Bottom in William Shakespeare's A Midsummer Night's Dream Essay

Bottom makes more remarks to being an ass, but because he is a fool, he never realizes that he is an ass literally. Puck's prank had a bonus when Titania wakes to Bottom's singing and falls instantly in love, due to the potion, with him. Puck's enjoyment in trickery and Bottom's stupidity combine and make bad go to worse in this scene, but then again, this whole scene was to further the action of the

Another focal point of Shakespeare’s juxtaposition was the comparison between the fairies and the common peasants. Again, the fairies used rhyming and trochaic meter. However, this time they engage in conversation with one of the peasants. In this specific scene Titania sits with Bottom, doting on him and his every whim,

Shakespeare’s Nick Bottom is an overly confident, most humorous and a happy go lucky character in the play while Huffman’s version is still overly confident and bluffs but an easily disappointed Bottom. In the added scene, the players were having a meeting for their play, while Bottom was showing of his acting skills in public, two young man poured some red wine on him. He got embarrassed, downhearted and turned his back against the crowd. Huffman also presented a bit of life of Bottom. Bottom arrived at his house and his wife, a character that wasn’t mentioned in the original text, saw his stained suit. She sighed and turns her back on him showing her disappointment which made Bottom sad and more pitiful. Not only that, he was also turned into a womanizer. On his way to their meeting place, He was flirting with the two passing ladies. And he also let himself had an affair with Titania knowing that he have a wife at home. The added scenes made by Huffman in the film changed the audience impression on

William Shakespeare’s A Midsummer Night’s Dream is one of his most popular plays involving fairies, mischief, and love. The play features a play-within-a-play that has an eccentric acting troupe playing the parts. Together, they hope to perform “‘The most lamentable comedy and most cruel death of Pyramus and Thisbe,’” (1.1.10-11). Of all the characters in the play and movie, Francis Flute, a member of the acting troupe, is the most rounded character because the audience can see him grow, he exhibits traits of comedy and drama, and he ultimately has an inconsistent personality that makes him seem real.

However, Shakespeare uses Bottom to draw the audience’s attention to serious themes, such as the relationship between reality and imagination. He is also the most down-to-earth character in the play as he does recognise that Titania's statements about him aren't true, when Titania devotes her love to him 'On the first view to say, to swear, I love thee.', Bottoms responds with 'Methinks, mistress, you should have little reason for that', also when Titania

Baker assigned Holling The Tempest, Shakespearean literature has affected Holling in his everyday life primarily regarding his peers and extracurricular opportunities. As soon as “Mrs. Baker got the idea of assigning [him] The Tempest,” a spark ignited so much in Holling (Schmidt). She instructed Holling to read the play and later gave him an assessment on it, which really instilled the values and content of the piece into Holling. The idea is what triggers Holling’s imagination and speech, an example being the cussing he picked up from Caliban, a mischievous character from The Tempest. Holling’s memorization of Shakespearean lines and ability to recite it allows him to earn a part of a performance of The Tempest in Mr. Goldman’s bakery. When Mrs. Baker announces that “one of [her] students is performing a part from [the play],” his friends are interested and come to watch, which ultimately moves them, for they are intrigued and touched by the plot of The Tempest. Holling’s friends appreciate the performance and look at Holling not as the boy in yellow tights, but as the boy who recited the poetic lines of Shakespeare. Holling even learns to interpret Shakespeare and relate it to his own life as The Tempest allowed him to do. He opinionates that “Shakespeare was wrong. Sometimes there isn’t a Prospero to make everyone fine again. And sometimes the quality of mercy is strained”(Schmidt). He interprets the false hope that Shakespeare creates and showing

7. How does Bottom react when he realizes that he has the head of an ass?

This is explained in the quote, “Masters, I am to discourse wonders: but ask me not / what; for if I tell you, I am no true Athenian. I / will tell you every thing, right as it fell out” (4.2.29-32). Bottom experiences this odd the situation; however he considered it to be a dream. He never suspects the doing of magic because he is a human who has never experienced magic. Bottom cannot grasp the concept of magic. Bottom’s friends are scared of the results of the magic when Puck transformed Bottom’s head. Quince says,“Bless thee, Bottom! Bless thee! thou art translated” (3.1.120). After seeing the transformation the friends run away because they are afraid. Shakespeare seems to make fun of the humans and their insufficiency in with some areas. For example, humans cannot grasp the concept of magic or fairies. Instead of thinking about how the transformation happened they are simply too scared. Not to mention that throughout A Midsummer Night’s Dream, he makes fun of the amateur actors and their ability to perform the Pyramus and Thisbe play.

