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Borda Narrative Essay

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Borda Narrative

I want to tell a story about the first time that I met Deborah. Ernest Fleishman was stepping down as the Executive Director and Alan Goodman and I were on the ED search committee. For you newbies, Alan was our co-principal bassoon in those days. We met Deborah for lunch at the Bel-Air Hotel to interview her. In that meeting Deborah talked about her vision for the LA Phil, the construction of WDCH and the enormous financial issues that we were facing. As you know, Deborah held the ED position at the NY Phil, so before the meeting Alan and I did our due diligence and made several phone calls to our colleagues in NY to get a sense of her leadership style and effectiveness. Boy, were those calls enlightening! Let’s just say that at that time, those musicians would have been delighted to see her leave. They basically said that she was untrustworthy, aloof, a hater of working musicians, a liar, and a horse thief.

But, we got a different sense of Deborah at that lunch. She was incredibly well informed about our situation, knew everyone and everything about the orchestra business, was smart, honest and very personable. I was thinking, she obviously …show more content…

It’s not just that we are easy-going laid-back Californians, though we are. It’s that we have had a leader in Ernest Fleishman who treated us like family – the LA Phil family. Together we developed a problem-solving style that was not “us against them”. That when we face issues and problems we work them out together, that we are on the same team because we have the same goals. We want the same result – that the LA Phil has to be the best and most successful orchestra in the country. Deborah, this is your chance to learn from your mistakes, to do things differently than you did before, to have a great relationship with musicians, to do it

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