Bram Stoker 's Dracula And Van Helsing

Throughout the novel Dracula, the text prominently features the ‘uncanny.’ In literature and other texts, the uncanny refers to an unfamiliarity that is frightening familiar. It’s presence in Dracula is obvious as we and the novel characters see Dracula as uncanny. Both appropriations of Dracula, Nosferatu (1922) and Bram Stoker’s Dracula (1992), reflect their context and hence reflect the values, idea and themes prominent in their context. Nosferatu resembles its isolated German Expressionist Cinema context through its jewish propaganda portrayed by many techniques, most notably its heavy use of dramatic lighting. Bram Stoker’s Dracula’s contrasting themes include its romanticisation of Dracula which expresses the romantic notions prominent

Vampire stories introduce the reader to mystery and suspense and also very interesting effects, but did you know that the story of Dracula has plenty of literary elements that better help the reader analyze and understand the story better than before. Dracula is a Vampire/Victorian book that expresses a lot of elements for example: symbolism. Literary terms such as gothic and romantics are terms used to discuss, classify, and analyze novels, poetry, and books like Dracula. These terms are the most important aspects in a piece of work. Throughout the book: Dracula many terms are present to discuss or classify the author’s work that will lift the reader knowledge. Literary terms are defined as: the writer’s message in a simple manner to the

Jonathan Harker and Van Helsing are arguably the most interesting characters in the story. Jonathan is the first character in the story to encounter Dracula, and Van Helsing is the professional who assembles the band of vampire hunters. Both men are important to Dracula’s inevitable downfall, although Jonathan has more to lose since his wife is also involved in this nasty work.

Are there still connections between Bram Stokers famous novel Dracula and modern day society? In Dracula, Stoker expands on many themes that indeed exist today. Not only does he touch on the most obvious theme, sex. He expands on gender division and good versus evil. Some say since times have changed the themes I introduced have changed as well, leaving connections between then and now irrelevant. However, I feel that although times have changed they still have roots from the time of the novel to now. In this essay I will expand on the themes of this novel while connecting them to modern day society, the critical texts I have chosen and will mention later on in the essay are a good representation of the commonalities between the chill, dark Victorian days in which the era that Dracula was written in and modern day.

Unremarkable though it may seem, to affirm the obvious truism that Bram Stoker’s Dracula originates from a century that historians often describe as the most significant in terms of revolutionary ideology, whilst wishing to avoid the clichéd view held, it is undeniable that the more one delves into the depths of this novel the greater wealth of meaning demonstrates significant correlation with Marxist ideology. The 19th Century saw the emergence of revolutionary socialist Karl Marx, who himself used the vampire metaphor to describe the capitalist system as ‘dead labour which, vampire like, lives only by sucking living labour’. Through Stoker’s opulent use of narrative structure, use of setting and imagery, this novel presents a multiple

Bram Stoker’s Dracula does not follow the norm of the nineteenth century novels, that is, it is not written in a straightforward narrative but instead comprises of a collection of letters, journal entries and diary scrawls. Apart from that, it also includes a ship's log, numberless clippings from newspaper and also, a "phonograph diary.” This form of writing invariably helps in developing the “mystery” aspect of this horror novel since it either gives us no information about a particular thing or gives us information from various points of view so that it is impossible for the readers to come to one conclusion and they keep playing with different possibilities in their minds.

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

In Bram Stoker’s Dracula, there is a plethora of ways the novel can be critically analyzed, but there’s one theory in particular that I found the most interesting to apply. I used the theory of deconstructuralism to critically analyze Dracula, and to help break down the story into particular meanings and themes that can contradict the typical perceptions and first impressions of the novel. To better help complement my analysis, I read and analyzed another popular article by John Paul Riquelme, titled “Doubling and Repetition/Realism and Closure in Dracula”. As his title suggests, Riquelme touches upon this theory of deconstruction in Dracula by arguing the doublings, the repetitions, and the elements of realism provided throughout the

In everyday life, as in literature, there will always be an opposing force to evil. In the novel “Dracula,” by Bram Stoker, Professor Van Helsing acts as Dracula’s main antagonist. An antagonist is the character who acts against the main character, which increases the conflict of the story and intensifies the plot. Through the use of theme, characterization and specific events, the author shows readers how Dr. Van Helsing effectively fits the role of Dracula’s most threatening adversary.

In the novel, Dracula written by Bram Stoker, Dr. Abraham Van Helsing is a Dutch professor from Amsterdam. The novel emphasizes power of religion against a greater evil. Count Dracula is the devil-like figure in contrast Van Helsing is the God-like figure. Van Helsing is a well-suited opponent against Count Dracula since he is the only person that has that understands Dracula’s true nature. He is a godly, intelligent and witty character.

Bram Stoker’s Dracula: A View of the Victorian Era and its Social Ideologies For my research project, I chose Bram Stoker and his work Dracula, and the social implications that came with the story. Not only are vampires a relevant topic to today’s youth due to other books, movies, etc., but Stoker’s Dracula has stayed prevalent to the changing times.

was nowhere to be seen. Then one day, as Van Helsing was eating a late

‘Dracula’, written by Irish author Bram Stocker, is part of the Gothic fiction genre, which explores the disintegration of scientific understanding, control and social order. The villain in the book has supernatural powers which challenge science as one way of understanding the world. Count Dracula is defeated by the heroes, joining modern science with understanding of vampire legends, which brings back order to society. Dracula, the main villain, is a centuries-old vampire who has enormous physical strength, is capable of controlling nocturnal animals, has hypnotic abilities and can also change his form into several different ones.

Bram Stoker’s Dracula is the story about how the small company of men and a woman lead by Professor Abraham Van Helsing combats against Count Dracula, who moves from Transylvania to England in order to manipulate people as “foul things of the night like him, without heart or conscience, preying on the bodies and the souls of those [they] love best” (223). Stoker employs an epistolary format in this novel and nowadays, Dracula becomes one of popular literary works representing epistolary novels written in the nineteenth century. The term “epistolary novels” refers to the novels composed of different types of documents, such as journals, letters, newspaper clippings and so forth. One of the effects created by using an epistolary format is

Horror is one of the characteristics of Gothic story and it has been depicted in an outstanding way in the story. Moreover, many people find horror as a compelling factor that made them read the story, horror has been shown in the story by Count Dracula, the ruthless and evil monster. Count Dracula is the antagonist in the story is on the path of destruction, infecting people in his way and increasing his