Brave Fight Scene Analysis Essay

During the scene in which Barry Fife confronts Scott about his fathers ‘past’, there is an initial close-up of Scott as he finds out about his father, which shows shock and disbelief written upon his face, and shows a sense of repression where the camera is entirely upon Scott. This mirrors with the context of the film, as Barry is confronting Scott with a doctored truth that leaves him confined between a choice of self-happiness and the felicity of another. A crucial shot within this scene is a one of Barry Fife at the forefront of the camera, whereas Scott is placed in the shadow behind him. This embodies not only a sense of entombment that Scott must face with powers beyond his control but also depicts Barry Fife’s selfishness due to his manipulative ways that casts others in the background, and leaves them trailing in his wake. As Scott and Fran dance their own steps at the Pan Pacific championships, the camera techniques used within the scene are able to show the liberation felt by Scott as he dances his own steps. The scene starts off in slow motion as Scott slides in, and the focus is placed upon him which represents a moment of opportunity that allows Scott to shine through the voice of his steps. As Scott and Fran dance, the background is faded and the focus is entirely on them, symbolising that there has been no

Malcolm is also standing towards the center of the stage because not only does this show fathership, but also because he is supposed to inherit the throne from his father. Ross is kneeling towards King Duncan to the side to show loyalty to the country, but also how Ross does not have much power. Captain is standing near King Duncan because this shows the importance of Captain because he is the one who tells King Duncan of Macbeth and the victory. “The victory fell on us” is spoken by Ross, but the Captain is the one speaking the most to King Duncan in the scene. King Duncan and Malcolm are wearing purple and crowns to show royalty and good use of power. The captain is wearing white, to show innocence, with red blotches to show injury as the result of the war and dedication to the country. Ross is wearing white as well to show innocence. King Duncan is very awed that they won the war, but he is also praising and glorifying Macbeth by having a joyful facial expression. His body is open to show welcomeness to Macbeth as being a new power-holde, after the

The Battle of Gettysburg, the bloodiest battle in the Civil War, was a battle that defined the future of America. This battle was the turning point of the Civil War, and it tested the resolve of the men it encompassed. The place, the men, and the battle became a major part of American history.

Scene Two, however, is a stark contrast to the previous scene. In this scene we first meet Duncan, the King of Scotland.

In Act 1 Scene 3, Kurzel chooses to use multiple angles to display the characters' interaction. He uses low-angle close-ups of Macbeth and Banquo's journey across the land and mid-angle long shots of the witches approching the men from the distance. As the witches begin to walk away and Macbethin worriedly demanding them to stay and speak, Kurzel uses an extreme long shot to emphasize the distance from which the witches are now far from the two men. The camera pannign to Macbeth's face is the mark of realization to claim the throne, and what he feels may occur if certain people stand in the way of him and the

 I do not need to remind you of the great scenes preceding the murder, in which Macbeth and his Lady pull themselves together for their desperate effort. If you think over these scenes, you will notice that the Macbeths understand the action which begins here as a competition and a stunt, against reason and against

(Jacobelli). A circus show called a pompa would entertain the audience before the actual fight

The scenes selected in this reenactment include Act 1 Scene 3, Act 2, Scene 2 and Act 5, Scene 8. These acts were chosen to be reenacted because they include some of the most important points in the plot in the entire play. Throughout Act 1, Scene 3, Macbeth meets the three witches and learns of his destiny to become king of Scotland. This is an important scene to include because the rest of the play revolves around Macbeth’s actions in order to fulfill his destiny. This scene essentially sets up the rest of the play. To add, Act 2, Scene 2 was chosen because it contains the murder of Duncan in order for Macbeth to become king and reign over Scotland. This is a crucial scene to include as many of Macbeth’s actions in this scene cause implications later on in the play, when people finally begin to discover Duncan’s true murderer. Moreover, this scene demonstrates a major theme in the play, excessive ambition or hubris. Alike many other tragic heroes, Macbeth’s tragic flaw is hubris relating to his strong desire to become king. Macbeth’s longing to become king compels him to murder the current ruler of Scotland, Duncan, creating further

