Breakfast At Tiffany's Compare And Contrast

Is the novel making the same point about the value or ideas as the film? If so, how? If it is making a different point about the value or idea, how is it different?

The Great Gatsby is a novel which critically discusses the ideals of the American Dream and recapturing the past. In the film adaptation, producer Jack Clayton stays very closely to the plot and even quotes the novel verbatim but fails to capture the essence of the themes portrayed in the novel. The text did not translate well into film; some facts are distorted, the depiction of the characters are different, the general ambience of certain settings do not match, and the movie is weighted towards the beginning of the book, with half of the movie based closely on the first two chapters of the book.

Normally, when a movie is made about a story in a book the two stories are not exactly the same. The movie is adjusted by adding small details or leaving out some parts in order to make the story more

Comparing the play versus, the movie versions of A Streetcar Named Desire has been entertaining and enlightening. Originally written as a play, Tennessee Williams later adapted it into a screenplay for the film version. Consequently, both versions were extremely popular in their own right. Drama and social taboos create an emotionally charged viewing adventure. Williams characters are complex, exciting and just crazy enough to keep the audience spellbound. The DuBois sisters are complete opposites sharing only their love for each other as common ground. Blanche, the older sister, shows up for an impromptu visit with her sister Stella Kowalski. Stella and her husband Stanley live in New Orleans, in the French Quarter. Blanche has become destitute and has lost the family plantation. Stanley, incensed by the idea that Blanche has taken the plantation from him, sets out to destroy her by any and all means. The characters and performers provide a riveting and consequently soulful performance that is hauntingly unforgettable. Williams writing moves the audience to tears with dynamic characters, conflict and catastrophe of unimaginable depth.

Gow uses tragedy to express the effect the grief and loss The Vietnam War had on the families of soldiers. Throughout the start of the play, Gow portrayed the character of Coral as depressed. In Act 2 Scene 3 Gow alludes to The Vietnam War, and the effect it had on the families when Roy (Corals husband) says, “We are not the first people in the history of the world to lose a son in war.” To allow the modern audience to understand the effect that The Vietnam War had Gow portrayed Coral as depressed. Throughout Act 2 Scene 3 a juxtaposition is used with Coral continuously being referred to as “Kim Novak”. Today’s Australian audience would not know who Kim Novak is. Kim Novak was a gorgeous American Actress in the 1950’s. Harry alludes to an old Chinese phrase, “The Chinese don’t believe in being too upset when someone dies. That would mean you thought they’d died too soon and what they’d done up till then didn’t amount to much.” in Act 4 Scene 1, when referring to Tom’s illness; cancer of the blood. Gow uses this phrase as a way of explaining to the modern audience the beliefs that the people in the 1960’s stood by.

Based on Tennessee William’s A Streetcar Named Desire, Elia Kazan creates an award winning movie that helps readers visualize Stanley’s primal masculinity, the inner torments of the Kowalski women and the clash of the other characters’ problems which create a chaotic mess. Using stage directions in the play, William hints that Blanche is not who she appears to be while the movie subtly sheds light on Blanche’s strange little habits that suggests a bigger issue. The movie also censors many of the main themes in Williams’ play but makes up for it by having its actors flawlessly portray the characters’ emotions, allowing the readers to see the

When a movie comes out made after a specific novel, the screenplay eliminates most of these minute differences. For example, the letters in the beginning of the novel were depicted as high action scenes rather than in letter format.

The biggest similarity between the book, and the movie is the theme. The theme in both the book, and the

This novel was also turned into a movie in 1962. The movie and the book had both similarities and differences. For instance, the relationship between Atticus and the African Americans was a similarity between the book and the movie. On the other hand the absence of Aunt Alexandra in the movie was a prominent difference between the book and the movie. The book and the movie were both good ,but there were similarities and differences in each .

