Bonnie and Clyde Film

The mise-en-scene used in Bonnie and Clyde is what created the classic film we enjoy today. While the film editing in this film was revolutionary to the entire industry, that isn’t what viewers remember. According to the book, Film Art, “Many of our most vivid memories of movies stem from mise-en-scene.” In this film, the mise-en-scene is an important as that quote suggests. It is responsible for a variety of the most essential aspects of the movie. Bonnie and Clyde implemented mise-en-scene to describe characters, promote symbolism and solidify motifs throughout the film.

A film genre is a motion picture category based on similarities in either the narrative elements or the emotional response to the film. While films have at least one major genre, there are a number of films that are considered crossbreeds or hybrids with three or four coinciding genre or sub-genre types that they can be identified with them and most can be filed into categories that are easily recognizable to audiences (Goodykoontz & Jacobs, 1998, p. 4.1). However, ever so seldom a film comes along that breaks free of its invisible bounds of genre and it leaves the audiences confused about the actual existence of genre. One such film is a film that most are familiar with Steven Spielberg’s classic Saving Private Ryan.

To define a film by a certain genre, there are several elements and signatures that a film will display in order to signify its place amongst the genre. A film from the gangster genre is characterized by violence and lawlessness of american capitalism and The American Dream. The short lived classical era of the gangster genre in Hollywood is also greatly influenced by the production code which manifested the iconic moral narrative of the gangster genre. William A. Wellman’s 1931 film The Public Enemy can be considered a film of the gangster genre when one examines the conflict with the American dream, the rise and fall of the protagonist Tom Powers, as well as the visual storytelling employed to support the narrative.

Films throughout American history have focused on such a wide array of topics – a lot of them having to do with the time period in which they were produced. Some of these topics appear all throughout the history of film, one of them being crime. No matter where you go or where you look, whether it be in a certain place or a certain time period, you can’t escape crime; it’s always there – which is why I think crime is such a popular topic in American films. One of the most popular crime films in America is Bonnie and Clyde – a 1967 film, set during the Great Depression, about a woman who leaves home with a man whom she just met and soon falls in love with to rob banks. However, this movie has a bit of a twist: Bonnie and Clyde, the criminal couple, are portrayed throughout the movie as heroes – the audience is actually sort of invited to root for them to not get caught by the laws and to escape. This unusual crime film illustrates a liberal perspective by portraying Bonnie and Clyde, the criminals, as the heroes and the cops, as well as the banks, as the antagonists. The uniqueness of this film kind of shows how America in the 1960s felt about crime and how the cops and the banks are a part of a failing system in society at the time.

“Bonnie and Clyde” a 1967 film directed by Arthur Penn’s is one of the most controversial crime gangster films mixing it with comedy, terror, love and ferocious violence it was the first ever to present sex and violence the movie attracted younger audiences Bonnie and Clyde is definitely a movie that changed the way movies were made and presented to the public. The use of camera angles in the film was a revolutionary for that period of time camera angles were a good way to set mood in film or to show emotion in a character. A lot of camera switches from inside to the outside and on the side of the car were taken close up long shots were used it was one of the first realistic documentary’s ever made also one of the first colored films with

There are three major standards through which I decide whether or not I will watch a film: reputation, and genre. Reputation is inclusive of friends and ratings of the film. Usually my friends and I have similar tastes and we are aroused or repulsed by the same films. Reputation is a strong and stable standard for deciding which film to go to, because with such a large population of movie watchers, major biases don't affect the reputation and ratings are fair and accurate. Also, people are inclined to give high ratings to movies that touch them or really make them think regardless

The producers will develop a test and the audience will tell the producers whether it is something they want to see or they are not going to see. This can affect the next text to be produced in an attempt to conform to the audience demands. Looking at the development of different types of genres and the development of films within the same genre, it’s possible to look at similarities and differences and identify changes in society and audience ideologies and tastes.

