Bollywood Research Paper

In a recent discussion of the media, an issue has been whether Hollywood writers and directors have a social responsibility to avoid stereotyping ethnic characters. On the one hand, some argue that the Hollywood writers and directors should not have a social responsibility to avoid stereotyping ethnic characters because they make movies that their audiences enjoy, connect, and relate to. The audiences cannot make a purchase if they do not feel interested in; therefore, it is the audiences’ personal responsibility. On the other hand, however, others argue that the Hollywood writers and directors should have a social responsibility to avoid stereotyping ethnic characters. According to the article “Asian Women in Film: No Joy, No Luck” by Jessica Hagedorn, the author discusses the stereotypical portrayals of Asian women in the movie. By analyzing movies, she shows that the women are seen being as victims in so many ways, such as sexual and physical because of their gender. The reason is the Hollywood filmmakers and directors create their films in that way through stereotypes. It is true since the media plays role in the society. Therefore, the Hollywood writers and directors should have a social responsibility to avoid stereotyping ethnic character because their products have a significant influence on children, adults, and colored actors.

Movies, being an influential factor in our society, make a great impact on our outlook on foreign and

This article is relevant because it talks about how Hollywood films are changing as studios begin to make films that don’t just target the US audience, but also the international audience, specifically from countries with emerging markets. According to the article, studio executives will only approve a movie if there are potential overseas ticket sales. Hollywood would go out of its way to appeal and to not offend global markets. For example, for the Chinese version of Iron Man 3 Disney/Marvel actually created a subplot that involves Chinese characters in order to connect with the Chinese audience. Because Hollywood films are focusing on appealing to the audience across the globe, the storytelling of recent movies

The movies under this category have attracted the attention of many reviewers because of some reasons. The films are widely appreciated because of their wider exposition of culture as well as sophisticated and rich subject matter. The show of culture and emotional expression that the movie contains has drastically changed the description of the category from action films to relationship film. Additionally, the movies

The most favorite pass time of any Indian is watching a TV set or catching up the show of their desired interest in the local cinema hall. As people are investing a major chunk of their time in the reel world it is, but natural to affect their real world. But does it always happen that way? “Cinema has only been around for a 100 years; men have been treating women badly for much longer than that,” argues filmmaker and choreographer Farah Khan. “So how can one blame cinema for what is going wrong in our country today?”

In the twenty first century, Hollywood films are taking over the society with its sensational plots and gorgeous characters. The movie industry is one of the most popular and influential form of media, which attracts consumers from every demographic group, ranging from age, ethnic, religious differences and people from every different socio-economic backgrounds. Therefore, with its enormous population of viewers, the industry would without a doubt acquire a great social influence. Hollywood writers and directors do have the social responsibility to avoid stereotyping ethnic characters in order to alleviate the modern issues of racism, stop one-dimensional images of ethnic minorities and give more chances to ethnic minority artists.

For that reason, films are known to have the ability to alter the behaviour of the audience consequently the type of the genre that is frequently viewed by the society is a reflection of the types of the ideals that are upheld by the people. The aim of this paper is of explore whether films have a substantial influence towards affecting the behaviour of the Americans

Megh Patel is a sixteen year old Canadian. He was born on June 25th, 2001, in Montreal, Ontario. Shortly after his birth, his parents moved to Toronto, Ontario for work, hence he had to move their with them. He studied up until grade 6 in Toronto, and then moved to Brampton, Ontario, where he currently lives. He is of Indian descent, and a follower of the Hindu religion.

Kirandeep was born in March 2004. He enjoys writing, watching movies, and spending time with his family and friends. Kirandeep is inspired by Rumi’s quote, “What you seek is seeking you,” because it makes him feel massively motivated and fearless.

Movies are fads, and they are produced quickly. Some of these films withstand the test of time, but many do not and are left on this floor. Cult films break this mold. At first, it appears as though they will not travel further than this floor. However, as time passes, through midnight screenings, home video options and word of mouth, these films become more important culturally. While a giant blockbuster film, such as James Cameron’s Avatar, broke records at the box office, its impact on culture was rather limited after a year. This is not true of cult

Bollywood is the film industry mainly found and produced in India. Bollywood is also known as Hindi cinema. The term Bollywood sounds similar to the United States film industry ‘Hollywood’ and while they can have some similarities and differences, the titles of the film cultures are not related. Bollywood has been affected in several ways by the Hindi culture. Gender roles play a large part in the countries standards, and these gender roles are also represented in the film industry. The censorship in films enforced by the Central Board of Film Certification has also created laws for the cinema to follow because of the conservative nature of Hindi culture in India regarding women and the conduct that the culture follows. By looking at specifically the effect gender norms have on Hindi cinema and the censorship in India is clear that it causes Bollywood films to appeal strongly to the Hindi culture and conservative rules,

The costs, methods of distribution, and themes of Hollywood and Nollywood films reflect strongly their target audiences; how the target audience affects the production of a film and how the production of a movie is designed to capture a specific

Over the years, Bollywood has emerged as its own distinct identity in the global Film industry. Bollywood is the global leader in production of movies with a staggering 27,000 featured films and thousands of short films. ( Pillania 1) However, Hollywood is still the leader in revenues generated. Due to the growth of the Indian market and globalization, Bollywood has made its way to the international markets. Globalization is often misrepresented as the growing influence of the western culture in the world and so we tend to state that Hollywood is influencing Bollywood to a great extent. An argument can be made to justify the validity of that statement. However, this paper aims at presenting the influence of Bollywood on Hollywood in

Hindi Cinema, famously known as Bollywood across the world, is one of the largest film industries in the world. The Era started with Raja Harishchandra by Dadasaheb Phalke, the father of Indian Cinema and Bollywood, who made the first film of Indian Cinema and Hindi Cinema. The first sound and colour films were made by Ardeshir Irani, called Alam Ara (1913) and Kisan Kanya (1937) respectively. The period between 1940’s to 1960’s was considered the “Golden Age” of Bollywood as successful hits like Pyaasa (1957) and Kaagaz Ke Phool (1959) by Guru Dutt, Awaara (1951) and Shree 420 (1955) by Raj Kapoor and Aan (1952) by Dilip Kumar.

As seen in most third transnational films from Asia countries, “popular cultural products criss-cross cultural borders everyday” therefore these cultures remain circulating in transnational cinema (Aquilia 2006). The power of transnational cinema could not be ignored as global screen reflects a transnational cultural exchange (Aquilia 2006). My clip shows that those sections of films we studied consisting crossover boundaries of actors and actresses, overseas settings and different cultures portrayed. Athique also argues that non-Indians and people with little Indian history background found enjoyment in the mixture of Bombay films (Athique 2008). Thus, transnational cinema in both ways depicted the cultural identity audiences can relate to, as well as transnational culture exchange among the globe.