Shakespeare's first tragedy has been a topic of discussion since the day it was written. Titus Andronicus "was staged on 24 January 1594 by the Earl of Sussex's Men at the Rose Theatre" (Welsh 1). Though this tidbit of information seems somewhat irrelevant to Titus, we must note that there are certain standards and practices established by a play from its first performance. It is also important to establish the general attributes that audiences attribute to Shakespearean performance.

Lastly, there is the world of the fairies, which is beautiful and full of magic. The juxtaposition of these three contrasting worlds add to the play’s sense of surrealism, making it feel almost like a dream where the setting hops around for no explainable reason other than the fact that it’s a dream. Another source of contrast

In the play, A Midsummer Night’s Dream, written by William Shakespeare, a literary technique known as “doubling” is used to convey entertainment, mystery and reality as the story line for Lysander and Demetrius, Helena and Hermia, Oberon and Theseus, and Titania and Hippolyta. ”Doubling” shows indistinguishable personalities of each character but completely contrapositive background stories and actions. Lysander and Demetrius are completely identical except for their personality, actions, and the fact that Egeus and Theseus do not approve of Lysander as Hermia’s spouse. Helena and Hermia are very alike except for the minor differences in their appearances. The third doubling relationship is shown in between the rulers of the different worlds who are Oberon and Theseus as well as Titania and Hippolyta. Throughout the play, three pairs of people who are all tantamount to each other in appearance but completely different in actions continue to have comedic and humorous scenes while hidden clues along the way disclose information to unveil a delightful and realistic story.

A Midsummer Night’s Dream & A Doll’s House, written by William Shakespeare and Henrik Ibsen respectively, are plays that have a varying number of themes. These two plays are centuries apart yet, they share a strikingly similar approaches in regards to the themes that are scattered throughout both plays. Such themes consists of love and marriage, deceit and honesty and most noticeably the relationship between men and women. Though they share many of the same thematic elements, their stories are completely different from one another.

The two locations of Shakespeare's 'A Midsummer Night's Dream' are essential to the development of the plot, although their presentation relies wholly on the characters we meet there, their adventures and their descriptions of these places. Athens is not an accidental choice of location: although much of the detail of the play is quintessentially English, the classical setting enables Shakespeare to introduce the notable lawgiver, who has had his own problems in love; it makes plausible the reference to the severe law, and it allows Oberon to refer seriously to Cupid and Diana without the play's seeming blasphemous.

What literary criticism lens is most effective in creating meaning and entertainment throughout Shakespeare’s A Midsummer Night’s Dream? The play, A Midsummer Night’s Dream, has several characters involved in a love triangle. Many scenes in the story involves power being used or taken away and use of money. Throughout the play, readers and viewers experiences Hermia’s power is being taken away by her father, Eugues,which is her kindred, not letting her marry the man she truly loves,Lysander. Later throughout the story, Robin, character from the story contains a enthrall love juice that has power and makes another character from the story, Titania, fall in love with a donkey.The marxist literary criticism lens is the most effective in creating meaning and entertaining readers and viewers in Shakespeare’s A Midsummer Night’s Dream.

William Shakespeare uses his plays not only to entertain the audience, but also to push the audience toward self-evaluation. The brilliance of Shakespeare is that his plays may be interpreted in different ways. The Tempest is not simply a fictional story meant to entertain the audience, but also a complete figurative narrative meant to mirror the art of the theatre. In this play each character represents a significant part in the alternate interpretation of the narrative. Examination of specific characters and their corresponding role in the theatrical world encourages a deeper understanding of self-reflexivity of The Tempest; which highlights William Shakespeare’s struggle to relinquish his art. The scenes and language used by Shakespeare