Bradley vs Leavis, Notes on Othello

Iago is an interesting individual and a mystery, because he conceals his secret jealousy and hatred towards Othello, while setting in motion his dubious plot of lies and deceit. Through this Othello begins to believe that Desdemona is unfaithful and murders her. When Othello finds out

Jealousy is a powerful emotion that can blind oneself from identifying the truth. Shakespeare heavily emphasizes this theme throughout the drama Othello, especially through the actions of characters. In the play the heinous antagonist, Iago, uses each character’s jealousy to deceive that person and manipulate the truth. His false promises and deceitfulness bring to the demise of many of the main characters in the play, including the protagonist, Othello. Othello could not have been deceived if it were not for his powerful jealousy. Therefore, Shakespeare is telling us that jealousy is an ugly trait that can hide the truth, which in turn causes many problems between characters in the play.

Starting off, Othello allows Iago to tamper with his mind and does nothing to stop it. Othello puts all of his trust in him, but Iago is just hiding behind a mask and only wishes to torment Othello. Othello is not aware of his surroundings and the people there, making him vulnerable. If he paid more attention to Desdemona and not Iago than he would not have thought to kill his loyal wife. Othello jumps to conclusions too quickly

In William Shakespeare’s play Othello, the Iago is the most important character. It is his dreams, hopes and desires that turn him evil, bringing out the worst possible characteristics in order to achieve all the things he wants. Iago’s manipulative traits, deceitful actions and love for Othello eventually cause the death Emilia, Desdemona and Othello himself.

Shakespeare’s Othello is a play consistently based on jealously and the way it can destroy lives. One is quick to think this jealously is based on Othello’s lack of belief in Desdemona’s faithfulness to him or his suspensions over Desdemona’s affair with Cassio, Othello’s honorable lieutenant. Upon closer inspection of the jealously that exists throughout the play it becomes clear that his jealously is not the sole start and reason for all of the destruction that occurs. Iago, a good friend of Othello, is not who he appears to be. Iago’s own jealously of those around him pushes him over the edge. He begins to deceive all those who believe he is a true, honorable, and faithful man. Throughout Othello, Iago incites his own jealously in

Once a seed of suspicion or doubt is planted in a person’s mind, the noxious effect of jealousy is soon to ensue. Jealousy and suspicion are Othello’s flaws hubris throughout the play and foreshadow to the audience his imminent downfall. He believes what Iago tells him so strongly that he compromises his close relationship with his best friend and his love for his wife. Iago manipulates Othello through the use of extortion, literary techniques, and his keen judge of character. His syntax and diction are so simple yet so powerful because he uses the correct rhetorical questions and addresses Othello with respectful terms such as “my lord.” He allows Othello do most of the talking

    Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.

Jealousy is a powerful drug. When someone is jealous, one can only imagine how far someone would go because of it. In the play Othello by William Shakespeare, there were several characters that went through different ways of processing their jealousy. Iago’s jealousy provokes his idea to get back at the people he felt was not deserving enough of the things they had or their happiness. His plans succeeds but by the end, no one wins. Iago’s jealousy forms at the beginning of the play which causes Othello’s jealousy towards the end and because of it, it results in people hurt mentally and physically.

A key figure, if not the most important in the play, is that of the malcontent Iago, who sows the seeds of jealousy in Othello’s mind, and presents him with ‘proof’ to back up his suspicions. Iago acts as a catalyst to Desdemona’s murder and it is his intricate

Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs

Othello is a play about jealousy’s causes and effects. Each character in the play had different reasons to be jealous and each of them chose to deal with it a certain way. All three characters Iago, Othello, and Roderigo had such cases and in the end dealt with different conflicts and outcomes. It’s important to understand that their actions in dealing with their jealousies were a reflection of their characters, and persona.

The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which

In Shakespeare’s play “Othello” the main characters Othello and Desdemona suffer a tragic fate due to their actions and unforeseen circumstances. A majority of Desdemona’s suffering is down to Iago’s manipulation. However, it could also be argued that Iago is not completely to blame for the misfortune of Desdemona. We as the readers can see evidence of this at certain points in the play where Iago has planted the seeds of despair and Desdemona and Othello have fallen for his plans. In this essay, I will look at key moments in the play where Desdemona is presented as a tragic victim by the writer and justify why she is a tragic victim using quotes from the play.

Shakespeare portrays Othello as the general without faults, perfect. Yet, he slowly reveals the weaknesses of Othello’s love for Desdemona. For this love he will forsake anything. Iago is quick to pick on this and starts working towards destroying Othello through his only shortcoming.

In the beginning of the play, Shakespeare illustrates Othello as a benevolent military noble who shares an intellectual love with his young wife, Desdemona, that is of utmost purity and innocence. At once the evil character of Iago is introduced and uncovers the hero's tragic flaw; ultimately that of naiveté. Although Othello is usually a very even-tempered man, as can be seen when he refuses to let Iago persuade him to get angry at Roderigo, (I, ii, 6), an exteriour opposing force characterized by Iago, perpetuates the tragedy of the play by provoking the interiour opposing force, or the hamartia of the protagonist. Near the beginning of the play, Shakespeare's clever demonstration of dramatic irony allows the reader to realize Othello's tragic flaw in the fact that he hands his full trust over to a man who is "Janus-faced" and dishonest. "...my ancient; a man he is of honesty and trust. To this conveyance I assign my wife". The irony from this line lies in Othello's misconception of his ensign, Iago, who is already plotting against him for his own means. After witnessing Iago's conspiracy with Roderigo at the ruination of Othello in the previous act, the reader immediately sees Iago's villainess, however in innocence, Othello is blinded to it and by it. From this we see, as in many tragedies, the tragic hero's flaw is not actually a defect in itself, but rather an excess of a virtue. In the case of Othello, this perilous virtue