Book Review Wild Swans

In the book each of the Poh Poh’s are seen as old and wise but as well as have a deep sense of culture they are the heart of the home. Suk-Lung and Jung-Sum both had a relatively good relationship with their grandmother as they were cared for dearly”Suk-Lung and his illness. The concept of grandmother was seen throughout all three stories demonstrating their importance in Chinese culture as well as the characters lives.

In the beginning of the Cultural Revolution, Ji-li is full of thoughts of moving forward, and helping Mao’s work to succeed. She believes that she can make a difference in the world. Ji-li helps with the “Destroy the Four Olds” campaign, and is nearby when a shop sign is smashed for having a name that does not concede

1. How does Ji-li’s opinion about the Communist Party and its beloved leader, Mao Ze-dong, change over the course of her story? Name some of the most crucial events in the autobiography and explain how they change Ji-li's feelings about the party.

The three men, the only good ones, participate in a ritualistic funeral ceremony. Wang Lifa picks up the death money. Wang ends up committing suicide. And so, good men die, and the corrupt survive and thrive. The Tea House becomes a set-up for spying. The government gets worse. One wonders if Lao She is really predicting the increasing corruption of the communist government which was to

The story is around an American-conceived Chinese lady, Jing-mei, who goes to China to meet her twin stepsisters that her mom was compelled to relinquish numerous prior years. Since her mom had passed away just a couple of months prior, the meeting is full of vulnerability and bitterness. Jing-mei battles with self-character issues and what it truly intends to be Chinese. En route, she takes in reality about the reasons her mom deserted her sisters and the significance behind their names. At last, she at last associates with her sisters and makes the passionate association with her Chinese legacy.

In the short story “A Decade”, Ha Jin further enforces the power and control the government had on everything. The story is told in the perspective of girl who left her village then came back years later in which she recalls her time in school there. More specifically her time with a teacher named Wenli, a shy, soft spoken, innocent teacher who seemingly was not fit to teach under a Communist government. First, she is ridiculed for her singing, then she is publicly shunned for her intimate relationship with a fellow teacher, but the incident that brought her all the way down, was her attempt to teach the class what a metaphor was. She did this by referring to the statement Chairman Mao in which he expressed that americans and russians were dirt. As she explained this was not the case for they were humans as everyone is it all went downhill as the narrator stated, “How dare she change Chairman Mao’s meaning! How could we trust such a teacher?” (Jin, Pg. 204) This in turn causes an uproar amongst the school which causes Wenli to be sent to the countryside. She comes back a monster of a woman compared to who she was. When the narrator sees her teacher in her present cruel self she states, “...similar to how I had felt when my first boyfriend left me for another girl.” (Jin, Pg. 207) This statement allows the reader to have the narrator's real feeling for she witnesses a woman far from the woman she had known only to question herself in a “what have did I

Even with her previous experiences at Beijing University and at Big Joy Farm, Wong still held some belief that the Chinese system wasn’t as bad as it was sometimes made out to be. This event proved to her that it was. “The enormity of the massacre hit home…Although it had been years since I was a Maoist, I still had harbored some small hope for China. Now even that was gone” (259). As a reporter Wong was able to view the progression of the protests in leading up to the massacre, and in viewing it understood that the Chinese people were much more independent than they had previously demonstrated over the past 50 years. She had continuously seen the Chinese people following what they were told between learning in school or with physical labor, yet this protest was one of the first large scale displays of the unacceptance of the regime by the people, and the government did not know what to do with it. But because of this, Wong was able to recognize that the people were not reliant on this way of life that they had previously been bound to, but truly could lead for themselves and take control. The massacre awakened Wong both to the reality that the government was not acting to benefit the people, and that the people were more than capable of acting for

Zhang Yimou’s To Live is a powerful indictment of communist authoritarian rule and blind patriotism. The film places the viewer in the position of an insider as the Communist Revolution alters the political and social landscape of China. By using dramatic irony, Zhang Yimou appraises communist collectivist culture, class structure and power in revolutionary China, and the Cultural Revolution. In addition, by using shadow puppetry as a symbol of indoctrination, Zhang Yimou examines the link between political change, personal tragedy, and bureaucratic incompetence.