Bonnie and Clyde (1967, Penn) Badlands (1973, Malick) were classic films in the outlaw and getaway genre that both reflected and shaped the popular culture of the era when they were made. This was the era of the counterculture and New Left, after all, or student rebellions, riots and protests against the Establishment, police and all authority figures. Both films were based on real life characters, with Bonnie Parker and Clyde Barrow being actual Depression-era bank robbers, while Holly and Kit resembled Charles Starkweather and Caril Ann Fugate, who went on a notorious murder spree in Nebraska and Wyoming in 1958. Charles Starkweather died in the electric chair in Nebraska in 1959, while Fugate was sentenced to life imprisonment, of which she served eighteen years. Badlands only shows the young couple being arrested at the end, with the clear implication that their fate is unlikely to be a pleasant one. Of the two films, Bonnie and Clyde portrays the young lovers in a more sympathetic light, while the authorities represented by the Texas Ranger Frank Hamer (also based of a real-life character) are cold, impersonal and robotic, like the posse hired by E.H. Harriman to track down Burch Cassidy and the Sundance Kid. In Badlands, the violence of the characters seems more aimless and nihilistic, and they are not even motivated by money so much as a desire to escape completely from American society. They have no real plan or purpose beyond the desire to run away, although Kit is

Bonnie and Clyde is a 1967 American crime film about Bonnie Parker and Clyde Barrow, the criminal version of Romeo and Juliet, the true story of the most beloved yet infamous outlaws, robbers and convicts who journeyed the Central United States during the Great Depression. The film was directed by Arthur Penn, and stars Faye Dunaway as Bonnie Parker, and Warren Beatty as Clyde Barrow.

A genre is a category, and in film it is a way to describe the best fit of the direction a movie will display. There are many subgenres within a genre that also help to give definition. Genres are used to support a system of grouping instead of disarray by leaving others to decipher it themselves. Scarface is a crime film that also has the sub-genre of gangster. Even though it does not dramatize a social statement on a need for change, Scarface fits into the crime/gangster genre because it distinctly characterizes the severe bloodshed and assaults that are customary in the world of organized crime and demonstrates the calamity of the gangster lifestyle; however, oddly enough with the way the murders occurred it also fits into the horror film genre as well.

The film tells the story about the infamous Bonnie Parker and Clyde Barrow during the 1930’s. They were known for robbing banks and killing innocent people on the way. Also, Clyde’s brother, Buck Barrow, his sister-in-law, Blanche Barrow, and a young sidekick, C.W Moss, was a part of the gang. The movie was in chronological order from when they first met to when they were both ambushed and killed together by the Louisiana police. There were no flashbacks in the film, so that means the audience were focusing on the present-day.

Genre Theory is used in the categorization of films. Genres are dependent on various factors such as story line, whom the director is, and what are the audience expectations In using genre theory we create a short cut in how we describe films. Genres are categorized into and then sub categorized depending on the story and plot. Fantasy is a genre described as, “Any film with obviously unreal, magical, or impossible situations, characters, or settings, often overlapping with various other genres, especially science fiction, but sometimes historical dramas.” (Goodykoontz, 2014) Fantasy is a genre that typically includes a crossover genre, sci-fi,

The Classic Western genre is dead. Western films created now are not considered Classic Western, but are instead categorized in the Post-Western form. This happened because the overuse of filmic codes in the Western genre eventually led to predictability in the films. These “genre film cycles” occur because of the overuse of predictability. Film cycles are when a genre and its conventions become overused to the point of death to that specific genre. For example, if the film The Good, The Bad, and The Ugly (1966) were shown in a theater today people wonder why they were watching it, because they already knew what to expect from the typical western codes, such as good guys versus bad guys, gunfights, horse chases, Indians, frontier land,

There are many different types of film and film genres. A film can fit into more than one genre, but there are some genres that are more general than others. Some examples of film genre are animated, science fiction, documentary, comedy, and historical fiction. Within each genre, there are also specific characteristics that help support themes and story lines within that genre.

drama, romance, tragedy, and suspense. Each one of these genres have a significant meaning behind it. Most people watch the typical comedy or drama genre, but not too many people enjoy tragedy. This is because tragedy portrays an emotional feeling towards individuals. “Tragedy is a form of drama based on human suffering that invokes an accompanying catharsis or pleasure in audiences” (Wikipedia). Story lines with tragedy often makes the audience feel weary and sad. Who would want to see a movie that is just going to bring their mood down? There are also different forms of tragedy. A classic tragedy goes back into Ancient Greece. This type of tragedy is about a hero whose good fortune turns into bad fortune. A perfect example of a classic tragedy would be the film Troy. In order for a film to be a classic tragedy it has to have a few elements. The main character has to be a good person who makes mistakes due to their imperfections. A classic tragedy also involves people who are royal. Lastly, a classic tragedy has to have a dynamic character who undergoes personal growth throughout the film. The film Troy involves all of those elements so this is why it is a great example of a classic tragedy.