Both Gatsby and Blanche are vulnerable because of the illusions they create that form part of their identities. In the beginning of their respective novels, The Great Gatsby and A Streetcar Named Desire, they are cunning, calculating, and self-aware of their illusions. They try to escape from their barren pasts and create entirely new, magical lives for themselves, ones that they are able to control. Gatsby exudes power, status, and confidence, “picking his words with great care” at his party so that he can attain Daisy. Blanche is equally careful, telling herself to “ keep hold of [my]self” and restraining the amount of alcohol she drinks. But as the novel progresses and they unravel their true selves, they forget where they stem from and begin to believe in the magical world they are creating. Gatsby becomes so infatuated with Daisy that he completely forgets about the impracticality of their relationship as Daisy is already married to Tom; he thinks that he can “fix everything just the way it was before” with the power of his persona. Similarly, Blanche begins to believe that she can marry Mitch and achieve her dreams of being wealthy, being respected, and having an ideal relationship but without telling anybody about her past. But once they are close to achieving their dreams, their illusions are shattered by more powerful characters in the novel. Daisy openly admits her love for Gatsby, and they begin to regain the love they once shared, but Tom shatters both Gatsby’s

A Streetcar Named Desire 's original drafts were started in the early 1940s by playwright Tennessee Williams, who prepared and tested numerous titles for the work. Eventually, the completed play opened on December 3, 1947 in New York City staring Marlon Brando as Stanley Kowalski and directed by Elia Kazan. This run of Streetcar lasted 855 performances until 1949 and won Williams a Pulitzer Prize and the New York Drama Critics ' Circle Award. Later, in 1951, the film version was adapted and stared Brando along side Vivien Leigh as Blanche with Kazan holding the seat as director once again. Both the play and film adaptations of A Streetcar Named Desire have received critical acclaim and much success, so much so that Williams work is both

In recent years, it has become popular for many of America's great literary masterpieces to be adapted into film versions. As easy a task as it may sound, there are many problems that can arise from trying to adapt a book into a movie, being that the written word is what makes the novel a literary work of art. Many times, it is hard to express the written word on camera because the words that express so much action and feeling can not always be expressed the same way through pictures and acting. One example of this can be found in the comparison of Ken Kesey's novel, "One Flew Over the Cuckoo's Nest, and the film version directed in 1975 by Milos Forman.

Holly is wanderlust. She is the embodiment of a globetrotter. She has a hunger for freedom and it shines through her everyday activities. Holly is disbursed by her need to always escape from places, people and things. Even Holly's identity is in a constant state of change. Holly adopts the name "Holiday Golightly", which summarizes her approach on avoiding stability by making a holiday out of life, and deserting relationships and responsibilities that she feels interfere with her freedom.

Honesty, in spite of every comment, action, and obstacle Holly faces, she is a firm believer that she is an honest individual. Though both sides of this spectrum are discussed in the novella/film, even those doubtful of her stance also share a form of agreement with her. "You're wrong. She is a phony. But on the other hand you're right. She's not a phony because she's a real phony. She believes all this crap she believes. You can't talk it out of her"- Oj Berman. As an existential rogue, Golightly's personality is layered in numerous ways. Her honesty derives partially from her atheistic views towards life. The atheistic existentialist believes that there is no inherent meaning to things, but that life itself and it's many outcomes is determined by the choices one makes. Holly is presented with opportunities to mold her manner of speaking, acting, dressing,career path she chooses, and the whom is worthy as a potential suitor in accordance to society's

“Oscars So White” a phrase that began trending on social media sites after the 2016 Academy Awards announce their nominees for Best Actor and Best Actress, it was predominately white for a second year in a row. The movie industry is no stranger to controversy and since its inception it’s constantly been guilty of underrepresenting ethnic people. It’s evident that film is a type of mass media that has a certifiable amount of power to influence audience’s views, yet this platform constantly disregards the need for diversity in favor of stereotypes. Movies such as Breakfast at Tiffany’s (1961), Scarface (1983), and Pan (2015) are all guilty of this. The depiction of non-American characters in Hollywood movies are constructed around racial