For the majority of the story, the characters remain static and flat. There is no growth of the characters as they remain locked in their "battle of wills." This type of characterization makes the reader focus more on the theme rather than on the individuals themselves. The only growth exhibited by any character is at the end. Jing Mei realizes that it was only a mother’s love which drove her to make Jing Mei succeed. She understands that her mother only had good intentions for her at heart, although the outcome was not the desired effect.

As she recalls back on this time by telling her daughter what she calls her Kweilin story, Suyuan describes her feeling during this horrible time as “And inside I was no longer hungry for the cabbage or the turnips of the hanging rock garden. I could only see the dripping bowels of an ancient hill that might collapse on top of me. Can you imagine how it is, to want to be neither inside nor outside, to want to be nowhere and disappear?” (22) At this point in her life Suyuan was separated from her husband who is in the military and eventually is forced to abandon her two young daughters. This aspect of Suyuan’s life parallels the life of Amy Tan’s mother. Daisy tan was also married to a military man during the Chinese Civil War and like Suyuan was forced to abandon her two daughters in Shanghai. This was an experience that would affect her mother for the rest of her life and a story she would continue to tell and never forget. The life of Amy Tan is also a parallel to the life of Jing-Mei Woo of “June”. As a young girl June was forced to play the piano and practice constantly to become the best like Amy Tan was as a child. Along with playing the piano Suyuan also had high expectations for June as far as her future. She wanted her daughter to be the best in her class and go off to medical school to become a well educated doctor, the same expectation’s Amy Tan’s mother had for her. Both daughters decided to follow their dreams and

Jing-mei realized that she was an ordinary individual and that she would not let her mother’s expectations change that. She no longer believed that she “could be anything [she] wanted to be, [rather she] could only be [herself]” (Tan 44). In using a limited, first-person point of view, Tan is able to show Jing-mei’s emotional progress of following her mother’s dreams to finally realizing her own dream.

However, her mother sees it as a way for her daughter to be the best. Meanwhile, Jing-mei decides to rebel against her mother’s wishes. During piano lessons with Mr. Chong she realizes easy ways to get out of practicing.

Jing-Mei finds a new person that was determined to fight against her mother. Moreover, Jing Mei

Imagine somewhere that was the opposite of what you know now. Picture children not being able to have futures from birth because their ancestors made a small mistake, smoking since you were 8 as one of the few ways to pass time, and constantly being controlled by a corrupt government. This was China under the Cultural Revolution and reign of Mao Zedong. During this era, a person with traditional political or religious views struggled incredibly. Mao Zedong attacked traditional Chinese culture and “launched what became known as the Cultural Revolution in order to reassert his authority over the Chinese government. Believing that current Communist leaders were taking the party, and China itself, in the wrong direction, Mao called on the nation’s youth to purge the ‘impure’ elements of Chinese society” (History.com “Cultural Revolution”). Essentially, Mao was about crushing all of the Communist Party’s enemies so that he could have all the power. The propaganda during the Cultural Revolution was very reflective of its ideals. Mao Zedong tried to make people think that he was for the people. For example, the picture below shows the government and the people forcefully throwing out the capitalists. These images make it seem like the government is kicking out the capitalists, not for their own benefit, but for the benefit of the people. The people shown are also average farmers (like Da Chen’s family) using their own tools to get rid of the enemies, with the government using its

Family loyalty in China has had a tumultuous past filled with fluctuation between remaining loyal to the state, yet also remaining loyal to blood relatives. In the autobiography that also serves as a biography, Wild Swans, by Jung Chang, this is seen. The book, which outlines the biographies of the author’s grandmother and mother, as well as her own autobiography, gives an interesting look into the lives of the Chinese throughout the 20th century. This book is beyond eye opening, and is truly a raw glimpse into the daily lives of women throughout China, struggling with situations that no human should ever be thrown into. I loved this book and was truly scared about the world that it opened me up to. The book does many things well, but also has its faults. The author consistently and clearly exemplifies the social hierarchy that consumes China, as well as its obsession with cultural stagnancy. The author also gives intense imagery that thrusts the reader into the scene, and creates a new reality showcasing the truths of China. Although both of those things take main stage in the book, there are a few weaknesses in the book. One, asking the question of how she had such clear anecdotes on her grandmother and mother’s life, how did she have such intimate details? The second shortcoming that Jung Chang had a subjective view of China, partly being that she loves China despite the cards it has dealt her. Her life was not short of hardships, but her family was typically