Later as the clip progresses, the Scottish men are seen lining the field, waiting for battle. As they are urged forward to battle, Hamish threw his sword into the air, causing it to plunge into the ground, creating a diagonal line, clearly signifying tension and energy as they prepared

 I do not need to remind you of the great scenes preceding the murder, in which Macbeth and his Lady pull themselves together for their desperate effort. If you think over these scenes, you will notice that the Macbeths understand the action which begins here as a competition and a stunt, against reason

The first element of this that stood out was the fact that the deaths of Duncan, Banquo, Banquo’s son, and Macbeth, as well as the big fight scene between Macbeth and Macduff were all displayed in shadow form on a large screen hanging behind the stage. By displaying these scenes on the screen, it made them larger in appearance and allowed them to make a large statement. Every scene that was displayed in this way on the screen involved some kind of gain in power. Every death on the big screen allowed someone else to move up in power, and the fight was one big struggle for power itself. By displaying acts of gaining power on a big screen, the production made power an extremely obvious message. Another creative choice that was noticeable was that immediately after Duncan’s death and Macbeth’s naming as Thane of Cawdor, Macbeth always was dressed in a wardrobe that was evidently nicer than the rest of the characters. Macbeth wore a draped fur cape with a nice- looking outfit under it. The rest of the men and people in the play wore what appeared to be T-shirts with a leather vest over them. During the battle scene, the other characters remained in their same outfits, while Macbeth was in a full metal suit of armor. These small creative costume choices display outwardly Macbeth’s internal thoughts on his power and importance in relation to the other cast members. The final creative choice that stood out was the death of Macduff’s wife and child. This was not a death of power gain like the others, but still displayed power. The scene showed his pregnant wife and young son being killed by men that were sent by Macbeth. This scene focused on the vulnerability of the woman and child in order to show that power was so important to Macbeth that he would even kill the completely innocent and helpless in order to instill fear in his power. This creative decision to have this specific

Ross retrieving crown scene. This scene, when tied with the previous scene at the castle of Macduff, shows Ross as being a double sided character. When Polanski first suggested that Ross was the “mysterious” third assassin, we are lead to believe that Ross is like a right hand man for Macbeth. In the film, when Ross arrives at the place of Banquo's murder you can see that he is the “odd” murderer. This being that he has the highest rank and most notable title of the three men sent to do the deed of silencing Banquo. After Banquo's death Ross seems like Macbeth's messenger of death (in the movie). Ross is later connected to the deaths of the two murderers, and the entire Macduff clan- both groups being looked badly upon by Macbeth. Near the

The narrator is both considerate and brave. Brave because he decided to break into the apartment and considerate because he gave the money back to his mother. Not many children do that these days. They rather lose that money and move on as if it nothing had happen. Junot on the other hand did. Junot must’ve felt proud that he had done this. For example, Diaz writes, “ And that was how I solved the Case of the Stupid Morons. My one and only case… guess I was expecting my mother to run around in joy, to crown me her favorite son, to at least cook me my favorite meal. Nada. She just looked at the money and then at me and went back to her bedroom and put it back in its place.” Junot didn’t wanted Dolts get away with the money. He expected his

There are laws of war address declaration of war, acceptance of surrender, and the treatment of prisoners of war. However in times of war soldiers are often unable to abide by the usual moral standards of war. When it comes down to a moment where a rash decision has to be made it normally is unacceptable and immoral. In the movie Saving Private Ryan there is a realistic portrayal of combat and the morality of war. Several different characters in the film partake or experience the malleability of morality during combat. In times of war people do what they feel they must do whatever the cost in order to survive, many times this is against their moral compass.

This shows Duncan's kindness even towards the country enemy. He also knows that he has to fight for his country even if that mean he has to kill a man he build a trust with. This shows Duncan is a warrior, very brave and