Botticelli's Influence On The Renaissance

“No painter can paint well without a thorough knowledge of geometry” (qtd. in Butterfield 27). The Italian Renaissance is famous for its art which includes unique style of painting and sculpting, however, the Renaissance made significant remark on the use of scientific techniques which also can be considered as the influence of classical ideas. Although, classical ideas were not advanced like in the Renaissance, it provided the foundation for the Renaissance to revive it again. The Italian Renaissance transformed the manner of viewing the arts. Before, most people in Italy were bounded by religious thoughts and beliefs. Renaissance helped people to shift their mind and behavior towards the secular ideas, instead of vague ideology like

Botticelli was able to master these techniques due to being taught by another prominent Renaissance artist, Filippo Lippi. First, there is a lot of detail. For example, there are hundreds of different types of flowers and leaves in the meadow. Upon looking closely at the clothing of the different characters, one can see the immense detail used by Botticelli in the tassels and fabric of the clothing. Furthermore, the flower detail connecting Flora to Chloris is a small detail that has a deeper emblematic meaning. The standing positions of characters give off a vibe of elegance and grace to viewers; according to Dr. Harris an Art Historian from Khan Academy, "She (Venus) tilts her head to one side and holds up her drapery and motions with her hands and looks directly at us," (Harris). The position of Venus is very elegant and inviting to viewers. Also, Botticelli portrayed the subject matter in a naturalistic way, a common convention of the Renaissance. Botticelli paid attention to the canon of proportions or the standard for symmetry of the face and body as evidenced by the similarities between the La Primavera and other Renaissance paintings, all of which depict the standards of beauty of the time or what was ideal beauty. Formally speaking, Botticelli went against the conventions of the

The Italian Renaissance was one of the most colorful, vital, and exciting times in history. Renaissance eventually comes from the French word "Renaistre," meaning "to be born again." The Renaissance was a revival or a rebirth of cultural awareness and learning among art, law, language, literature, philosophy, science, and mathematics. This period took place between the fourteenth and sixteenth centuries. The Renaissance in Italy flourished in the 15th century and spread throughout most of Europe in the 16th century.

The Renaissance period is known for the revival of the classical art and intellect born in ancient Greece and Rome. The Renaissance is also a time that is marked by growth, exploration, and rebirth. The Italian Renaissance started in Florence and progressively made its way into Venice and then into the great city of Rome. During the Renaissance, Rome was home to some of the most renowned works of art and the finest architectural masterpieces in the world - too many that still holds true today. Along with the delicate architecture and grand artistry, Rome was also home to a mixture of people and cultures. It is in this cultural context and through the book A Street Life in Renaissance Rome: A Brief History with Documents, that understanding how men, woman, and specifically Jews and Christians lived in Rome becomes important to better understand this period of renewal.

In 1418, the town fathers of Florence realized they had to face a major problem. Il Duomo, the cathedral that was built to best all others, was missing its roof. This cathedral had been constructed in 1296 to commemorate Florence’s new status as one of the most prosperous cities in Europe. The cathedral would serve as a symbol of this new Florence. The town fathers had a vision of a colossal dome that would rise to the heavens without support, pulling one’s attention upwards. The only obstacle was that the technology at the time could not accommodate a dome of the scale as planned, with a diameter of 180 feet. A competition was announced with the prize of 200 florins, which was more than a craftsman’s two year wage at the time.

One of the most famous painter and sculptors of the Italian Renaissance, the age of renewal and cultural achievement circa 1500, was the artistic genius Michelangelo Buonarroti. The man that desired nothing but perfection often reached it in his work. He captured the motion of the human figure and the anatomy of muscles in a way that was increasingly beautiful and startlingly realistic. Whether because of one of the most famous sculptures in history, “the David” or the paintings on the ceiling of the Sistine Chapel, that became the textbook examples for the art period of High Renaissance, Michelango’s art changed the world and he will continue to be studied with awe throughout history.

The Italian Renaissance was a time for great cultural change and achievements, which began in Italy approximately during the 13th century and lasted up until the 16th century. It marked the transition between the Dark Ages and Early Modern Europe. The European Renaissance originated in Central Italy, and centered in the city of Florence.i The distinctive characteristics of northern Italian states such as art, literature, philosophy, and culture produced an atmosphere of learning and artistic expression.

