, and with too few constant people, resources, or homes. However, had his upbringing been different, his musical talents may never have been established to grow and thrive into one of the most internationally influential jazz musicians ever. When Louis Armstrong was placed in a boys’ home as a young boy, he was presented with the opportunity to play the cornet. He took up work in Joe (King) Oliver’s house, doing chores in exchange for musical lessons, developing into a

Armstrong’s heartfelt ballad about the woes of being black in the 1920’s was one of the first cases of a musician utilizing his elevated status in order to achieve social justice. To Armstrong, his vision of the American Dream was being considered an equal among the white men of society. By saying that he is “white inside”, he is referring to his rise and acceptance into the white society because of his success as a jazz musician. However, he still faces inequality and oppression due to the masks and stereotypes that society places on him based on the superficial reason of his skin color. As a revolutionary historical movement for the African American community through many platforms, arguably one of the most important impacts of the “Harlem Renaissance was the wide range of political action taken by both organizations and individuals who demanded improvements in African American economic and educational opportunities”(Brown). The Harlem Renaissance began as a movement for music, but as it spread and the people began to watch the movement turned it into one with a political agenda and showed people how badly and shamefully African American were

Louis Armstrong is a man of many talents and skills known for creating a new environment, especially in his home town of New Orleans. He was born into poverty on August 4, 1901 in the streets of Back o’ Town (Meckna). He’s a professional jazz performer who played with Oliver and Henderson. He started as a soloist for Henderson after marrying Lil Hardin. He has many nicknames in which some are Satchmo and Pops. He also played as a second trumpet for King Oliver. He interprets and contributes to the genre of jazz, creates great form through his performance in the “Hot Chocolates,” and his work represents a whole for equality and the civil rights movement.

At the mention jazz music, that person will first think of is likely to be a great figure with a clown image, nicknamed Satchmo. The man was Louis Armstrong. He is a husky singer, often with a trumpet in his hand. He played dramatic works of simple structure in Orleans jazz style and with the accompaniment of Dick jazz music. Each of the books on jazz music will mention his name. Louis Armstrong was to jazz music what Bach is to classical music, Presley is to rock music (Berrett 230). This essay will have an introduction of the king of jazz music -- Louis Armstrong and his great influence on jazz history.

“Where Have All The Flowers Gone?” by Pete Seeger became a popular anti-war protest song during the 1960s. This song did not only protest against the Vietnam War but also made their generation more aware about the global problems. Songs like “Not Ready to Make Nice” by Dixie chicks about freedom of speech was written after they received death threats for singing against the Iraq war, protests against the violation of human rights. But music is not only used to protest, it is also used to give hope and optimism. “We Shall Overcome”, a song sung by Guy Carawan together with the Montgomery Gospel Trio and the Nashville Quartet, is perhaps the best known example of civil rights song. Instead of blaming the government, this song registered a feeling of hope and faith among African-Americans during the civil rights movement.