Bra Boys Documentary Essay

During this documentary Sunny Abberton presented a different aspect of the renounced Bra Boys. The film entails the cultural evolution of the Sydney beach side suburb of Maroubra and the social struggle faced by its youth, the recognised surf tribe known as the Bra Boys. The purpose of the Bra Boys documentary is to inform the audience about who they truly are and prove that they are not all they are made out to be, ‘Trouble makers or instigators of fights’, a gang of drug addicted, violent thugs. Sunny Abberton establishes his expert position within the bra Boys as he is the eldest brother and is a respected leader within the Brotherhood.

The identity of the Bra Boys can be seen through their values and attitudes. They are presented through the Cody, the value of brother ship and Attitude of brother ship through their tattoos and being there for each other.

When we view the award-winning documentary Cronulla Riots, we are questioned about the values and ethics of being Australian. Everyone either young or old, male or female, Middle-Eastern or White, living on Australian soil are questioned about the embodiment of Australian values. Therefore, the documentary successfully achieved its purpose on questioning the viewers of being Australian. This can be best

Australian people and culture are often stereotyped in the media in different forms, one of them being film. The two films being examined, ‘Red dog’ (2011) and the ‘Sapphires’ (2012), are an example of the Australian identity but from different points of view. ‘Red dog’ shows the kind and positive side which exemplifies mateship and loyalty. The film ‘Sapphires’ ,which takes place in the 1950’s through to the 1960’s, shows a negative and racist view towards the indigenous people. Both the films show different aspects of the Australian identity, not all insights of the films accurately represent contemporary Australian identity as the Australian identity has changed by the evolution of people and their lifestyle.

The enchanting and heart-warming film Satellite boy, directed by Catriona McKenzie is a story set in the Kimberley Region, north of Western Australia and follows the character of Pete on a journey of discoveries and learning Indigenous culture. McKenzie delivers and utilises a range of different film techniques which help develop the themes of conflict between tradition and changes, confronting challenges and sense of belonging. Through these film techniques, the audience is able to understand that indigenous culture will be more appreciated because of its significance to aboriginals in their life.

In the documentary “Blackfish”, directed by Gabriela Cowperthawaite in 2013, is asking the audience to take up a position on the inhumane treatment of whales in captivity. In particular, she invites us to feel sympathy for the whales and anger toward SeaWorld cruelty and denial of culpability. Cowperthawaite makes choices of visual image, language, sound and structure achieve her outstanding outcomes.

The Queensland Theatre Company’s Black Diggers’ dramatic meaning is to highlight the racial prejudice that Indigenous soldiers faced in the time period surrounding World War II and call to attention the lack of remembrance and appreciation for Indigenous soldiers actions. The dramatic meaning is effectively portrayed to the audience through the manipulation of the elements of drama, the components of collage drama and acting skills.

The pub scene in the Australian Outback helped me understand the consequences of prejudice through the combination of dialogue and cinematography. These film features shows the unfair treatment that Aborigines endured because of their race. The mid shots showed how the white Australian audience at the pub Talent Quest ignore the two Aborigine sisters as they began to sin. A panning shot showed the audience’s disapproving and disgusted looks as they avoided eye contact with the sisters. Clearly contrasting with the warm and enthusiastic cheers given to the white Australian performers before them, as also shown in a panning shot. Noticing the coldness of the crowd, Gail says, “Thanks for the half-heart applause.” The dialogue and camera shots clearly outlined the difference in treatment between Aborigines and White Australians in Australia. This clearly shows the inequality between the two races, as Aborigines were clearly mistreated based on their appearance. At the end of the Talent Quest, after the White Australian performer

Today I’ll be talking about the play “Blackrock” that I’ve been studying in class this term, the purpose of this speech is to make us think how Australian drama challenges us to think about Australian culture and identity, and the impacts it can have on us as person and as a community.

The notion of the contemporary indigenous identity and the impact of these notions are both explored in texts that have been studied. Ivan Sen’s 2002 film ‘Beneath Clouds’ focuses on the stereotypical behaviours of Indigenous Australians highlighting Lina and Vaughn’s journey. This also signifies the status and place of the Australian identity today. Through the use of visual techniques and stereotypes the ideas that the Indigenous are uneducated, involved in crime and the stereotypical portrayal of white people are all explored. Similarly the notion of urban and rural life is represented in Kennith Slessor’s ‘William Street’ and ‘Country Towns’.

Images are a complex communication tool – the intention of the creator and the interpretation of the viewer may not be harmonizing. While Bra Boys seeks to criticise their infamous reputation as an anti-social and law-breaking gang, the construction of the documentary has reinforced that dominant representation of the surf group. Sunny Abberton’s documentary of dissent, Bra Boys (2007) is constructed to critique the dominant representation of the notorious societal group – “Bra Boys” by telling the story from the point of view directly from the underbelly of Maroubra itself. The

Discovery is a paradoxical process which allows individuals to explore concealed and indefinite ideas, enabling a broader understanding of their world and its surroundings. This dichotomous process often occurs at the intersection of exploration and introspection, catalysing a social awakening that enlightens and positions individuals to consider new conceptions. The Logie Award-winning television show “Go Back to Where You Came From” directed by Ivan O’Mahony documents an intimidating refugee journey that was undertaken by six uniquely-characterised individuals representing the myriad perspectives of Australians, consequently challenging the antipathy and intolerance that has become the major characteristic of the wider refugee debate. Resonating with the historical Moreover, Shaun Tan’s post-colonialist picture book “The Rabbits” explores the devastating and demoralizing consequences of the discovery, depicting the obliteration of spiritual, emotional and cultural bonds underpinned by the hegemony imposed by British imperialism.

Blackfish is an extraordinary documentary, being ranked alongside ‘Bowling for Columbine’ the documentaries shed light on real world issues. Blackfish gives the audience an insight into what we knew was happening but never knew to what extent and should be watched by people across the globe. The moral of the documentary is “Never capture what you can’t

The representation of Indigenous Australians in fiction and nonfiction texts are influenced by a range of factors. In the contemporary world of multicultural Australia, there has been a variety of ways groups of people are represented in texts. The Indigenous population is often portrayed in ways that strengthen harmful stereotypes. However, there are also a variety of positive outlooks and portrayals expressing their strength and achievements. In texts studied in year 8 English, the representation of Indigenous Australians in Crow country are characterized as outcasts and reflect cultural distinction. Newspaper articles regarding “Adam Goodes” demonstrates how preconceived thoughts from many Australians destroys sporting stars outlook upon

In this scene we tended to speak loudly, often finding ourselves shouting and making rude innuendos and racist comments. As we workshopped the scene further, we discussed how this was a representation of the Australian society that we had seen in the media. It could be concluded from my workshop, that in a production of The Removalists this familiarity of character was an opportunity, as it allows the faults within the stereotype to dominate.