Bollywood : The Indian Film Industry

Director Sut Jhally, in his documentary film, “Dreamworlds 3: Desire, sex, and power in music videos”, analyzes the issue of how women are portrayed in the music world. Jhally, in his film argues how music and media has become a proud industry when it comes to advertising women, all for the benefit of popularity and record sales. Jhally believes these videos both inform and misinform our culture about our dominant attitudes regarding femininity masculinity, sexuality and race. He uses an empathetic tone in order to appeal to pathos, the feelings and experiences in women when he presents video clips that are somewhat offensive to watch as proof that women have become a common necessity shown in music videos. Often presented as being sexually aggressive and submissive, being objectified by men. He also intentionally wants to try to stir up emotions as he introduces song lyrics of women being called inappropriate names and images of women being fondled by men throughout the film. Sometimes, aggressively without consent.

What were Edwin S. Porter's significant contributions to the development of early narrative film? In what sense did Porter build upon the innovations of contemporaneous filmmakers, and for what purposes?

1. Why does the Indian classical tradition dominate the musical image of South Asia in the west?

Diversity in films is important because representation matters. Viewers are drawn to shows with ethnically diverse lead cast members. Mostly all viewers love to watch shows that reflect and relate to their own experiences. Reddigari, a freelance writer, also expresses the question of why we lack diversity in films. “Hollywood has been producing inspiring films intended to capture the beauty, joy and sorrow in everyday life. As much as we love our favorite movies, we can’t help but notice that many of them fail to capture the life experiences of all moviegoers, leaving the voices of millions of Americans from diverse backgrounds underrepresented” (This Tumblr Shows the Startling Lack of Diversity in Film). Diversity in films is an important topic in society because it represents equality and people of color to look up to.

Rarely has a film impacted an audience and held the test of time as the film Gone with the Wind. I have always been curious if director, Victor Fleming and producer, David O. Selznick and screenplay writer, Sidney Howard knew what they were creating a masterpiece and how this film would have such an enormous impact on audiences for years to come. Interestingly enough there were some who thought the film should not be made, as Irving Thalberg said to Louis B. Meyer in 1936, “Forget it Louis, no Civil War picture ever made a nickel” (Ten Films that Shook the World).

Within popular culture today, objectified female bodies can be represented everywhere from advertising images to magazine covers, television, music and many more. Through these media institutions, we allow them to construct social identities in ways that allow us to understand what it means to be black, white, Asian, male or female etc. Within many popular culture mediums such as music, stereotypical representations of racially marked female bodies are often formed. Thus, these representations also have the ability to create stories about a certain culture. In music videos, it does not go unnoticed that women are portrayed as objects whose objectives are to pleasure men. In this paper, I will argue how racially marked female bodies are represented. This paper will mainly focus on how these racially marked women are depicted in the hip hop culture. To demonstrate this, I will draw examples by using award winning music videos by Nicki Minaj, R.Kelly, 50 cent to exemplify representations of the female body and how they are objectified as sex objects. In conclusion, we will be able to see how the female bodies are used in mainstream hip hop videos to convey seductively.

Most if not all of the musicians of this culture make up the music as they go. Instead of having music passed down from generation to generation based off of healing rituals they enjoy alternating rhythm and notes to improvise works for the enjoyment of viewers. Because Indian culture has existed for over 5,000 years, “the timbres, forms, and instrumentation of Indian pop music continue to evolve in extremely varied and creative ways.” (p.276) The appreciation of these unique qualities greatly influence the Indian culture and are a common form in most compositions. Our textbook states, “A concert in South India is marked by a string of songs, each in a specific rage and tala. While the song may be performed alone for its own intrinsic beauty, the principle musician may choose to perform one or more forms of improvisation before, within, or after the rendition of the song.”

The Australian film industry is currently in a point of crisis due to the lack of audiences attending Australian films, hence creating a decline in the revenue received towards our national industry. However, this is not due to the lack of creative talent, it is rather the many underlying issues that don?t allow the Australian public with the awareness and accessibility of these films. These problems are within the distribution, marketing and funding of these Australian films, allowing the national Australian community to not seek for films made by people within their nation due to negative pre-conceived notions and the convenience of going to see a Hollywood Blockbuster. These issues are seen through the poor release of both critically received films, Jennifer Kent?s The Babadook (2014) and Hugh Sullivan?s The Infinite Man (2014), both not gaining a wide audience. Through these issues within the industry, Australian filmmakers have not been able to create the revenue needed for these films to branch out to be easily attained by the public.

‘Country music’ or ‘country songs’ is a popular genre of American music that mainly evolved in the Southern part of the country. Widely considered as American folk music, these songs are based on the local customs and traditions. As per the experts of western music, the country songs also have a touch of western music, as many musical effects of western music or songs are noticed in these songs as well. However, most of these experts agree to the point that country songs often consist of dance tunes and ballads that make them very popular among the dancers as well.

From the beginning to the end of the music video “Hmm for the Weekend” by Coldplay featuring Beyoncé (2015), the audience is shown a multiple array of colours and authentic sounds, from traditional bells, to Chris Martin’s angelic voice. However, the video also portrays prolific visuals of the Indian culture. On one hand, viewers suggest it over-generalizes the representation of an Indian culture as it screens the false realties of race and ethics. On the other hand, there are those who suggest it shows the appreciation of the culture. Through Jason Rodriquez’s article “Color-Blind Ideology & Culture Appropriation of Hip-Hop” (2006), this paper will explain how the music video “Hmm for the Weekend” by Coldplay featuring Beyoncé uses culture

The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry's existence, demonstrates a lot of information about the nature of capitalism.

From a contemporary western prospective, production of music is usually related to recreational or commercial purposes. For instance, companies often use “stylish” and impressive songs to accompany their advertisements, so that customers will remember the particular brand when they hear the same characteristic song. Yet from a global and ethnomusicological perspective, many musical practices are the product of other purposes.

Over the years, Bollywood has emerged as its own distinct identity in the global Film industry. Bollywood is the global leader in production of movies with a staggering 27,000 featured films and thousands of short films. ( Pillania 1) However, Hollywood is still the leader in revenues generated. Due to the growth of the Indian market and globalization, Bollywood has made its way to the international markets. Globalization is often misrepresented as the growing influence of the western culture in the world and so we tend to state that Hollywood is influencing Bollywood to a great extent. An argument can be made to justify the validity of that statement. However, this paper aims at presenting the influence of Bollywood on Hollywood in

The purpose of this paper is to simply explore the world music aspects of the song “Jai-Ho” a piece that combines music styles from around the world containing Western and non-Western musical aspects. The reason I chose this song as my topic is because it is a popular song in America although it does contain many different cultural influences. Growing up I have been exposed to Rap, R&B, and Pop music, sometimes even a combination of all three. This music is what I prefer the most out of the vast majority of labels given to describe songs’ musical aspects. About seven years ago, I remember hearing the song “Jai-Ho” coming from the speakers of my television as my dad watched the movie “Slum Dog Millionaire” I remember the fast pace rhythm, the

The vocal tradition is especially strong in Indian music. It is understood that the song is probably the most ancient form of