Bodhisattvas Maitreya Research Paper

These 2 statues depict the Buddhist deity whose name is Bodhisattva Avalokitesvara. The other names for this deity is Guanyin Bodhisattva, and the goddess of mercy. This deity is worshipped by all schools of Buddhism, but is mostly associated with Mahayana Buddhism, which is a school of Buddhism which states that anyone can become a Buddha with practice. The purpose of Bodhisattvas is to guide those seeking to

Mahayana Buddhism places a greater importance on the Bodhisattvas, quasi-divine beings who delay their nirvana in order to help others attain it. The main Bodhisattva is Avalokitesh-vara (named Lokes-vara in Cambodia), whose giant faces at the Bayon temple express the religion’s four sublime states

The sculpture Buddha Amitabha is a typical Sui Dynasty style art piece that represents the will of

The path to spiritual freedom is sought by many people in this world. Relief from suffering is sought by many more. In these times, in all times past, and probably in times to come, the need for a spiritual guide is apparent. Kwan Yin (Guan Shih Yin in China, Kannon in Japan) is a Buddhist goddess of compassion who provides this guidance and direction for countless people.

With no name and created by an unknown artist, this stone statue was created in the 7th-8th century (during the Chinese Tang dynasty) and is a point of intrigue. Although not much is known about the sculpture, it feels as if the statue looks through the sense of self and has a divine sense. Like all ancient statues, much of the colour has faded away. Colour itself is an important aspect in the representation of the figure, due to the symbology associated with each colour. Even though the statue has been given a physical shape, it does not exist in the sense that it is made up of many different animal parts.

Gandhara’s sculptures range in many different shapes and size. These consist of Bodhisattva torsos, heads, and even rock reliefs. In the earlier Kushan period, the head sculptures had traces of an adorned look and feel to it but was still pretty simplified. They displayed the sculpture relatively flat on the front and the back of the head with open eyes and the fleshy lips. A suggestion of braiding around the forehead gives the sense of the Bodhisattva wearing a turban, and of course the heavy spiral earrings. All these features appeared around the first century. The knowledge of Stanislaw J. Czuma stated, “the sharp , angular details of the upper portion of this head relate it to sculptural developments in the late second century, the lower half of the face with its pliant surfaces and ample curves of the lips” (83). This is showing the changes in details and form that the Bodhisattva sculptures are beginning to show as time goes into the next century. Then in 330 B.C., Alexander the Great conquered northwest Pakistan with his indo-Greek kings who succeeded him, and brought in the classical traditions to this region. The Bodhisattva sculptures can be seen with contrapossto, naturalism, drapery, and curly hair are distinctive traits of the Hellenistic

The artist focuses less on any form of realism with this three-dimensional ornament, but instead, heavily depicts emotion and the play on spirituality. When looking at the inventive hanging decoration, you can easily get swept up into a feeling of peace with oneself and beauty, but most of all, you can easily get a strong sense of hope. The artist created this unique piece to symbolize the purity of faith and religion, and capture undying devotion and hope in what they believed in. More often than not, a well worshiped statue of a buddhist deity would be covered in these hand crafted ornaments further expressing love for religion, prosperity, and peace amongst

is filled with antiquities through the ages of Asian culture. Within the museum, in gallery one, the showroom is filled with ancient art from East India. Particularly, ancient art from Gandhara, strikes the audience immediately upon entry into the gallery. The Seated Buddha, dated approximately 300-500 CE, was found in the northwest area of modern day Pakistan within the Peshawar valley, once known as the ancient region of Gandhara. (Wall Label) Images of Buddha that have been found were all dated at least 500 years after the death of Buddha, who lived around 400 BC. Interestingly, the first few images of Buddha all have him shown in an enlightened state of being, seated in his lotus position, and wearing simple monk robes with one of his hands held at the chest while his fingers turning an invisible wheel “symbolizing setting in motion the “wheel of the doctrine” – that is, preaching.” (Wall Label) The Seated Buddha sculpture has Buddha sitting on a throne with a scene depicted on the bottom. The scene shows a princely figure in the middle with all his devotees surrounding him. This scene depicts the Gods urging Buddha to start his path towards enlightenment. The Seated Buddha was made with Schist, a form of dense stone that the region of Gandhara explicitly used for statues of Buddha and religious works of art.

