The lights dimmed in the 500-seat Bram Goldsmith theatre to reveal the Los Angeles Dance Project, a consolidation between formerly trained ballerinas and unbound contemporary dancers. A medley of old and new conjoined in the sculptural wooden interior. The raw atmosphere enhanced by the vision Benjamin Millepied and dedication of Noé Soulier in their quest for individuality. This mix of movements, seemingly simple costumes, experimental music, and spellbinding themes is showcased in these four mesmerizing dances.
Choreography
The show is enhanced by the choreography of Noé Soulier and his introspective idiosyncrasy. The memorable introduction “A Second Quartet” is a quirky and seemingly random piece backed by an experimental creation process. Odd arm and torso twists were tied together through meticulous repetition, directional changes, and dance phrases passed through dancers. “In Silence We Speak” a 15 minute ode to human connection followed which featured the emotionally eloquent Rachelle Rafailedes and Janie Taylor. This piece highlighted core ballet techniques expanded upon with sharp head tilts and inelegant connection. Showcasing the tender imperfection of interaction, this piece included breathtaking partner work and fast sequences. “Closer” the subsequent duet explored the story of a couple of through extraordinary lifts, continuous kicks, and moments of silence. This whirlwind used the choreography to express joy, its contrary, and unformidable peace.
On February 2, 2017, I was given the opportunity to view Innovative Works, performed by Charlotte Ballet, and created by Jean-Pierre Bonnefoux, in the Patricia McBride and Jean-Pierre Bonnefoux Center for Dance. Charlotte Ballet has been around Charlotte, North Carolina for twenty-five years as a professional company. Bonnefoux created the performance to announce the passion and intensity of each movement the dancer’s performed along with assistance from Mark Diamond, Sasha Janes, Sarah Harkins, and David Ingram. Before viewing the performance, the Dance Department of Coker College was given a tour around the building. During the tour, information was provided about how long the company has existed, we were able to visit the costume design
Mauro Bigonzetti choreographed the first performance, Deep. This contemporary piece infused African influences that focused on togetherness of the human community. As the dancers brought their arms and legs together in a crossing shape towards their hearts, they expressed love and togetherness. Also, the angular movements with a contrast between sharp and smooth complimented the effortless lifts and breathtaking moments that made the audience wonder how they execute such strength and grace. Also, the choreographer’s use of modern music with a twist of African influences was a great mesh between tradition and modern day.
The melody sounds somber and serious and the energy of the dancers suddenly changes. A spoken word takes place and all of the dancer begin to tell their stories of pain and struggle through movements. The spoken word talks about the journey of men and women who overcame social injustice. In the dancer's movements you could clearly see how they correlated together. Movements were powerful and restraint at the same time giving the audience the idea of the women were pushing through something that was bearing them down. There was a lot of expansion in the chest, back, and arms followed by contractions in the body. As soon as the spoken word was finished the mood of the piece change again and the pianist began to play a upbeat tune that brought the dancers back in to a more positive and high spirit. A lot of polyrhythms take place as the dancers jump high and move their arms back and forth moving throughout the space. This happens in unison at first and then solos, trios, and duets happen in this section of the dance. The expression on their faces add charismatic charm to this piece. Their expressions continue to move them into different emotions and feelings that are relatable to everyday
Watching a video of a dance piece called “The Moroccan Project,” choreographed by Alonzo King was quite impressive. Living in San Francisco and taking dance classes brought me to Lines Ballet which is King’s dance studio. I have seen a great deal of different types of dance at the studio waiting for my Ballet classes and there are some great dancers. It comes as no surprise that Alonzo would have such great dancers. It appears that Alonzo King is exploring different cultures in dance in Contemporary Ballet. His near-perfect choreography is articulate, passionate, and graceful- he brings diversity in dance to San Francisco and other parts of the world. This piece articulates the expression of the two dancers coming together yet dancing apart at times- it is a fusion of several different types of dances into one using video editing to create a story about the coming together of two individuals.
When it comes to speaking or performing in front of an audience, everyone has their own ways of handling the situation, even if they don’t have a fear of a big audience. Some people imagine their audience naked and some imagine themselves somewhere else. This trick to performing is expressed in both “Lost in Motion” and “Lost in Motion 2” These short films depict two professional dancers performing breath-taking moves, all while in perfect elegance. These two short films have both similarities and differences. The comparison of these films can be best categorized by its setting, its mood, and its music
dancers dedication to making Miss Kalie’s vision connect with the audience onstage. The dance won a plantinum award to kick off a
21st of May, California State University of Long Beach held the CSULB Dance In Concert at Martha B. Knoebel Dance Theater with the collaboration and choreography by the CSULB dance faculty such as Colleen Dunagan, Rebecca Lemme, Sophie Monat, Andrew Vaca, and featuring guest Laurel Jenkins and Doug Varone. From the show, the dances represented through various genre such as contemporary, contemporary ballet, and modern dance. The element of contemporary defines as a collaborative style that includes modern, jazz, ballet, and hip hop. All these styles of dances were shown by connections after each intermission. In particular, I will concentrate mostly about contemporary dance out of all the dances in the concert and talk about the effects on three out of six performances. The performances reflects mostly on how we describe life and nature and partially define life to every aspect of the emotion were being introduced by the dancers.
