Border Arte By Gloria Anzaldúa

The mythical rewrite is necessary to the demands of rewriting ideological and cultural norms that manage the theoretical framework. In Chicana/o culture three female shapes, La Malinche, La Llorona, and La Virgen de Gudalupe, separate the cultural borders of female behavior. Gloria Anzaldua proclaims in the Borderlands/La Frontera,

El Norte was released in 1983 and set in the middle of Guatemalan civil war. It was directed by Gregory Nava and produced by Anna Thomas. The major theme of this movie is the struggle of young siblings to find a better life in another country as immigrants. The movie is divided into three parts: when the two siblings, Enrique and Rosa flee from their homeland because of a raged war, their attempts to cross Mexico illegally, and arrived in the United States of America, where most people think it’s a “promised land”. The main point of this movie is not the end, but the journey itself. Immigration is one of the most heated and controversial issues until now. By watching this movie, we can see the different perspective from the immigrants.

La Linea is a novel about crossing borders. The protagonists literally cross the borders of Guatemala and the US. Crossing the Guatemalan border has no importance, because this border does not carry meaning for them. Only the American border is a symbol of hope, a better future, and reunion with their parents. However, during their strenuous trip through the desert, they do not even notice when they cross the border. “I always thought I’d know exactly the moment I crossed the border. [...] How could I not have felt something?” (96) Miguel is shocked because he confused the physical border with the symbolic border. The novel ends before the reader could see how Miguel and Elena deal with the cultural border they crossed. We only know that they came to the US without knowing anything about the culture. Elena returns to Mexico, probably because she was not happy in her new environment. The siblings also

In attempting to reach a higher position in the social hierarchy, nepatleras can become complicit in each others oppression. In order to reach one’s goal, even someone who sees themselves as oppressed has the potential to oppress others that they see as “others.” This definition of other is constantly changing. For instance, two Latinas may think of themselves as “us” when they’re considering race, but become “otras” if one of them is queer. Unlike the old mestiza, which was based on a hierarchy determined by racial purity, Anzaldua suggests that mestiza consciousness can lead to the creation of a New Mestiza, which instead aims to dismantle this hierarchy. The impulse to hurt another individual comes from one’s shadow self, which draws boundaries around race, nationality, gender, and other categories. According to Anzaldua, these fences can offer protection to a group by isolating them from other possibly conflicting groups, but this isolation also takes away the opportunity to look into the lives of these other groups, and gain conocimiento, or knowledge, and empathize with their struggles. Anzaldua states that often, this perceived otherness that we build fences around can be deceptive, and by separating ourselves, we make ourselves weaker by having fewer connections within our ecosystem. In order to become nosotras, which in Anzaldua’s mind

There was a time when America was segregated; Caucasians and African Americans were forced to attend different restrooms, restaurants, and water fountains. However, the era of segregation has been terminated; now America embraces and appreciates the various cultures and ethnicities that create this melting pot several people call home. Likewise, it is this melting pot, or mosaic, of races that multitudes of individuals have identified themselves with. Thus, race and ethnicity does matter for it portrays vital and crucial roles in the contemporary American society. Furthermore, ethnicity and race brings communities together in unity, determines which traditions and ideals individuals may choose to value, and imposes an impediment for it categorizes humans unjustly.

In Yuri Herrera’s novel ‘’Signs Preceding the end of the world’’ present a girl, Makina, who go through a series of obstacles to find her brother and her own identity. In each chapter Makina went through these series of obstacle while exploring transformation in a journey across the border. As Makina go through these series of events, she encounters an abrupt event that wasn’t what she expected. Yuri Herrera does not just focus on the journey through the border between Mexico and the United States and those who cross it. He explores the identity and change through people make in their minds and language as they move from one country to another, especially when there’s no going back. Makina’s story develops within a novel centered on an equally

His most perfect love in all the world was on that train. So he’d run to the end of the earth if he had to(Pg. 120). Juan Villasenor, one of the two major characters in Rain of Gold, a nonfiction novel by Victor Villasenor, faces many problems throughout the book that have a significant impact on the skullduggery little boy we knew from the beginning to the scrupulous and surreptitious man at the end. In Rain of Gold, it follows the sides of 2 characters, Juan, Lupe, and their families during the time of the Mexican Revolution, as they travel from Mexico to America, and go through many struggles on this voyage. In these obstacles, Juan faces from beginning to end, he learns many things on this journey and meets new people that change his

A cultural analysis is a combination of many elements. Cultures have traditions, customs, habits, beliefs, practices, and values. Each culture can have different traditions in their own essence. These traditions can come from their ancestors ' and passed down the generations. However, some people don’t like to continue their ancestors traditions and adapt others customs from another culture. The culture change depending on the time and place. The enrichment of cultures consists of adaptation and acceptance of another culture 's beliefs. Not all of the people can tolerate other cultures, traditions, languages or stereotypes. Cultures attack or support other cultural values The Mexican culture is hard-working and are strict in their values and traditions. The power and oppression of the cultures are current; social and economic conditions in the people in cultures. The Mexican culture has social and economic conditions oppressed by the power of its Government. In the play “Los Vendidos” Luis Valdez, talks about the multiple accent and background of Mexican people.