Lorenzo and his humanist circle had a great influence on artist in patronized including Botticelli.

Girolamo Savonarola was a controversial figure in the late 1400s. Savonarola, through divine visions, would predict the coming of a great tyrant that sought to ruin Florence. King Charles VIII of France would be that tyrant and Savonarola a hero for convincing the king to leave Florence undisturbed. This connection with the divine and his deep religious beliefs would play a big role in renaissance Florence. It is these religious beliefs that would influence his politics and how he fit within the role of the Renaissance. Savonarola fits into the Renaissance context as a force that wishes to maintain absolute devotion to god. He is someone who wants to keep away humanist thought and have everyone submit to God in all aspects of life. While people like Pico della Mirandola and Cardano were very religious men, their approach to thought put more emphasis on humankind than God. This way of thought would soon become ever more dominate as time carried on. To start, looking at how he mixed politics and religion may give a better understanding of what type of person he was.

The works of Sandro Botticelli are among the most revered of renaissance painting. The sweeping curves of his women and the ethereal beauty of their gazes are recognized instantaneously: from a grandmother in a small town to the cognoscenti of New York or Paris, few can claim to be unmoved by his work. Patronized by the Vatican as well as one of the most rich and powerful Florentines of his time, Lorenzo di Pierfrancesco de' Medici, Botticelli was hugely popular in his own day. His most magnificent work, the Primavera, as well as The Birth of Venus, Camilla and the Centaur, and Mars and Venus contain entirely mythological figures whose significances have been debated by various art historians for centuries.

Florence, Italy. He left Florence in 1480 to help decorate the Sistine Chapel in Rome with some of his art which only the most famous painters of that time were invited to do. In 1482, Botticelli returned to Florence and shortly

The Renaissance was a period of cultural movement and the introduction of cultural heroes, is known as “Renaissance Men”. One of these men was Michelangelo Buenarroti. Michelangelo was a world-wide known painter, sculptor, architect, and poet, who was of great Importance and had a great impact on our modern day culture.

Sandro Botticelli’s whole name is Alessandro di Mariano di Vanni Filipepi. You should be wondering why he is called “Botticelli” if there is no “Botticelli” on his birth name. He was named after his elder brother Giovanni which was a pawnbroker called Botticelli that means Little Barrel. Sandro was first trained as a goldsmith but then he started recognizing himself as a painter and not as a person that works with precious stones. After discovering his real passion, Botticelli became was a famous painter of the Florentine school during the renaissance. Sandro’s master was Lippi, he thought the painter how to on wood panel, how to paint perspective, inspired Botticelli’s pale colors… By 25 years old, Botticelli was a master. He was being paid

The Renaissance was a time of “rebirth” and a transition from the medieval time to the Early Modern World. It emphasized human beings, their achievements, interests, and capabilities. This time period was a “gateway” to the modern world and was essential for the improvement of human life. At the time there were two main Renaissances, the Northern, and the Italian.

Michelangelo di Lodovico Buonarroti Simoni, born in Caprese, Italy, on March 6, 1475, was one of the central artists in the movement. Michelangelo, however, moved to Florence because of his father's work for the Florentine government. Michelangelo was known to be one of the best artists of the Italian Renaissance. He was a sculptor, painter, and architect. The Renaissance was a period of time during the 14th through 16th centuries when Ancient Greek and Roman art experienced a revival or a “rebirth” and became more contemporary. Michelangelo's art helped Italy gain a psychological and physical insight. As a result of Michelangelo’s outstanding work and talent, many of the most wealthy and powerful men commissioned him to do work. Michelangelo is mostly remembered for his “Pietà” and “David” statues, and his work on the Sistine Chapel. All of these works have been preserved, and many tourists visit his art everyday. Florence happened to be a great environment for Michelangelo to thrive with his arts, and he considered Florence his home. Michelangelo’s mother died when he was six, unfortunately, and his father was not initially ready to help him pursue his dream and talent in art. When Michelangelo was thirteen, he had an apprentice named Domenico Ghirlandaio. Ghirlandaio helped the Florentines recognize Michelangelo’s talent, and soon after, Florence’s leading citizen and art patron, Lorenzo de’ Medici took notice. Lorenzo de’ Medici was so fascinated by Michelangelo's