Mrs. Farrell’s book is quite technical when it comes to the lengthy descriptions of the dances she rehearses and performs; from a dancer’s view these varied conclusions of the types of movements she was dancing is quite astonishing. In fact, it adds a whole new level to the imagination that can come alive in a person’s thoughts when they read an expressive book. Although the technical explanations will excited, astound, and reveal how much passion and deep meaning ballet had in Suzanne Farrell’s life, but a reader, who may not be involved in the arts will be unfamiliar with the ballet and musical terms in
The short story of Leiningen Versus the Ants is a story in which the human versus nature aspect takes over. Leiningen soon realizes that even though he is a human nature can still overpower. He thinks that just because he is bigger and maybe even smarter, than the ants that that means that the ants could never stop him. When a person is forced into a conflict with nature they will soon realize nature is much more powerful than they think because nature has much more power than almost any human in existence. Throughout the story Leiningen has different opinions on the ants.
On April 14, 2017, my friend and I visited for the first time Salt Lake City Community College dance company’s annual performance. The show was presented at the Grand Theater at the South City Campus of the college. The performance’s name “Moving Words” imply what the audience was about to experience. “Moving Words” consists of 18 different dances and each of those dances brought a unique feeling to the overall performance. I thought that the dancers and choreographers have done an amazing job. However, after seeing all the different dances there were two that stuck together with me, because of the ideas and the morals these dances introduced.
Whether we look at a romantic ballet like La Sylphide or a classical ballet such as Sleeping Beauty, audiences are constantly mesmerized by the gracefulness and weightlessness of the ballet dancers. They seem to defy the laws of physics, which is greatly possible due to the use of the pointe shoe. However, many masterworks that were created in the Romantic era did not solely rely on the pointe shoe to help convey messages. Instead, the choreography, dancers, scenic elements, subject matter, and music all helped shaped masterworks such as La Sylphide, Napoli, and Giselle. Similarly, in the Classical era, these elements all played a role in shaping famous ballets like La Bayadere, Sleeping Beauty, and Swan Lake. But once we take a closer look at these ballets from the Classical era, we can see how much ballet evolved. Nevertheless, it is important to note that the Romantic era was the stepping stone for this pure art form that we have been able to preserve for more than 160 years.
Do you remember when you were a kid, there was that one place that always seemed so amazing, but once you got there you were so disappointed? When you are a kid, a disappointment like that seems to be a big deal. Well when I moved to Texas, it was just that. The worst place I have ever tried living, was in Bethel, Texas. There are numerous reasons that make me say this including, the excessive oil drilling, how spread out each town is, and how god awfully ugly it was. I would never recommend going there. I moved there, and within a month, I came back home. Even if I think of it as a Vacation, it still was a horrible experience.
Jerome Robbins’s incredible dance history and background is what has left him ranked so highly in the musical theater industry today. From working to dazzle his audiences, Robbins can be held responsible for the industry’s serge in popularity over a short amount of time. It can be said by many that Robbins took a fresh approach to choreography to introduce to the world with a more energetic and dynamic performance to display. Robbins creative work elevated the role of dance in musical theatre, which was claimed to be the industry’s ‘Golden Era’.
Marijuana is illegal in 48 of the 50 states, but the drug will most likely be legal in the near future. The heated debate on whether the “illicit drug” should be legalized in all 50 states keeps resurfacing. The most popular recreational drug in the United States today is marijuana. The formal name for marijuana is Cannabis but it also goes by a number of other street names including bud, grass, weed, reefer, ganja, hemp, and herb. “In 2011, more than 18 million Americans aged 12 and older reported using the drug within the past month” That is a very large amount of people that have used the drug even before it was legalized in two states. The government has thrown unproven facts about the harmful effects of marijuana to the people to scare them. The United States government has stated that Cannabis does cause lung cancer and includes many carcinogens, chemicals that cause cancer. Scientists and researchers have proven the exact opposite considering the drug is now used in many cancer treatments. With this being said, marijuana is not a perfect medicine either. Some of the harmful effects include posing a major irritant to the lungs and increased chance of a heart attack. There are always alternatives to work around these harmful effects. For example, marijuana can be eaten which would cause no irritation to the lungs in any way. As far as the increase chance of heart attack goes, any exercise raises the heart rate just as marijuana does. This means that you
No Boundaries was a technical and creative dance performance filled with diversity within its style. Each scene separately displayed its own theme, while conveying a unique message in a way that was both entertaining and intriguing to the audience. In my opinion, the title No Boundaries means being able to have the ability to express oneself in a way that is both independent and emotionally self-gratifying. The title of the production was illustrated within the choreography through each scene’s individual abstract and technical concept, similar to each of the dancers’ interpretation of skill. Although, each scene had its own separate conviction, its ideology didn’t fail to coincide with the overall dynamics of the artistry.