“Art is not what you see, but what you make others see (Edgar Degas).” Art can range from paintings, photos, metal working, abstracts and much more. It can take you places where you’re not and it allows you to interpret things differently from other people. There are many pieces of art that are placed throughout Iowa State campus, from the art inside of the many halls to the sculptures and even the buildings that fill campus. These are all just a few pieces of art that have their own meaning and interpretation. The sculpture Border Crossing, located near MacKay Hall, is just one of many located throughout campus. This sculpture represents pushing towards a goal and not giving up no matter the obstacles and that overcoming an obstacle is possible, it also shows the acceptance of culture. Each piece of art has its own emotions attached to it, the sculpture Border Crossing is just one of many that helps support the students of Iowa State.

In defining one’s identity, many different factors are considered; such as one’s nationality, characteristic, personality, ability, experience, religion, and etc. Especially for those people who live in America, so called country of immigration, has much more complicated identities than those Asian country people where mixed people are rarely noticed. Thinking about the concept of identity, some people easily categorized themselves as simple factors and terms which could describe their surface; white, black, Asian, European, pretty, ugly, nice, mean and so on and so forth. And that is the most point where majority people stopped to list their identities from exploring more in complicated range. However, there are many people who dig more than common people; one great example would be Denise Chavez, who is the author of the novel called Loving Pedro Infante, who kept asking herself about her identity to approach more accurate and clear ideas. In her work, reader could see the confusion of Tere, the main character of the novel, went through her life as Latin-American female in dealing with finding one’s true identity and how she accept her as who she really is. Denise Chavez, who is obviously Latin-American lady, mirror her own life experience through the character she created and introduce to readers about tough life she lived in America as Mejicana. The main character of this novel have a clear understanding and strong idea about herself throughout the novel, even if

Gloria Anzaldúa writes of a Utopic frame of mind, the borderlands created in and lived in by the new mestiza. She describes the preexisting natures of the Anglos, Mexicanos, and Chicanos as seen around the southwest U.S. / Mexican border, indicative of the nations at large. She also probes the borders of language, sexuality, psychology and spirituality. Anzaldúa presents this information in various identifiable ways including the autobiography, historical/informative essay, and poetry. What is unique to Anzaldúa is her ability to weave a ‘perfect’ kind of compromised state of mind that melds together the preexisting cultures while simultaneously formulating a fusion of genres that stretches previously

“How to Tame a Wild Tongue” is published in Borderlands/La Frontera: The New MEstiza (1987), by Gloria Anzaldua and “the book talks about how she is concerned with many kinds of borders--between nations, cultures, classes, genders, and languages.” Anzaldua gives many examples of how she felt when being classified as a Chicana. Her thesis in this is that she is “arguing for the ways in which identity is intertwined with the way we speak and for

During the Mexican-American War the border moved, but the people didn’t. History has shown us that no matter how thick the border might be Latino Americans have a strong connection to their culture and roots; instead of assimilating, Mexicans live between two worlds. The film, Ballad of Gregorio Cortez gave us a perspective of two cultures; “Two cultures- the Anglo and the Mexican- lived side by side in state of tension and fear” . Cortez is running for his life as he heads north, while the Anglo believe that because of his Mexican ethnicity, he would travel south to Mexico. Throughout the film there were cultural tensions and misunderstandings; language plays an important part of someone’s identity, and for many Latino Americans Spanish is their first language. The Ballad of Gregorio Cortez also shows us that language plays an important role, and can cause confusion between two different groups. For example, Anglos refer to a male

Anzaldua identifies as a part of an emerging new mestiza consciousness and community, which strives to move beyond simple dualistic thinking and endeavors to “act and not react” This important contradiction lies at the heart of Anzaldua’s analysis. “From this racial, ideological, cultural, and biological cross-pollicization, an ‘alien’ consciousness is presently in the making — a new mestiza consciousness, una conciencia de mujer. It is a consciousness of the Borderlands.” (Anzaldua, 1987, 420). Anzaldua’s proposition of the new consciousness mediates social relations, revolutionary social change, and its wider relevance to feminist theory through discussions of the Borderlands and its implications for ‘identity.’

What I'm going to talk about is four major themes from the book, Borderlands La Frontera by Gloria Anzaldúa. The four major themes I chose to talk about are first, how you shouldn’t be ashamed of yourself, then how Anzaldúa shows deviant behavior throughout the book, also, how she found herself through poetry, and lastly, America’s melting pot.