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Bomba And Orquestas Influence On American Music

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Did you know that most of the modern musical forms have come from ancestor’s past sense of music? From bomba to plena, Cajun music to swamp pop and zydeco and conjunto and orquesta Tejano to tex-mex, music has long been the art of retaking art forms and molded it into different art. Music will continue to thrive and evolve if it remains organic in its nature. Bomba dates to the colonial period of Puerto Rico, and Plena would arrive on the scene in the early 20th century taking roots from bomba in southern Puerto Rico. This percussion-driven music was meant to move people to dance. And while both are often mentioned as the same group, there is differences in each. Bomba is often accompanied with sixteen beats, unlike Plena which has one basic …show more content…

Orquestas existed prior to the new movement, but they were toned down from what they were today. Orquestas commonly consisted of one or two violins and ushered with guitar accompanist. But as new generations came became more Americanized, they started to blend their culture with Americans, the result was orquestas Tejano. Orquesta tejana was often looked down upon by Mexican nationals, for downplaying their own cultural heritage and joining the American mainstream, this divided the two groups. Two such innovators of Orquesta tejana were Armando Marroqoin and Paco Betancourt, these two formed Ideal records in 1946. Armando would reach national stardom, when he produced Las Delicas (Polka) and his ranchero style. However, while most of the popular age of Orquesta Tejana was in the 1940’s – 1950’s It continues to thrive today in the form of Tex-Mex, and La Onda Chicana. Another popular group that pioneered Tejano introducing blues and swing into their music was Carmen y Laura. Carmen y Laura would pave the way for new pioneers to branch off and to start new and ground-breaking genres. In San Antonio, Falco Jimenez would revolutionize the Tejano style with introducing accordion. Nortena or the ‘Music of the North’ became a national mainstay. Carmen y Laura would become the forerunners to introduce Spanish music to the increasing American

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