Gandhara was a region between modern-day Pakistan and Afghanistan. Specifically, during the Kushan Period, lasting from the late 1st c. BCE to the 3rd c. CE, many images of Buddhas and Bodhisattvas were created with similar styles. With its close proximity to the Mediterranean and the carrying of culture along the silk road, artistic influence from Greek and Roman civilization found its way into works made at this time. Great attention was given to the face. A content expression, with rounded eyebrows that connect to a flat nose, hollow eyes without pupils, and plump limps can be found on not only statues of Buddhist figures, but also on statues of the Roman gods and goddesses. A great detail went into the hair and depiction of the human form across these two art styles. Just by looking at a statue of the Buddha from Gandhara and a roman statue of an important figure, it looks like they could be from the same place. However, it was the way the silk road allowed cultures to interact and influence each other that caused this connection.

Gandhara from India were the artist of the Buddha sculpture titled as Teaching Buddha which represents the second miracle of Srasvasti wherein the Buddha performed his superiority over kasyapas. This piece of sculpture was made in second or third century as a seated Buddha on an inverted lotus throne supported by two elephants and a lion. This sculpture’s present location is at The UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) in Berkeley California. The sculpture is placed on the table which looks more or less damaged and also looks old. The sculpture looks traditional as it is based on the Buddhism religion. The art and sculpture of Buddha are varied according to the time and place, but the art by Gandhara remained same all

Egyptian art is known widely for its hieroglyphics in temples/tombs as well as having a wide range of statues representing a spiritual future, while the Chinese stick to tradition sculptures, this includes but is not limited to small figures like a person, animal or an unlikely looking figure. Egyptian art is known to be descriptive each piece of art work is telling a story. Comparing the Ka statue from ancient Egypt dating back to Hor I/Autubre 13th Dynasty and the Bodhisattva Avalokiteshvara statue dated 8th–early 9th century from Southern Thailand. I will discuss the iconography of each and compare two major themes of each object the Ka statue and Bodhisattva Avalokiteshvara. I intend to show the relationship religion has had over these two different periods in time and how over years not much has changed as faith and belief are strong when it comes to statues.

According to Merriam Webster Online, a statue is “a figure usually of a person or animal that is made from stone, metal, etc.; a full three dimensional representation of usually of a person, animal, or mythical being that is produced by sculpting, modeling, or casting (Merriam-Webster Learner’s Dictionary, n.d.).” Two particular statues that have quite the historical and cultural value in art history are the Statue of Memi and Sabu as well as the Seated Statue of Gudea. We know sculptures are used for telling the stories of a society’s practices and beliefs. This ancient form of expression has been used as a prerequisite and supplement to a lot of written history and media outlets such as in modern times. In this essay, I will compare and contrast the two statues of ancient times.

Even with the same religion, all beliefs towards Buddha is different and varies with location or geography. “Buddha Maitreya (Mile fo)” is a Buddha statue from the Northern Wei, China. Northern Wei believed that Maitreya

Siddhartha Gautama or the Buddha was born as a prince to a family in India during the sixth century. At age 29 he began to notice the sufferings around him were everywhere and cannot be avoided to the eye. He decided to leave his privileged life and trade it into becoming a man living in full abandonment. He later discovered the path of avoiding the path of sufferings and how to save us. He soon discovered Buddhism and made constant discovers and encourage forming a group of followers to accompany him on this journey of discovery.

When you are in the entrance of the temple, the first view you have it is the Phra BuddhaLeela statue this one is a representation of the walking buddha and a good clue of the Thai influence of the temple. Throughout Asia, images of Buddha are